Âåðñèÿ äëÿ ïå÷àòè òåìû
Íàæìèòå ñþäà äëÿ ïðîñìîòðà ýòîé òåìû â îáû÷íîì ôîðìàòå
DD forum _ Äæèëëèàí _ Interviews
Àâòîð: Âèêòîðèÿ 6.9.2011, 0:35
Sunrise on 7 interview: http://au.tv.yahoo.com/sunrise/video/-/watch/26523580/johnny-english-reborn/
Kylie Speer interview: http://www.yourmovies.com.au/news/?i=218643&action=news
Àâòîð: Âèêòîðèÿ 6.9.2011, 3:51
http://www.abc.net.au/news/2011-09-06/interview-with-gillian-anderson/2873686
Johnny English Reborn - Gillian Anderson: http://www.youtube.com/watch?v=_0T-6W3daM0
Àâòîð: Âèêòîðèÿ 6.9.2011, 8:36
Gillian Anderson - 7PM Project September 6th 2011: http://www.youtube.com/watch?v=j3XJqVvLyYg
Àâòîð: NikitA 6.9.2011, 11:33
Ñïàñèáî, Âèêòîðèÿ, ÷òî ñîáèðàåøü âñ¸ â êó÷êó 
Áåçóìíî êëàññíàÿ âî âñåõ ðîëèêàõ 
Àâòîð: Âèêòîðèÿ 6.9.2011, 13:53
È ìíó îïðåäåë¸ííî íðàâèòñÿ âñ¸ òî, ÷òî îíà ãîâîðèò ïî ïîâîäó ÑÌ3
Àâòîð: NikitA 6.9.2011, 15:08
ãîâîðèò òî, ÷òî ìû õîòèì ñëûøàòü 
Àâòîð: Âèêòîðèÿ 6.9.2011, 15:11
È ïðàëüíî äåëàåò! 
Ïðåäïî÷èòàþ äóìàòü, ÷òî òàì äåéñòâèòåëüíî ÷òî-òî ïðîèñõîäèò
Àâòîð: Âèêòîðèÿ 7.9.2011, 0:51
Gillian Anderson on Breakfast: http://www.youtube.com/watch?v=cdeYEHV4y2Y
Àâòîð: Âèêòîðèÿ 7.9.2011, 0:55
È åù¸ áûëî èíòåðâüþ íà ðàäèî, ññûëêè ïîêà íåò.
http://radikal.ru/F/i030.radikal.ru/1109/7c/197e882e9590.bmp.html
http://www.radikal.ru http://www.radikal.ru http://www.radikal.ru http://www.radikal.ru
Ãîâîðÿò, ÷òî îíà ñêàçàëà î ðàáîòå â Barbiedoll â ËÀ ñ Õèçåð Ãðýì è Áðîäâåé âåñíîé!
Àâòîð: Âèêòîðèÿ 7.9.2011, 4:09
http://radikal.ru/F/s11.radikal.ru/i183/1109/d7/203dc6f76714.jpg.html http://radikal.ru/F/i039.radikal.ru/1109/a8/8e916cba89e6.jpg.html http://radikal.ru/F/s46.radikal.ru/i111/1109/f9/b0b1d2c8c536.jpg.html http://radikal.ru/F/s51.radikal.ru/i131/1109/7c/8096d178ab47.jpg.html
Àâòîð: Âèêòîðèÿ 7.9.2011, 5:06
Here's me and Gillian Anderson. I look like a total gimp. I can actually taste my nuts.
http://fastpic.ru/view/29/2011/0907/8df383e2cf0d68f6c126afc28c08c874.jpg.html
Àâòîð: Âèêòîðèÿ 7.9.2011, 6:33
Gillian Anderson - The Circle 2011-09-07: http://www.youtube.com/watch?v=Tn03Kw2i4Lw
Àâòîð: Áåëàÿ Òèãðèöà 7.9.2011, 7:01
Àâòîð: Âèêòîðèÿ 7.9.2011, 12:47
Gillian Anderson visits ABC Radio
http://radikal.ru/F/s12.radikal.ru/i185/1109/66/9c0d2b9887a5.jpg.html http://radikal.ru/F/s015.radikal.ru/i332/1109/c0/8737eaf14b50.jpg.html http://radikal.ru/F/i045.radikal.ru/1109/bf/8596605ecea9.jpg.html http://radikal.ru/F/s57.radikal.ru/i158/1109/64/b64163d1015a.jpg.html http://radikal.ru/F/s009.radikal.ru/i310/1109/fe/a943317dce66.jpg.html http://radikal.ru/F/s50.radikal.ru/i127/1109/e4/962077c97a92.jpg.html http://radikal.ru/F/s19.radikal.ru/i192/1109/4f/5c3203466448.jpg.html http://radikal.ru/F/i026.radikal.ru/1109/58/6a742f9b490a.jpg.html http://radikal.ru/F/s49.radikal.ru/i124/1109/f0/08ac90fbb2e1.jpg.html http://radikal.ru/F/s53.radikal.ru/i140/1109/84/9b3b7c9705a7.jpg.html
Àâòîð: Âèêòîðèÿ 7.9.2011, 12:50
http://radikal.ru/F/i059.radikal.ru/1109/8b/d098e0847671.jpg.html http://radikal.ru/F/i024.radikal.ru/1109/70/422b947005a4.jpg.html http://radikal.ru/F/s55.radikal.ru/i150/1109/ad/bb9feb98aa8b.jpg.html
Àâòîð: A.N.Onym 7.9.2011, 13:13
Îíà âåëèêîëåïíà ïðîñòî! 
Àâòîð: Âèêòîðèÿ 7.9.2011, 14:06
Äà óáåéòå ìíó êòî-íèòü óæå! Ó ìíó ïåðåäîç îò ôîòîê, è îíà ñ êàæäûì èâüþ ñòàíîâèòñÿ âñ¸ êðàñèâåå!!
Gillian Anderson in the green room of Up Late
http://www.radikal.ru
Àâòîð: A.N.Onym 7.9.2011, 14:17
OMG!!!
Àâòîð: NikitA 7.9.2011, 15:27
Î÷óìåòü ìîæíî
Àâòîð: Fenix 7.9.2011, 17:07
Àâòîð: Èðèí@ 7.9.2011, 19:10
Ïîòðÿñàþùàÿ!
Àâòîð: Áåëàÿ Òèãðèöà 7.9.2011, 23:15
Äàéòå HQ! 
Àâòîð: Âèêòîðèÿ 8.9.2011, 3:44
Kerri-Anne Interview: http://www.youtube.com/watch?v=yW55pAsRff8
Àâòîð: Âèêòîðèÿ 8.9.2011, 5:27
Ðàäèî-èíòåðâüþ: http://www.abc.net.au/local/audio/2011/09/07/3311944.htm
http://radikal.ru/F/s41.radikal.ru/i094/1109/d3/00c0645ceb01.jpg.html
Ñêà÷àòü ýòî èíòåðâüþ: http://www.sendspace.com/file/gcwbja
Àâòîð: Âèêòîðèÿ 9.9.2011, 0:50
http://radikal.ru/F/s50.radikal.ru/i127/1109/ab/e4509e1c75f3.jpg.html http://radikal.ru/F/i058.radikal.ru/1109/85/05485f8dcf07.jpg.html
Àâòîð: Âèêòîðèÿ 9.9.2011, 1:37
SMH Interview: http://www.smh.com.au/entertainment/movies/atkinson-rowan-atkinson-20110908-1jy8q.html
Àâòîð: Âèêòîðèÿ 9.9.2011, 11:08
http://radikal.ru/F/s006.radikal.ru/i215/1109/0f/01f9ce5109ef.jpg.html http://radikal.ru/F/i025.radikal.ru/1109/98/4a81baea3589.jpg.html http://radikal.ru/F/s47.radikal.ru/i116/1109/15/ed298d808e54.jpg.html http://radikal.ru/F/s016.radikal.ru/i335/1109/c8/4f91fad8ec86.jpg.html http://radikal.ru/F/i049.radikal.ru/1109/80/1e0b3ecdd4bf.jpg.html http://radikal.ru/F/s56.radikal.ru/i153/1109/ac/8fd4e5d8b4ce.jpg.html
Àâòîð: Fenix 9.9.2011, 16:56
Àâòîð: Âèêòîðèÿ 10.9.2011, 4:39
Ñêà÷àòü Up Late Show: http://www.megaupload.com/?d=MKS6OM16
Àâòîð: Âèêòîðèÿ 10.9.2011, 6:14
Herald Sun interview
DRAMA and thrills have left Gillian Anderson with a taste for comedy.
GILLIAN Anderson shot to fame as Special Agent Dana Scully over nine seasons of The X-Files. Since leaving the cult sci-fi hit nearly a decade ago, the Emmy and Golden Globe winning actor has shifted effortlessly between the stage (she was nominated for an Olivier award for her West End role in Ibsen's A Doll's House), TV (nominated for a BAFTA for Lady Dedlock in Dickens' Bleak House) and film (two X-Files films, and The Last King of Scotland). The US-born, England-raised actor lives in London with her three children and partner Mark Griffiths. She visited Australia with co-star Rowan Atkinson this week to promote their film, James Bond spoof Johnny English Reborn.
What was the appeal of Johnny English Reborn for you - was it working with Rowan Atkinson?
It was a mixture of Rowan and the thought of playing the head of MI7. It sounded like a really cool thing to do. I could also see the potential in the script of what they were aiming for and the idea of it essentially being a James Bond with humour.
Are you a Bond fan?
I think I am a Bond fan like any other. I have all the Bond films but I haven't seen one in a really long time. And if you really look at them, there are really only one or two really good ones. I think Goldfinger is one of them. The others are really just cheesy, bordering on parody.
All the Bond parallels in the film place you squarely in the shoes of Dame Judi Dench. Did you go back and watch what she had done as M?
I didn't, because it's clear that the two characters are quite different. But in thinking of her as M, I realised how much power she has as an actress to be able to basically whisper and allude to so much power over everybody. She doesn't raise her voice at all. It's really quite straight and laser-like. I found that fascinating.
Am I right in thinking you are both attached to a movie with the unlikely title of The Curse of the Buxom Strumpet?
Yes. I don't know what's going to happen with that. It's a zombie film and that title is alluding to a ship. But we will see. If they get their financing together and we are both still available, then maybe. It's quite funny.
Is there a big difference between Rowan Atkinson on and off set?
There is a big difference when the camera is actually rolling to the Rowan Atkinson off-set. Especially if there are physical gags involved. Very often it will be discussed, but he won't necessarily go through the motions of it because it's exhausting and he very much saves himself for when the camera is rolling. He is not one of those actors or comedians who spills out all over the place and you get it in spades before the take. It's quite disconcerting when you are talking on an intellectual and technical level and all of a sudden the camera rolls and this master of comedy pops up out of nowhere.
Did you enjoy the comedy aspect?
Actually a good portion of the theatre I have done has been comedy and a fifth to a seventh of the X-Files were comedy episodes. I have done a couple of comedy films but I would actually like to get to be more funny. This is a straight character to Rowan's comedy and I am very much interested in getting to be the comedian because I enjoy it very much.
You came very close with what you did on The Simpsons, but The X-Files is surely ripe for its own spoof?
We actually talked about it for a while. There has always been the idea that every few years we would come back and do another picture and within that there was always a desire that at some point we come back and do a spoof. It may be too late now but I love the idea of it. There is so much stuff we could pull from. There is one episode called Bad Blood which is actually one of my favourites and we kind of take the p--- out of ourselves in that and it was so much fun to do.
I think a lot of people were hoping the second X-Files movie would answer a lot more questions. Were you happy?
I think that if we were to do a third one, it would answer a lot more of those questions and maybe also have something to do with aliens, which is ultimately what people want to see. David and I have been very vocal about the fact that if Chris or the studio were to come to us to do another one, we would do it. Recently Chris announced that it was likely to be in the works but I have no idea what that means or at what stage it is or who is writing it or whether Fox is even interested.
Do you miss Scully?
I miss her when I am together with David and Chris and we are reminiscing about it, or somebody is a particularly big fan and brings something up, but I don't think about her on a daily basis. I think I am more appreciative of all that she was now than I was even at the time.
Why does the show continue to strike such a chord?
I have no idea. I really don't know. There are new generations of fans out there, which always surprises me. I get letters from people who say 'I'm 12 and I just started watching the series and I am so glad it's out there. That's cool.
You are becoming quite the Dickens specialist too, after Bleak House, and now you are playing Miss Havisham in Great Expectations. How do you go about breathing new life into these revered literary characters?
When I read a script I generally know on the first read whether that person is inside me somewhere, and that was a case where I got her. It's my version of her, but there is something inside that went 'Oh, I can do this. I get who this is'. Sometimes I read stuff and I just don't get it - it doesn't resonate. I get very specific images and vocal mannerisms, and then it's just down to hoping they come together in the right way and other people agree you are on the right track. When I showed up to the set for Great Expectations I hadn't really discussed that much with the director about the direction I was taking her, and it didn't actually occur to me until the second day that he could have said 'What the f--- are you doing?' I just really hope it's good. It looks like it will be, but you never know.
You keep returning to the stage. What is it you get from theatre that you don't get anywhere else?
It terrifies me. I hate it as much as I love it and I only decide to do something every few years because of that. Along the way there is at least 100 times where I go 'Why did I subject myself to this again?' But at the same time there is a part of me that is fed in a completely different way to anything else in that live process with an audience and discovering stuff in the moment and the danger of it.
http://radikal.ru/F/s49.radikal.ru/i123/1109/7f/93f5efc58ebc.jpg.html
Àâòîð: Âèêòîðèÿ 10.9.2011, 7:25
Change agent
A far cry from the cool Dana Scully who made her famous, Gillian Anderson speaks with Michael Lallo about her new film, her transatlantic upbringing and how acting saved her.
Gillian Anderson was backstage at Wembley Stadium, waiting to address the crowd at a memorial concert for Diana, when Victoria Beckham walked past. Having noticed that Beckham's collar was up, she reached out and flattened it, thinking she was doing the fashion-conscious Posh a favour.
''And you should have seen the look she shot me,'' Anderson laughs, burying her face in her hands. ''Other than the fact I destroyed her look, I also freaked her out because I did it from behind. Now, I try not to be helpful any more, especially where fashion is concerned.''
Sitting by a top-floor window of Melbourne's plush Langham Hotel, Anderson looks vastly different from Agent Scully, the X-Files character who propelled her to stardom in the mid-1990s. Gone is the flame-red bob, replaced by long, blonde locks. And in contrast to Scully's restrained demeanour, Anderson is expressive and quick to laugh, her American accent tinged with a British lilt.
She suspects that had she stayed in the US after The X-Files ended, she might have been typecast and offered only ''special agent'' roles. Instead, she returned to her childhood home of London, where she was cast in various stage productions and a BBC adaption of Charles Dickens's Bleak House.
''It's very easy for actors in the UK to switch between TV, film and theatre,'' she says. ''You wouldn't lose any credibility at all if you did a BBC drama after a Mike Leigh film. In the States, I think it's getting easier but it has taken a long time.''
Yet her latest role is that of Pamela Thornton, head of British MI7 in the Rowan Atkinson comedy Johnny English Reborn. With a stiff upper lip, Anderson plays the ''straight man'' to Atkinson's bumbling James Bond wannabe.
''The idea of being the head of anything cracks me up because I still feel like I'm 17 years old,'' she says.
''I also felt it was a challenge to do a role that was close to what I'd done before but to make it as different as possible.''
Not surprisingly, Anderson nails her character's British accent. She also finds that her intonation and vocabulary change depending on her location: in America, for instance, she goes to the bathroom, while in England, she visits the loo. But as she explained to TV host Jay Leno, her shifting accent is unintentional and any effort to alter it only makes her self-conscious.
Cultural identity has long been an issue for Anderson. As a child, her British classmates - even though she spoke like them - branded her a Yank on account of her American parents. When she moved to Michigan with her family at the age of 11, however, she became known as ''The British Kid''.
''It was a very Republican, Amway-driven town,'' she says. ''Everyone loved the way I talked and they gave me gum and wanted to know me. And, as children do, I took advantage of that attention and started bribing them for their gum. But after a while, I felt very lonely. I think I realised those friendships were based on something that wasn't real.''
A rebellious teen, she got a mohawk hairstyle, planted a pig's eye in a teacher's desk and was arrested trying to glue shut the locks on the doors of her high school. Then she discovered acting.
''I auditioned for a play at a community theatre and was cast,'' she says. ''Even at the rehearsal, I pretty much realised I was in the place I needed to be.
''I remember being on stage and people coming up afterwards giving me positive feedback. I wanted more of that. There wasn't much else I was good at but I actually knew how to do this.''
Anderson could, however, discover her next role is on Australian TV - as an unwitting participant on Border Security.
''I did smuggle some chilli chocolate into the country,'' she whispers, leaning forward. ''I have some in my suitcase upstairs … but don't print that until I leave Australia in a couple of days. It's illegal to bring food with you and I don't want to get arrested.''
Àâòîð: Âèêòîðèÿ 12.9.2011, 9:40
À âîò è èíòåðâüþ ñ áîðîäàòûì âîñòîðæåííûì äÿäüêîé
The vine interview: http://www.thevine.com.au/entertainment/interviews/gillian-anderson-_-interview20110912.aspx
Àâòîð: Âèêòîðèÿ 13.9.2011, 1:25
Movie Juice: http://www.youtube.com/watch?v=npHCAxUBKvM
Àâòîð: NikitA 13.9.2011, 4:20
Íå çàïóòàòüñÿ áû, ãäå ÿ óæå áûëà, à ãäå íåò. Ñïàñèáî, Âèêòîðèÿ!
Àâòîð: Âèêòîðèÿ 13.9.2011, 13:07
http://www.filmink.com.au/video/johnny-english-reborn-interview/
http://showtimemovienews.com/post/1779
ÎÒ. ׸ ýòî çà ÷èëè-øîêîëàä òàêîé? ×åãî â í¸ì òàêîãî çà÷óïàòîãî... Äæè óæå íå â ïåðâûé ðàç î í¸ì óïîìèíàåò è, âèäèìî, âåçäå òàñêàåò ñ ñîáîé. ß òîæå õî÷ó òàêóþ íÿêó ïîïðîáîâàòü!
Àâòîð: Âèêòîðèÿ 14.9.2011, 0:40
http://www.philstar.com/funfare/article.aspx?articleid=726951&publicationsubcategoryid=70
Àâòîð: Âèêòîðèÿ 14.9.2011, 13:48
DailyTelegraph interview: http://www.dailytelegraph.com.au/agent-scullys-new-mission/story-fn6ccx45-1226137071738
Àâòîð: NikitA 14.9.2011, 14:24
ñïàñèáî
Àâòîð: Âèêòîðèÿ 15.9.2011, 6:09
b105 Stav Interview: http://www.b105.com.au/shows/labbystavandabby/galleries/celebrity-guests
http://austereo.castmetrix.net/download/180143985094861632/1/GillianAnderson.mp3
Àâòîð: Âèêòîðèÿ 22.9.2011, 1:05
http://www.zmonline.com/player/ondemand/listen-gillian-anderson
Àâòîð: Âèêòîðèÿ 30.9.2011, 0:51
http://news.sky.com/home/article/16079827
Àâòîð: Âèêòîðèÿ 30.9.2011, 14:10
http://www.askmen.com/celebs/entertainment-news/gillian-anderson/gillian-anderson-not-bossy-with-kids.html?utm_source=dlvr.it&utm_medium=twitter
Àâòîð: Âèêòîðèÿ 4.10.2011, 13:15
Gillian Anderson 'Daybreak' interview (4/10/11): http://vimeo.com/30010243
http://www.radikal.ru http://radikal.ru/F/s50.radikal.ru/i129/1110/c4/9775fd026604.jpg.html
Àâòîð: Âèêòîðèÿ 4.10.2011, 13:16
Johnny English stars' drug problem: http://www.youtube.com/watch?v=TVeqtpf1t6E
Àâòîð: Âèêòîðèÿ 5.10.2011, 0:52
http://news.sky.com/home/showbiz-news/article/16080964
Àâòîð: Âèêòîðèÿ 5.10.2011, 1:08
http://radikal.ru/F/i024.radikal.ru/1110/07/cb561d500564.jpg.html http://radikal.ru/F/s52.radikal.ru/i136/1110/79/68f8cdb67def.jpg.html http://radikal.ru/F/s43.radikal.ru/i102/1110/bd/47d4cdee6f70.jpg.html http://radikal.ru/F/s44.radikal.ru/i104/1110/d8/7399096b200f.jpg.html http://radikal.ru/F/i047.radikal.ru/1110/be/649e45da5654.jpg.html http://radikal.ru/F/i066.radikal.ru/1110/a0/34b65339697a.jpg.html
Àâòîð: NikitA 5.10.2011, 4:28
Êëàññíàÿ Äæèëë - êàê îáû÷íî Ïëàòüå ïðèêîëüíîå.
Àâòîð: A.N.Onym 5.10.2011, 5:53
Íó ïðÿì êàê ñîëíûøêî! 
Àâòîð: Èðèí@ 5.10.2011, 13:02
Îíà çäåñü òàêàÿ åñòåñòâåííàÿ è ñîëíå÷íàÿ! Çàìå÷àòåëüíûå ôîòîãðàôèè!
Àâòîð: Âèêòîðèÿ 6.10.2011, 0:51
http://www.youtube.com/watch?v=qMsHmC0uLc4
Àâòîð: Âèêòîðèÿ 7.10.2011, 3:52
MSN Interview: http://video.uk.msn.com/watch/video/johnny-english-reborn-msn-exclusive-interview/xdhbufx4?from=gallery_en-gb
Àâòîð: Âèêòîðèÿ 7.10.2011, 9:13
Empire Interview: http://www.empireonline.com/interviews/interview.asp?IID=1357
Èíòåðâüþ Äæè ïðÿìî ïîä èíòåðâüþ Àòêèíñîíà.
Àâòîð: NikitA 7.10.2011, 10:59
Áëèí. ß ïî÷òè íè÷åãî íå ïîíÿëà èç òîãî, ÷òî îíà ãîâîðèëà
Àâòîð: Âèêòîðèÿ 8.10.2011, 1:07
http://video.sky.com/movies/related/29949/1/35mm%20Johnny%20English%20Reborn/true
Àâòîð: Âèêòîðèÿ 9.10.2011, 4:29
The Guardian Interview.
This much I know: Gillian AndersonThe actor, 43, on Britishness, growing older and the importance of being wrong
The older you get the less memory you have. I have trouble differentiating between what are childhood memories and what I may have seen in a photograph or been told about by my mum. Do I really remember lying in a hammock on a beach in Puerto Rico when I was a year old?
I feel both British and American. After spending a year in Puerto Rico, my family moved to London. I spent my formative years in the UK, only moving back to Michigan when I was 11. I was initially excited about the adventure; I hadn't taken into account just how alien American culture would be and how much my "Britishness" would set me apart – but it did.
The X-Files went on for a long time – nine years – but it now feels like such a long time ago. I look back on those days with awe and gratitude. I didn't notice how huge it was at the time – we were shielded from the outside world while filming. The only time the paparazzi would show up was if there was a scandal – me getting a divorce, or David [Duchovny] dating Winona Ryder.
I have mellowed over the years. I always needed to be right, but I'm now more accepting of being wrong. It's taken a very long time to admit that, as most of my family will attest.
I pick and choose what I read about myself because of how deeply it affects me. Frank Rich of the New York Times wrote such an unfavourable review of The House of Mirth, and of me, that it literally made me want to stop acting. I was only 27, and my feet weren't as firmly underneath me as they are today.
I fear waking up with regrets. The idea that I might be doing something now that I'm unaware of, that I will have bottomless regret about in the future, keeps me up at night.
My mantra at the moment is: "What you are is what you have been, what you will be is what you do now" – I have no idea where it comes from, but I try and think of it on a regular basis to motivate me.
It was easy to have children, but it's not easy to be a good parent. I was 26 when I had my daughter, and I would have been a very different person had she not come into my life. Her arrival grounded me with a certain responsibility. Had I not had her, I think I would have taken full advantage of being young and carefree.
The last time I cried was yesterday. My younger brother Aaron is dying, and I'm currently back at home with my family. It's an extraordinary time.
I've allowed myself to be happier. The past four years have taught me to lighten up. I've learned to get out of my own way and that it is OK to feel good.
I do have a sense of humour. I'm perceived as being a bit spiky and serious, but I've been misunderstood. When I started doing talk shows and interviews I felt so out of my depth that I didn't laugh or joke because I was petrified. It has taken me decades to get used to the whole nature of fame – to allow myself to be myself in public.
Àâòîð: Âèêòîðèÿ 10.10.2011, 0:35
http://www.stuff.co.nz/entertainment/film/5761063/Something-funny-happened-to-Scully
Àâòîð: Âèêòîðèÿ 11.10.2011, 13:42
http://vimeo.com/30370620
Àâòîð: NikitA 11.10.2011, 14:05
Êóëüíåíüêî... Ñïàñèáî
Àâòîð: Âèêòîðèÿ 14.10.2011, 14:51
Magic FM Interview: http://www.youtube.com/watch?v=OorGNqqGY0E
Àâòîð: Âèêòîðèÿ 18.10.2011, 8:06
http://www.newstatesman.com/blogs/helen-lewis-hasteley/2011/10/interview-obama-comedy-role
Àâòîð: NikitA 18.10.2011, 11:01
Äæèëë âñåãäà ïðèÿòíî è ïî÷èòàòü, è ïîñëóøàòü, è ïîñìîòðåòü. Ñïàñèáî
Àâòîð: Âèêòîðèÿ 18.10.2011, 13:15
http://www.youtube.com/watch?v=wuYRsZ4xKj0
Àâòîð: Âèêòîðèÿ 19.10.2011, 14:48
http://www.tribute.ca/interviews/gillian-anderson-johnny-english-reborn/star/43689/
Àâòîð: NikitA 19.10.2011, 15:33
Îíè çàïàðèëè ñ âîïðîñîì îá àêöåíòå.
Àâòîð: Âèêòîðèÿ 20.10.2011, 0:45
Íå ãîâîðè 
http://www.youtube.com/watch?v=piRqxNbqinY
Àâòîð: NikitA 20.10.2011, 3:25
È êàæäûé ðàç Äæèëë îòâå÷àåò êàê â ïåðâûé - ñòàòóñ îáÿçûâàåò
Àâòîð: Âèêòîðèÿ 27.10.2011, 12:57
Gillian Anderson Moves From Timeless Dramas to Broad Comedy
Gillian Anderson has battled alien invaders, faced shadowy conspiracies, and played some of the most memorable women in literature. So, what intimidates her? Watching herself onscreen. "The first time I see something I'm in, it's very hard for me," she admits. "I've got one thing on my mind and one thing only: picking apart my performance." Fortunately, she recently had a second chance to see her new comedy, "Johnny English Reborn," and was able to enjoy it much more this time around. As the single-minded agent brought in to revamp MI-7, Anderson's character brings the bumbling secret agent Johnny English (Rowan Atkinson) out of retirement to wreak more havoc on the world. "I laughed during the entire thing," she says. "And all I could see were 50 adults in front of me, bending forward. I'm assuming it was laughter, unless there was something wrong with the popcorn."
Below, five other things you might not know about the "X-Files" star:
1. She finds co-star Atkinson 'very crushable.'
Though some might be immune to the sex appeal of Atkinson, best known for goofy characters such as "Mr. Bean," Anderson says she totally understands why some women find him attractive. "I think there's an aspect of him that is very sexy," she says. "When he plays sexy in this film, it's so contrary to the way you see him, it almost makes you uncomfortable. But both on-camera and in person, there is something incredibly sexy about him." She admits she may have a certain type. "My first big crush on a celebrity, other than the Bay City Rollers when I was a youngster, was Buster Keaton. There's a bit of a similarity there."
Gillian Anderson and Rowan Atkinson in "Johnny English Reborn" (Universal Pictures)
2. She's funny—really funny.
Even as the ostensible straight man, Anderson gets her share of laughs in "Reborn." It's not such a surprise when you recall just how funny she could be on "The X-Files." "Thank you for saying that!" she exclaims. "A lot of people either don't remember or didn't watch it enough to remember we did quite a lot of comedic episodes." In addition, she says she's done quite a bit of comedy in the theater, as well as the films "Boogie Woogie" and "Tristram Shandy: A Cock and Bull Story." And she's currently attached to the period zombie comedy "The Curse of the Buxom Strumpet," based on the short "E'gad, Zombies!," alongside Ian McKellen and Judi Dench. "So many people ask about that," Anderson says. "I've been attached to that for about a year, but it has yet to see the light of day. It's very funny. We'll see if they pull it together." Anderson says she hasn't purposely been seeking more lighthearted fare. "Every once in a while, I get offered a comedy that's actually funny, and I take it. It really does come down to the script. When something appeals to me and all the elements seem right, I jump."
3. She's not intimidated by the classics.
Anderson has already tackled adaptations of such beloved novels as "The House of Mirth," "Bleak House," and "The Crimson Petal and the White." And soon she'll be seen in the most iconic of roles: that of the wealthy spinster Miss Havisham in a BBC miniseries adaptation of Charles Dickens' "Great Expectations." But isn't she a little young for the part of the spurned bride who descends into obsession? Anderson points out, "If you think of the age she was actually written, she would have been wed in her early 20s, and we know it's been 15 years since the wedding day. So, actually, I'm old for it! Dickens does describe her as being haggard and withered and old, but when you actually do the math, it feels justifiable." She adds that when she takes on famous works or plays notable people—such as Wallis Simpson in the miniseries "Any Human Heart"—she doesn't watch previous portrayals. "I don't want to have that in my head; I don't want to be influenced in any way by it," she says. "When I read a script or a novel, I only agree to do something if I get a very clear visual and take on who the character is. And there's some kind of click of recognition that takes place in my body, and a part of me says, 'Oh, I know who this is.' So if I were to then look at someone else in the part, I would think it would be too confusing to dissect what was my pure instinct and what was somebody else's instinct. So I try not to."
4. She didn't have a publicist for years.
Anderson has mastered the costume drama and made audiences believe in little green men, so it's surprising to learn she considers her most challenging role to date that of a film publicist in the movie "How to Lose Friends & Alienate People." She explains, "I chose to do that film without understanding the character. And I assumed I'd be able to find her along the way, and I don't ever feel like I found who she was. So that was kind of excruciating." Part of the struggle, Anderson reveals, is that she'd never had publicists and really didn't know how they worked. Wait a second: How is it possible Anderson graced countless magazine covers and spent years on a hit TV show without a publicist? "The show was so popular, it seemed at the time there was no point," she reasons. "Every free weekend I had was busy doing photo shoots anyway, and everybody was coming to us. It seemed crazy to spend money on a publicist." She finally broke down about three years ago when she met Kelly Bush of ID-PR at Cannes. "We ran into each other in an elevator and started talking and hit it off," she recalls. "Later, we were driving away and she was on the side of the street, and my partner said, 'There she is again. You should meet up with her.' So I rolled down my window and asked if we could meet for coffee. And that was that."
5. She considers her early work 'terrible.'
Anderson recalls that after graduating from theater school at DePaul University, she landed an agent at William Morris through a showcase in New York. After a year of pounding the pavement with no results, she was certain her agency was about to drop her—until she received three offers in one day. Two of them were plays, and one was an independent film, "The Turning." Though she is now featured prominently on the movie's poster, she says her role was small. "I was the girlfriend of the lead," she says. "And I was terrible." She adds with a laugh, "Hey, I was terrible at the beginning of 'The X-Files'! I still can't watch some of that stuff." One problem was that she was playing at the age of 25 an authoritative figure who had pages of "monologues full of medical and science mumbo jumbo." She admits, "I didn't feel like anybody's authority. I still feel that way, even in 'Johnny English'! I feel like I'm 12 inside. But somewhere along the way I found at least some legs in being able to pretend." 
Àâòîð: Âèêòîðèÿ 27.10.2011, 13:04
http://watch.ctv.ca/news/top-picks/gillian-anderson/#clip557092
Àâòîð: Âèêòîðèÿ 2.11.2011, 14:45
Gillian Anderson says she is “ crossing fingers” for another Xfiles movie.
Gillian Anderson is the first to joke with the “ agents curse” that hovers over her – an heritage from her character Dana Scully, in the Xfiles. “ My lucky is that I like to reinvent myself”, jokes the American actress, willing to revisit in the big screen the role of the FBI agent, specialized in paranormal cases. “ The producers are discussing a third Xfiles movie. And I am crossing my fingers”, says. The movie would be released in the end of 2012.
Recognized around the world as Scully, who she played from 1993 to 2002, alongside David Duchovny ( as Fox Mulder), Gillian can be seen right now in the skin of another agent. This time with a British accent, playing the MI7 boss in a fictional secreat sevice in the movie “ Johnny English Reborn”.
Pamela ( known as Pegasus, her character, is forced to recruit the clumsy agent played by Rowan Atkinson to prevent the death of a world leader. The movie that oppend last Friday in Brazil, already got 110 millions dollars. “ The most difficult thing during the filming was not to laugh from Rowan.” Read next, excerpts from the interview
UOL – How was to satirize the agents universe, considering the fame that Dana Scully gave you ?
Gillian Anderson – It was fun because this is a comedy. Pegasus is totally different from Dana Scully or even from Kate Fletcher, another agent in my gallery. Yes, believe if you want, but I will play another agent, now for the MI5 ( the official british service) in the movie “ Shadow Dancer” ( the thriller directed by James Marsh, now in post production) and with a release expected for 2012. "As I would never complain of Scully’s legacy, I face as a challenge to play these characters that could be alike, in a different way one from the other".
UOL – Did you use Judi Dench ( famous for playing M in the last James Bond movies) as an inspiration to play Pegasus ?
Gillian Anderson – Despite to understand the comparison, I confess that I need to re-watch the 007 movies to say if I am really imitating Judi somehow. In my memories, Judi is able to control everyone around her with a simple whisper. Whenever she opens her mouth, the world stops, and everybody listen to her with attention. Meanwhile Pegasus needs to make a lot of effort to keep the control in her office.
UOL – It was difficult to follow with your career after Scully ?
Gillian Anderson – Not very much and in Europe I receive invitations to do thing that are not like Scully. As in “ How to Lose a Friend and Alienate People” ( 2008) and Boogie Woogie ( 2009), and tv shows. But I recognize that in US and likely in the rest of the world the situation is different. Maybe the producers and directors think I have nothing to offer, unless I play an agent. But I prove them wrong, if they give me a chance (laughs).
UOL - "? Do you miss your Xfiles times ?
Gillian Anderson – I get melancolic whenever I talk with people Who were involveds in the show, as David (Duchovny), Who is a friend. If I didn’t have the opportunity to revisit Scully in the second movie ( I want to Believe in 2008), maybe I would miss more.
UOL - Is there really a chance of a third movie ( the first movie was released in 1998) ?
Gillian Anderson – Yes, the producers already told us that there is the possibility of a new movie. If the project works, of course I am in, even risking that the audience will find me redundant ( laughs).
UOL – In theatre, you have more chances of diversification, didn’t you ? As in the play “ A Doll’s House”, by Ibsen, where you played Nora ( in the West End in 2009) ?
Gillian Anderson – This is exactly why I moved to England, when The Xfiles ended. As the Theatre audience is different, the producers find it easier to disassociate me from Scully. The problem are my panic attacks ( smiles).
UOL – What?
Gillian Anderson – I am a very anxious person. Before I step on stage I get scared. After sometime I get better. In the opening night, is always the same thing: I think I am having a heart attack. The, I spend the whole season torturing myself: “ Why I got myself into this ?” But in the end, the experience is more satisfactory than painful. I meditate, what helps a lot.
UOL - But it doesnt happen in a movie set ?
Gillian Anderson – No. I mean, only in the first day. The bad thing is that is on the first Day that usually I end up having a very important scene, like my character signing her divorce papers, for exemple ( smiles). If I could choose, I would rather filming a trivial scene like, walking in a corridor or something like that. I really need time to adjust.
Fortunately I am not the only one. I worked recently with actor Donald Sutherland, who demands in contract, that his two first weeks of filming will be in the second part of the movie. And he is right ! If you are in good form in the first half of the movie, you will win the audience, even if your acting goes a little bit down in the second part. But the other way around wont happen. Too bad that I still don’t have all this power, to put in my contract this too. Maybe one day..
Àâòîð: Âèêòîðèÿ 3.11.2011, 0:51
20-ìèíóòíîå èíòåðâüþ ñ Äæè ïî ñêàéïó: http://www.goldderby.com/television/news/2076/gillian-anderson-from-pop-culture-icon-to-costume-drama-queen.html
Àâòîð: NikitA 3.11.2011, 2:39
Îíà è â ñêàéïå ñèäèò...
Àâòîð: Áåëàÿ Òèãðèöà 3.11.2011, 4:40
Äîáðî ïîæàëîâàòü â íàø êëóá.
Àâòîð: Âèêòîðèÿ 14.11.2011, 12:58
http://sacramento.cbslocal.com/video/6357332-gillian-anderson/
Àâòîð: Âèêòîðèÿ 2.12.2011, 13:48
Great Expectations - Interview with Ray Winstone & Gillian Anderson
The centrepiece of this year's BBC One Christmas schedule is Sarah Phelps's (Oliver Twist, EastEnders) bold new three-part adaptation of Great Expectations starring Ray Winstone, Gillian Anderson, David Suchet and Douglas Booth.
Here Ray Winstone who stars as Magwitch and Gillian Anderson who stars as Miss Havisham talk about playing two of Dickens iconic characters and why Great Expectations is a must see for viewers who enjoy a bit of Dickens at Christmas.
"Christmas without a BBC show or drama is not really Christmas is it. You have enough to drink and eat and then you sit down by the fire and watch a good drama, and there's nothing better than Dickens at Christmas," says Ray Winstone, the East-London born actor who follows in the footsteps of past luminaries such as Finlay Currie and James Mason in the role of Charles Dickens fearsome convict, Abel Magwitch.
Just as Finlay Currie who played Magwitch in David Lean's 1946 critically-acclaimed version of Great Expectations left his indelible mark on the impressionable young Winstone, Winstone is now set to strike fear into the hearts of a new generation of youngsters when he emerges from the shadows of a foggy marshland to pounce on 11-year-old Pip played by Oscar Kennedy. An encounter which will change both lives forever.
"I remember the film came out with Sir John Mills and Sir Alec Guinness it kind of stuck in my mind, especially the sequence at the beginning in the graveyard - it scared me. It was the kind of image that stuck with me all of my life really. It was the character in the film actually, the old boy who played him, the fear you have as a kid, someone coming out of the dark, the kind of thing you have nightmares about," says the 54-year-old father of three.
"As I got older, I began to realise what the film was all about, it is such great writing. The fact that it's about where we come from, the inverted snobbery of people from other worlds, and what love is, and how love can be so cold. There's a hell of a lot going on in it. Maybe as a kid you don't understand, but you get it when you get older."
Young Philip Pirrip, Pip, the orphan from the forge at the heart of Great Expectations who survives his terrifying ordeal at the hands of Magwitch, is set for heartbreak following his encounter with Miss Havisham, the reclusive owner of Satis House. Encouraged to believe he has a future beyond the forge and also with Miss Havisham's adopted daughter Estella, his eyes are opened, and he falls in love, but this is all part of a master plan to destroy him.
"Miss Havisham draws him in and kind of opens his eyes and his heart, ultimately to crush it," says Gillian Anderson who was fabulous as Lady Dedlock in BBC One's critically-acclaimed drama serial, Bleak House.
The star of The X-Files and The Crimson Petal And The White, explains why the role of Miss Havisham was one she could not resist.
"Miss Havisham is an iconic character that kind of pervades our world in various forms. I was kind of interested in what it was that was so appealing about her, why she seems to get under people's skin, a woman who is deeply, almost psychotically manipulative and potentially really psychologically damaging to the two children that we see her have this direct impact on, and so there was a curiosity there for me.
"I don't know how much of my falling in love with her was about falling in love with my interpretation of her or what I was getting off the page of the script or from the book, the bottom line is knowing that the BBC would do a spectacular production, but also really admiring Sarah's (Phelps) adaptation, and feeling this was the one I wanted to be involved in."
Despite the time and effort that went into creating Miss Havisham's make-up, Gillian isn't complaining. The transformation from glamorous mother of three into one of Dickens most haunting characters was due to the skill of some of the best costume, hair and make-up teams in the country.
"It didn't actually take that long to get into hair and make-up every day," explains Gillian. "There were two different wigs but three different stages of deterioration for the wigs, and I think four-and-half stages of deterioration for the costumes, so it was mostly about getting that right. The last wig we had to put a bald cap on because she's lost so much of hair that you actually see through to her scalp. So that took a little longer, I think it was still under two hours."
The creation of the decaying interiors of Satis House by Production Designer, David Roger, was also a source of inspiration for the actress.
"There was something, I couldn't quite put my finger on it when I was inside the house," continues Gillian. "The set decorations had such depth to it. There was a layer of dust that was almost opaque between the cobwebs... it felt like the house was a living, breathing organism and that were it able to shake itself out, it would be able to have a conversation with you," laughs the American-born actress.
"It was stunning, every aspect of it including the mould that was developing in the corners; the moistness and the fungi; it was beautifully and tragically created."
As the world prepares to celebrate the bicenntary of the birth of Charles Dickens next February, Gillian reveals why she believes the much-loved writer of such epics including Oliver Twist, David Copperfield, Bleak House, Martin Chuzzlewit, Nicholas Nickleby, Little Dorrit and Hard Times has endured the test of time.
"He is a wonderful storyteller and there are common recognisable themes in his books," says the London-based actress. "His characters are so complex, so multi-faceted and painful and tragically human, but also he draws such interesting stories. "
With Christmas only three weeks away, have Ray and Gillian made any plans to gather the family around the television set to watch their performances in the popular Dickens classic?
"I don't know about the whole family sat around watching me on Great Expectations at Christmas," says Winstone with a smile. "I will be there and the little'un and that, but I suppose the older ones will be out somewhere gallivanting about, but I certainly will be watching."
And Gillian's plans?
"I would if I was here, but I am not actually in the UK at that point, but I have every intention of bribing somebody for a DVD copy so we will be able to watch it when we're away."
Àâòîð: NikitA 2.12.2011, 15:44
Ó Äæèëë êàê îáû÷íî ïëàíû çà ãðàíèöåé â ïðàçäíè÷íûå äíè
Àâòîð: Âèêòîðèÿ 6.12.2011, 0:57
After her BAFTA-nominated performance as Lady Dedlock in the BBC’s Bleak House, Hollywood star Gillian Anderson returns to Dickens as Miss Havisham in Great Expectations on BBC1. TV Choice caught up with her on location…
Miss Havisham is such an iconic role — did you always want to play her?
As much as I’m familiar with the book it’s not in my mind as one of my favourites as it is for a lot of people. But this was a time when I was as excited by the adaptation, if not more so, than the book. I felt I might have a way in to the character and I fell in love with the script. Miss Havisham had a real historical impact.
In what way?
There are various things that have come to my attention in terms of the Miss Havisham effect. Not just the potential addiction to loss and the pain of loss but there’s potentially a chemical release that takes place upon the pain of loss that soothes you. She’s been influential over time and just recently a friend emailed me saying, ‘I’ve always thought of myself as Miss Havisham, it’s wonderful that you’re getting to play her.’ Everybody has some kind of a story, an experience, or something that relates to her.
How do you view her relationship with Estella?
In the book it says she originally wanted a child, a daughter, to come and be with her. After a period of loneliness it was as much about having something to love and company as anything else and that was her initial intention, not to do the psychological stuff that she ended up doing on Estella. I think as Estella starts to grow and Miss Havisham experiences her beauty, she thinks back to her own beauty and all that happened, what was lost. She starts to feel that somehow she will be able to seek revenge through Estella and somehow she will be redeemed. That somebody will pay for her pain.
She’s such a famous character, everyone will have their own idea of her.
I know and that’s the trouble of getting involved in adaptations of books that people love. I know that from doing The Crimson Petal And The White and Any Human Heart. People get so passionate. A book I liked recently has been made into a movie and I keep seeing the trailer and I have such a negative feeling about it just based on the trailer, you can’t help it. I just had to jump into this with both feet and hope for the best, hope people like it.
What was it like filming the scenes where Miss Havisham catches fire?
I did the beginning bit before she’s set alight and then the stuntwoman came in. The fire caught quicker than they anticipated and at one point the veil rose up like the paper of those Italian Amaretti biscuits!
Have you seen the classic David Lean film of Great Expectations?
No and I want to very much. I’m going away for six weeks so I’ll take it with me.
You’ve had a varied career both in America and England.
It would be nice to shake it up a bit, it would be nice to do a broader comedy in the States. But I’m certainly enjoying myself.
Àâòîð: NikitA 6.12.2011, 2:50
Ñïàñèáî, î÷åíü èíòåðåñíî.
Íå ñëûøíî, êóäà Äæèëë óåçæàåò íà ïîëòîðà ìåñÿöà?
Àâòîð: Âèêòîðèÿ 6.12.2011, 3:30
Ïîíÿòèÿ íå èìåþ. Íî ó íå¸ æå íàìå÷àëñÿ ôèëüì â øòàòàõ Áàðáèã¸ðë, ìîæåò, íà åãî ñú¸ìêè åäåò.
Àâòîð: NikitA 6.12.2011, 10:30
Âîçìîæíî. Âñ¸-òàêè ïîëòîðà ìåñÿöà ðîæäåñòâåíñêèõ êàíèêóë áûëî áû ñëèøêîì êðóòî äàæå äëÿ íå¸
Àâòîð: Âèêòîðèÿ 6.12.2011, 12:58
Ïèøóò, ÷òî ýòî èíòåðâüþ áðàëè ó íå¸ åù¸ âî âðåìÿ ñú¸ìîê, ïîòîìó ýòî îíà ãîâîðèò íå î ñåé÷àñ À óåçæàëà îíà òîãäà, íàâåðíî, â ïðîìî-òóð Äæîííè Èíãëèøà â Àâñòðàëèþ.
Àâòîð: Âèêòîðèÿ 17.12.2011, 4:02
http://www.guardian.co.uk/theguardian/2011/dec/17/gillian-anderson-interview-miss-havisham?utm_medium=twitter&utm_source=twitterfeed
Àâòîð: NikitA 17.12.2011, 4:07
Áóäåò, ÷òî ïî÷èòàòü íà ðàáîòå, ñïàñèáî
Àâòîð: Âèêòîðèÿ 20.12.2011, 15:26
Èíòåðâüþ ñ ïðîìî-òóðà ïî Àâñòðàëèè, ÿ òàê ïîíèìàþ. Î Äæîííè Èíãëèøå, íî íàøëîñü òîëüêî ÷òî.
http://www.youtube.com/watch?v=sLk1S22WoLk
Àâòîð: NikitA 20.12.2011, 16:01
Ñïàñèáî
Àâòîð: Âèêòîðèÿ 24.12.2011, 0:46
http://www.bbc.co.uk/news/entertainment-arts-16047263
Àâòîð: Âèêòîðèÿ 26.12.2011, 5:21
Gillian Anderson: 'When he was just 30, my brother was prepared to die’
Actress Gillian Anderson talks about love, the loss of a sibling and the challenge of playing Miss Havisham.
Gillian Anderson has a tattoo on her right wrist that is in Sanskrit, and when I ask her what it means she tells me, laughing, that its rough translation is “none of your business”. Anderson is a curious mix of cautious and carefree, clamming up about some skin ink yet talking openly about her brother, Aaron, who died three months ago of a brain tumour. He was just 30. I remark, rather obviously, that it must have been a tough year. “Well, there’s certainly been a lot happening this year. But I feel like I’ve learnt. I feel like I’ve changed in a positive way.”
Aaron was diagnosed with neurofibromatosis when he was just three years old. It is a rare condition with no known cure and causes tumours to grow on nerve tissue, leading to skin and bone abnormalities, but Anderson says that “it’s questionable as to whether this was related to that. His condition involves tumours but not very often brain tumours, so the fact that he had an inoperable one was shocking and not commonplace. He was getting his PhD at Stanford. He was in the middle of a young life.”
Aaron was a Buddhist “and because of that he was prepared. He was diagnosed [with the brain tumour] at 27 and it got really rough at the end, but he was completely ready. So it was kind of remarkable for everybody who got to witness it and witness his journey.” Was it almost tougher on those watching than on Aaron himself? “Yes and no. I mean, my parents are kind of extraordinary…” she trails off. “I think it comes down to his perception of everything, his acceptance of his path. None of us were hanging on and trying to pull him back into the world. We didn’t want it to be any different than the way it was happening because it was really clear that he was OK.”
A lot of interviews dwell on Anderson’s spells in therapy, her peripatetic childhood that saw her move from Chicago to Puerto Rico to London to Michigan, the panic attacks she has suffered while doing theatre. “I mean, the amount of times I read the same f------ things!” This, Anderson says, “boggles my mind”, because she doesn’t feel it is representative of the conversation she has had with journalists. It makes her seem like a self-indulgent luvvie, when in actual fact she is terribly good company.
We meet in London (this is home, with her partner and three children) to discuss her role as Miss Havisham in the BBC’s Christmas adaptation of Great Expectations, her second Dickens role for the corporation, having played Lady Dedlock in their adaptation of Bleak House. Anderson is quite astonishingly beautiful, far more so than on screen, and speaks with a British accent, which somehow seems to suit her better. She arrives alone, roaring up in a 4x4 and apologising for being late, explaining that she almost ran out of petrol on the M4, while travelling to London from her place in the country. Where in the country? She clams up again, and when I tell her I only asked out of absent interest, that I’m not planning on noting down her entire address and then printing it in the paper, she relaxes a little – enough, at least, to name the county as Wiltshire.
And that’s the thing about Anderson: she is fluent and articulate when asked about feelings and experiences, all the personal stuff, but get her on seemingly innocuous things and she becomes oddly private. The 43-year-old would probably refuse to tell you what she had for lunch, but ask her if she was aware of how young she was, by modern standards, when she had a baby and got married (she was 24), and she goes off on one. “Well, I’ve never really been aware of anything in my life. I mean, when I was doing The X-Files, people used to say 'Oh my gosh, what a whirlwind life you’ve had – you got this job at 24, you got married, you got pregnant, you got divorced.’ But my response was always: isn’t that just what people do? It never really hit me over the head in the way people were saying.”
And then, without prompting: “I think that… maybe the problem is… I mean, I don’t have any regrets whatsoever, because any regret would mean that I wish that I hadn’t done the series or had Piper [her first child], but I guess if I were able to talk to my younger self, I might have wished for a little bit more consciousness. And I wish I had known that I had choice. Not choice in terms of whether or not I had the baby. I just think there were a few times in my life when I could have said no, or I could have stepped back. But I always just went whichever way the wind blew me.”
She has been divorced twice, from a cameraman on The X-Files (the father of Piper, who is now 17) and the documentary maker Julian Ozanne. Might she marry Mark Griffiths, the businessman with whom she has sons of three and five? Or is she done with marriage? “Neither. I have no idea.” She says she likes having children now, when she is “not working 16 hours a day. [With Piper] I was shooting The X -Files and she was in my trailer while I was on set. And I also think that being a bit older makes a difference, just in terms of the kind of attention and appreciation for the child.”
Did she feel a little trapped playing FBI agent Dana Scully? Anderson nods. The series ran for just under 10 years, and there have been two X-Files films, but you get the sense that she would be happy never to reprise the role again, that she has only relatively recently started getting the parts she really wants. Last year she was nominated for an Olivier for her portrayal of Nora in A Doll’s House at the Donmar. There was a part in The Last King of Scotland, a wonderful turn as Wallis Simpson in Any Human Heart, and she starred as Mrs Castaway in the recent adaptation of The Crimson Petal and the White.
Anderson is a fabulous character actress, and won Bafta, Emmy and Golden Globe nominations for her Lady Dedlock performance, though taking on Miss Havisham somehow seems a greater challenge, perhaps because she is a more iconic Dickens character, who has been played by everyone from Martita Hunt to Anne Bancroft and Charlotte Rampling (Helena Bonham-Carter will also take on the role in a BBC film to be released next year).
Some have said Anderson is too beautiful, young and glamorous to play Miss Havisham, with one Dickens expert describing the actress as a “cougar rather than a crone”. But on screen, Anderson is crack-lipped, scratched, and her performance has an almost ethereal quality to it. “It’s an interesting argument [regarding the age of Miss Havisham], because of course it’s written from Pip’s perspective, and when I was 12, anybody above the age of 25 looked ancient. Presumably Miss Havisham was jilted at the altar when she was 18 or 20, and it’s 25 years from then…” And actually, Anderson wonders “if it’s not more interesting if she’s not 70. Because then it’s certainly more provocative when older Pip shows up.” So a little cougar-ish then.
She enjoyed playing Miss Havisham more than Lady Dedlock “because she’s slightly mischievous and naughty and her dialogue is more poetic. And also, Miss Havisham seems a lot more eccentric.” We talk a bit about Dickens – she says she isn’t more of a fan of him than, say, Emily Brontë or Edith Wharton – and her love of London. “It feels like home and it has for a long time.” Her eyes light up when she talks about the flat she lived in as a child in Haringey, about the “hedge smell” of Crouch End.
She apologises but she has to go. I ask where she’s off to and the gates come down again. “I have to go to a premiere,” she says bashfully. Of what? “Um, not anything I’m in.” I press on, and eventually discover she is going to Mission: Impossible 4, because she has “some friends” in it. Not Tom Cruise, it turns out, but a nice British actor whose name she won’t tell me (I gather it is Simon Pegg). You look like you are dreading it, I say. She starts laughing and puts on her best gritted-teeth face. “I’m not quite sure why I am going, but yes, it will be fun. It will.”
Àâòîð: NikitA 26.12.2011, 5:52
Âðîäå áû, íè÷åãî íîâîãî, à ÷èòàåòñÿ èíòåðåñíî.
Ñïàñèáî
Àâòîð: Âèêòîðèÿ 26.12.2011, 6:23
Ïðî áðàòà íîâîå, îíà î í¸ì åù¸ íå ãîâîðèëà òàê ðàçâ¸ðíóòî.
Àâòîð: NikitA 26.12.2011, 7:04
Äëÿ ìåíÿ íå íîâîå, ïîòîìó ÷òî ÿ òî òàì, òî ñÿì ÷èòàëà î í¸ì â ðàçíûå ãîäû, è íà ôîðóìàõ áûâàëà, ãäå îí îáùàëñÿ, è Äæèëë ñàìà ÷òî-òî ðàññêàçûâàëà. Ïîýòîìó íîâîñòåé êîíêðåòíûõ íåò.
Àâòîð: Âèêòîðèÿ 26.12.2011, 7:16
ß èìåþ â âèäó, î åãî ñìåðòè îíà ãîâîðèò ïåðâûé ðàç, äî ýòîãî îíà óïîìÿíóëà îá ýòîì, ñêàçàâ, ÷òî ïîñëåäíèé ðàç ïëàêàëà òîãäà-òî, ïîòîìó ÷òî ó íå¸ óìèðàåò áðàò.
Àâòîð: NikitA 26.12.2011, 7:51
â ýòîì ïëàíå - äà.
Àâòîð: Âèêòîðèÿ 26.12.2011, 9:46
Ê èíòåðâüþ ôîòî ââåðõ òîðìàøêàìè
http://radikal.ru/F/s48.radikal.ru/i121/1112/12/86ca30256ffc.jpg.html
Àâòîð: NikitA 26.12.2011, 11:26
Êëàññíîå ôîòî
Àâòîð: Âèêòîðèÿ 27.12.2011, 12:59
http://radikal.ru/F/s001.radikal.ru/i195/1112/38/6c0c3ee15f38.jpg.html
Àâòîð: Âèêòîðèÿ 14.1.2012, 4:55
Àóäèî-èâüþ ïî Äæîííè Èíãëèøó: http://www.moviehole.net/201251701-hole-cast-gillian-anderson-mike-gunther
Êîãäà ïðîìî â Àâñòðàëèè áûëî.
Àâòîð: Âèêòîðèÿ 16.2.2012, 6:18
Gillian Anderson: I’ll be on board for an X-Files movie if they pull it together
Johnny English Reborn star Gillian Anderson talks about putting family life ahead of her work and how she's would be up for making an X-Files movie.
How did you start acting?
I didn’t particularly like school very much. I didn’t really feel like I fitted in or belonged. I used to shave the side of my hair with a razor blade and pierce my nose. I was listening to bands such as Circle Jerks, Butthole Surfers and Bauhaus. However, once I started acting in a community play, a lightbulb went on – I felt quite sure of myself and about the direction I was going in. Then, when I decided I wanted to go on to college, I asked for suggestions of where one should go if one wanted to be an actor, and somebody told me about the Goodman Theatre School in Chicago. So I sent away for an application. That was the only place I auditioned. I have a tendency to be really naive about things but it worked out because I got accepted.
Your MI7 Agent character in Johnny English Reborn, Pamela, is pretty serious. Did you purposefully play the role straight, like your character, Dana Scully, in The X-Files?
Yes, exactly. In fact, it was very similar to The X-Files, ironically. In order for the jokes to work, it is not appropriate for the character to witness the extent of things taking place. In The X-Files, my character is the disbeliever, so I was used to being the one who is looking in the wrong direction or being out of the jokes, so to speak.
You’ve acted in more TV and independent films lately. Was that a conscious decision?
Yeah, I’ve made a decision to put my family life first, so I don’t do something that takes me away from them for three months at a time. I like the idea of popping in and doing a few weeks here. However, there are only a few things that will allow for that kind of schedule. I’m not terribly ambitious. There is a part of me that takes what comes. I don’t read Variety, I don’t do any of that sort of stuff.
You live in London now – do you miss the Los Angeles weather?
No, I actually don’t. People often talk about the London weather in a negative way but then I lived in Vancouver when we were shooting The X-Files, which was incredibly cold.
Is there any truth to the rumours that another X-Files movie will be made?
I don’t know. There is talk of it but I don’t know what that will equate to. I’ve said it from the beginning that if it’s something they pull together, I’ll be on board.
Àâòîð: NikitA 16.2.2012, 10:20
Õîðîøåå èíòåðâüþ, ñïàñèáî.
Àâòîð: Âèêòîðèÿ 26.2.2012, 12:28
5 things you didn't know about Gillian Anderson.
1. When I feel stuck or need some guidance I always consult a psychic. I've been fortunate to have some very accurate readings from various psychics in the past which have helped me a great deal.
2. I have a pierced belly button. I had it done while shooting thexfiles I'd always wanted one so I did it on my lunch break. Then for the next scene I had to dive on the ground on my stomach.
3. Rod Stewart's Maggie May is my afvourite song of all time, It brings back memories of my parents playing it when I was a child. Now if it comes on the radio, everything stops and I scream for it to be turned up loud.
4. My partner and I have been together for five years now and we're very happy. But when I was single before him, I never went on dates. I've never been formally asked out in my life. May be it was the vibe I gave out.
5. The xfiles helped turn me into a no nonense person. i used to trip over my lines when they had me spouting out orders beacuse I felt I didn't have the power. But playing Scully made me blossom in real life so I'm grateful to her.
Àâòîð: Âèêòîðèÿ 5.3.2012, 15:25
http://radikal.ru/F/s07.radikal.ru/i180/1203/84/e72578e8c108.jpg.html http://radikal.ru/F/i011.radikal.ru/1203/fc/3026cb2d7f11.jpg.html
Àâòîð: Monday 5.3.2012, 22:18
×å-òà îíà íà ýòîé ôîòêå ñàìà íà ñåáÿ íå ïîõîæà.
Àâòîð: Âèêòîðèÿ 6.3.2012, 2:54
Ýòî ôîòêà åù¸ âðåì¸í ïîåçäêè â Àâñòðàëèþ, äà è áóêâû íà ëèöå 
Àâòîð: Âèêòîðèÿ 8.3.2012, 3:18
Áîëåå ïîëíàÿ âåðñèÿ ñòàðîãî èâüþ èç Àâñòðàëèè: http://www.youtube.com/watch?v=DRCk1DEJpno
Àâòîð: Âèêòîðèÿ 15.3.2012, 1:27
TV Guide Interview
X-Pectations
In Masterpiece Classic's adaptation of Charles Dickens's novel Great Expectations Gillian Anderson plays Miss Havisham, literature's most infamous jilted bride 'who is still wearing her wedding gown years later and teaching her charge Estella to break men's hearts to get back at them for the pain she has experienced' Anderson says. The X-Files star who lives in London with her boyfriend and three kids thinks her American fans will have a great time watching Expectations. ~ Ileane Rudolph
Is Miss Havisham one of the great roles for women? It's just one of the great roles period. She's so complicated and confounding and horrifying. She's a pleasure to spend time with.
Dickens fans can be pretty exacting. What can they expect? Writer Sarah Phelps (Being Human) has done an extraordinary job. Dickens is long-winded and it's quite a feat to keep the characters alive and interesting and distill the richness of this work into three hours.
Following the success of Downton Abbey, are you hoping for some afterglow of period Anglophilia? Hopefully people will embrace it with the same love that flowed toward Downton Abbey. I was actually offered a part in Downton.
The American wife, Lady Grantham [played by Elizabeth McGovern]? That's right.
You've been doing lots of British TV. Would you ever consider doing an American series again? I've been talking to people over the past few years. If the right thing appears, I'm up for it!
Àâòîð: Monday 15.3.2012, 2:07
Íàäåþñü, êàêîé-íèáóäü ðàçâåñåëûé êàáåëüíûé êàíàë íå áóäåò äîëãî òóïèòü
Àâòîð: Áåëàÿ Òèãðèöà 15.3.2012, 5:33
Àãà, æåëàòåëüíî ÷òî-òî â ñòèëå ShowTime.
Àâòîð: Âèêòîðèÿ 17.3.2012, 16:29
Äæèëë çà ðóë¸ì ýëåêòðîêàðà
http://www.youtube.com/watch?v=VhFVz5ryUkc
Àâòîð: NikitA 17.3.2012, 16:51
WoW. Äåëîâóùàÿ òàêàÿ
Àâòîð: Áåëàÿ Òèãðèöà 17.3.2012, 23:57
Àãà, ïðÿìî áèçíåñ-ëåäè, ¸ïò.
Àâòîð: Âèêòîðèÿ 24.3.2012, 10:31
Gillian Anderson on Tattoos, Family Meals, and Dealing with a Teenager
Gillian Anderson will never escape being Dana Scully, her paranormal-seeking character on The X-Files. “I met an Australian aboriginal shaman in Italy,” she recalls, “and he started with the fact that his wife was from another planet.”
But the 43-year-old actress has moved on to more terrestrial pastures and is now playing the forlorn Miss Havisham in PBS Masterpiece’s Great Expectations (April 1 and 8, 9 p.m. ET; on DVD April 3). She tells Mary Margaret the three words that describe her best are “busy, stressed, and goofy.”
Aren’t you too young to play Miss Havisham?
That’s everybody’s first reaction, but the woman who played her in David Lean’s [1946] production was only three years older than I am. I think that makes it a more interesting, devastating story—there is still hope for her, yet she chooses to be stuck in her heartbreak.
How do you feel about aging? Would you consider plastic surgery?
Every once in a while I think there’s got to be a way you can have a tiny little nip no one can see. But that’s probably what everybody thinks—that it’s going to be seamless, and it’s not. I’m waiting for technology to catch up so you won’t be able to tell.
You call London home now. What are your Sundays like?
I try to keep my sons [ages 3 and 5, with her partner, businessman Mark Griffiths] in bed until 7 a.m., and then we’ll either have breakfast downstairs or go out. My daughter [17, from her marriage that ended in 1997] gets a reprieve, since sometimes that’s her only morning to sleep in. Then, depending on the weather, we’ll go to a park or an indoor jungle gym.
Are you a big cook?
Cooking wasn’t a part of my family life. We helped ourselves and ate standing over the kitchen sink. But now I experiment from time to time. I make a few lamb dishes and a prawn Thai curry à la Jamie Oliver. And there is one way I make roast chicken. I don’t need to look for any other way of making it.
You were a rebellious teen. Does that streak still surface?
Even though I can dress up like a soccer mom, the punk rocker will forever be under my skin. A manager once told me to smile for the paparazzi. I thought, screw that! Playing along [with intrusive press] is perpetuating something I don’t think should be legal.
I thought you were going to mention your tattoo.
I actually have three. There are two tortoises back to back on my ankle. I got them in Tahiti and they represent peace of mind. Then I have one on the scar from an ectopic pregnancy I had years ago. And on my wrist is one of the eight limbs of yoga.
Do you see yourself in your daughter?
We are very, very similar—much to her chagrin. She’s constantly saying, “Mom, I’m doing this just like you!”
What advice do you give her?
To be true to what she’s feeling. I followed boys instead of following my own dreams and passions. That has been my advice to her—and whoever else will listen.
È ðåöåïò âêóñíÿøêè îò Äæè: http://www.dashrecipes.com/recipes/cookbook/g/gillian-anderson-easy-roast-chicken.html
Ññûëêà íà èâüþ: http://www.parade.com/celebrity/sunday-with/2012/03/25-gillian-anderson.html
Àâòîð: Áåëàÿ Òèãðèöà 24.3.2012, 11:18
Óæå íå âïåðâûå ÷èòàþ îò íåå. Îùóùåíèå, ÷òî èç-çà ýòîãî åñòü ìíîãî, î ÷åì æàëååò òåïåðü.
Àâòîð: NikitA 24.3.2012, 11:44
Àâòîð: Âèêòîðèÿ 24.3.2012, 11:47
Íåò. Âíåìàòî÷íàÿ äåéñòâèòåëüíî áûëà âî âðåìåíà Îçàííà, è Äæèëë ñàìà îá ýòîì ðàññêàçûâàëà, è òàòó ñ áóêâîé Ð ïîÿâèëîñü íà æèâîòå óæå â Ëîíäîíå êàê ðàç. Âî âðåìåíà ðàçãàðà Ñåêðåòîê ýòîé òàòó íå áûëî.
Àâòîð: NikitA 24.3.2012, 12:12
Íå óâåðåíà, ÷òî ãîòîâà ñ òîáîé ñîãëàñèòüñÿ Ìíå êàæåòñÿ, òàòóøêó ñ Ð ìû âèäåëè íà áîëåå ðàííèõ ôîòêàõ.
1. Òîëüêî ÷òî çàøëà íà Haven - çàìåòèëà, ÷òî Tina4 ïèøåò ò î æå, ÷òî è ÿ.
2. Ñîãëàñíà ñ òåìè, êòî íå äîâåðÿåò æóðíàëó. ß âïîëíå äîïóñêàþ, ÷òî ýòî íå ðåàëüíîå èíòåðâüþ Äæèëë. Îíî ìîæåò áûòü ñîáðàíî èç ðàíåå îïóáëèêîâàííûõ. Òîãäà - ïîíÿòíîå äåëî - àâòðîð ìîã ñàì äîäóìàòü ïðè÷èíó ïîÿâëåíèÿ òàòóøêè.
Ïðîñòî ÿ ïîìíþ èíòåðâüþ, â êîòîðûõ Äæèëë ãîâîðèëà, ÷òî áóêâà Ð íà å¸ æèâîòå ïîÿâèëàñü â ïàìÿòü î òÿæ¸ëûõ ðîäàõ
Àâòîð: Âèêòîðèÿ 24.3.2012, 12:19
Äà, ÿ ùàñ ÷èòàëà òî æå ñàìîå è óæå íàøëà ïîäòâåðæäåíèå òîìó, ÷òî íåïðàâà ñ òàòóøêîé  2002 ãîäó òàòó óæå áûëà.
ß ïîìíþ, ÷òî âñå âñåãäà ïðåäïîëàãàëè, ÷òî Ð çíà÷èò Piper, è åñëè îíà ãîâîðèëà î òÿæ¸ëûõ ðîäàõ, òî â ýòîì åñòü ñìûñë. Õîòÿ íå ïîìíþ, ÷òîáû óïîìèíàëîñü, ÷òî ðîäû Ïàéïåð áûëè òÿæ¸ëûìè, ïîìíþ, ÷òî áûëî êåñàðåâî, è ÷åðåç 10 äíåé îíà óæå ñíèìàëàñü â "Îäíîì âäîõå". È ÿ íå ÷èòàëà ýòî èâüþ î òÿæ¸ëûõ ðîäàõ. Íî ÷èòàëà î íåóäà÷íûõ áåðåìåííîñòÿõ âî âðåìÿ Îçàííà.
Àâòîð: NikitA 24.3.2012, 12:26
Åñëè äåëàëè êåñàðåâî, ðîäû âðÿä ëè áûëè ë¸ãêèìè Îíà æ ãîâîðèëà, ÷òî äëèëèñü îíè î÷åíü äîëãî, è ïðèøëîñü êåñàðèòü.  ëþáîì ñëó÷àå, ìû ñêîëüêî óãîäíî ìîæåì *âñïîìèíàòü*, à âñå ïîäðîáíîñòè çíàåò òîëüêî Äæèëë
Àâòîð: Âèêòîðèÿ 24.3.2012, 12:30
Äà? Âèäèìî, ÿ ðåøèëà, ÷òî ó íå¸ áûëî òîãäà, êàê ó ìíîãèõ ïðîèñõîäèò ñåé÷àñ - íàçíà÷èëè äåíü ðîäîâ, ïðèøëà, ëåãëà, ïîä ìåñòíûì íàðêîçîì òåáå ëÿëüêó âûòàùèëè, è ÷åðåç äâà äíÿ óæå õîäèòü çàñòàâëÿþò
Íî ÿ ðóãàþñü ñèæó, ïîòîìó ÷òî òåðïåòü íå ìîãó, êîãäà ïðîèñõîäÿò òàêèå "íåñîñòûêîâêè" è êîãäà ìåíÿ çàïóòàëè è ÿ íå â êóðñå, ÷òî æå è êîãäà áûëî íà ñàìîì äåëå
Àâòîð: NikitA 24.3.2012, 12:31
Õðîíîëîãèÿ ñîáûòèé â íàøåì äåëå - ýòî î÷åíü âàæíî. ß òåïåðü æàëåþ, ÷òî íå ñîõðàíèëà òî, ÷òî ñîáèðàëà â ñòàðîì êîìïå
Àâòîð: Âèêòîðèÿ 24.3.2012, 12:34
ß ïîñòîÿííî æàëåþ, ÷òî íå ñîõðàíÿþ èíòåðâüþ çà ðåäêèì èñêëþ÷åíèåì (ýòè ðåäêèå èñêëþ÷åíèÿ - ñîâìåñòíûå èâüþ ÄèÄ ), íî ïðîäîëæàþ èõ íå ñîõðàíÿòü
Àâòîð: NikitA 24.3.2012, 12:41
Ìåíÿ ðàññëàáèëî ïîÿâëåíèå Èíåòà. Âñÿ ìàêóëàòóðà, ÷òî ñîáèðàëîñü â ïàïî÷êè äî 2000-ãî ãîäà, â íèõ è õðàíèòñÿ. Íî ýòî áûëà ðîññèéñêàÿ ïðåññà - å¸ òîæå íåëüçÿ íàçâàòü äîñòîâåðíîé.
Àâòîð: Âèêòîðèÿ 24.3.2012, 13:22
 îáùåì, âñå òîæå çàïóòàëèñü Ãîâîðÿò, â ïåðèîä ÑÌ ïîñëå Ïàéïåð ó íå¸ â êîíòðàêòå áûëî ïðîïèñàíî íå áåðåìåíåòü, òàê ÷òî ñîìíèòåëüíî, ÷òî îíà ìîãëà îïÿòü õîäèòü êàêîå-òî âðåìÿ áåðåìåííîé âî âðåìÿ ðàáîòû ñ ÑÌ. Íó, ÿ äóìàþ, ÷òî âïîëíå âîçìîæíî, ÷òî èâüþ ýòî ëèïîâîå, òåì áîëåå èçäàíèå ñîìíèòåëüíîå êàêîå-òî, êàê ÿ ïîíÿëà, ýòî âêëàäêà â åæåíåäåëüíûå ãàçåòû. Òàê ÷òî åñëè îô.ñàéò âûëîæèò åãî, òîãäà îíà íàñòîÿùåå, êîíå÷íî. À åñëè íåò, äóìàþ, ìîæíî ñ÷èòàòü ôåéêîì Âîò íåäàâíî òîæå áûëî êàêîå-òî èâüþ ñî âñåìè ñòàðûìè íîâîñòÿì, íî ÿêîáû îò å¸ ëèöà, òàê íà îô.ñàéòå îíî òàê è íå ïîÿâèëîñü, õîòÿ îíè âñåãäà âûêëàäûâàþò èíòåðâüþ.
Àâòîð: NikitA 24.3.2012, 13:42
ß ïîìíþ, êàê æåëòóøíèêè ñäåëàëè ïàðó ôîòîê Äæèëë íà íîñèëêàõ - êîãäà å¸ ñêîðàÿ óâîçèëà. Ýòî ïðîèçîøëî â ïåðèîä Äæóëèàíà, è Äæèëë ïîòîì øóòèëà, ÷òî ÷òî å¸ ôëèï-ôëîïû íà ëåñòíèöå ïîäâåëè, à ñëóõè ïîïîëçëè î òîì, ÷òî îí ðóêîïðèêëàäñòâîì çàíèìàåòñÿ. Âèäèìî, ê ýòîìó ñëó÷àþ ÑÌÈ òåïåðü è ïðèâÿçûâàþò óïîìèíàíèå Äæèëë î âíåìàòî÷íîé.
×òî êàñàåòñÿ êîíòðàêòà, òî ÿ ëè÷íî ñ÷èòàþ, ÷òî êàê áû îíà íè ïîäñòðàõîâûâàëàñü, íèêòî è íè÷òî íå ìîæåò ãàðàíòèðîâàòü åé 100% èçáåæàíèÿ áåðåìåííîñòè
Íó åñëè òîëüêî... Òû ñàìà ïîíèìàåøü À ýòî âðÿä ëè Ò.÷. ýòà íåïðèÿòíîñòü ìîãëà ñëó÷èòüñÿ â ëþáîé ïåðèîä.
Àâòîð: Âèêòîðèÿ 24.3.2012, 13:49
Êîðî÷å, ÿ ïîêà íå âåðþ, ÷òî èíòåðâüþ ïîäëèííîå, ïîòîìó ÷òî âîí ìíîãèå óäèâëÿþòñÿ åù¸ è îòâåòó ïðî ïëàñòè÷åñêóþ õèðóðãèþ (÷òî ðàíüøå îíà îòâå÷àëà ñîâñåì äðóãîå), è ïðî îãîð÷åíèå Ïàéïåð, ÷òî ÷åãî îíà îãîð÷àåòñÿ, ÷òî íà ìàìó ïîõîæà, òàê ÷òî áóäó æäàòü, ÷òî ïîêàæåò îô.ñàéò.
Äà íåò, ãðþ òåáå, èíòåðâüþ áûëî íà ýòó òåìó!
Íî òàì áûëà íå ïðÿìàÿ öèòàòà Äæèëë, à âîò êàê èç ïîñëåäíåãî èíòåðâüþ - å¸ ñëîâà, ñìåøàííûå ñî ñëîâàìè èíòåðâüþåðà.
Àâòîð: NikitA 24.3.2012, 14:01
p.s. áëèí, Tina4 ÷èòàåò ìîè ìûñëè
îíà ïèøåò òî æå, ÷òî è ÿ. ×òî çà ôèãíÿ!
Àâòîð: Âèêòîðèÿ 24.3.2012, 14:07
Íó ÿ íå äóìàþ, ÷òî ñ å¸ ñîãëàñèÿ èíòåðâüþåð âñ¸ äîäóìàë ìîë÷à ñàì, à òî èíòåðâüþ áûëî ñòî ïðîöåíòîâ ïîäëèííûì.
Êîðî÷å, â ïåíü ýòè òàòó è êîãäà îíè áûëè ñäåëàíû, äåëàòü íàì ñ òîáîé áîëüøå íå÷åãî
Àâòîð: NikitA 24.3.2012, 14:10
Äà âîò èìåííî - ó ìåíÿ ñòîëüêî ôèëüìîâ íå ñìîòðåíî è ôèêîâ íå ÷èòàíî
Àâòîð: Âèêòîðèÿ 24.3.2012, 14:19
ß âîò ùàñ êàê ðàç ñèæó ÷èòàþ è ïîñòîÿííî îòâëåêàþñü íà ýòè òàòó
Êñòàòè, ùàñ âîò òîæå îáðàòèëè âíèìàíèå è íà ñëîâà ïðî äðóãîå òàòó, òî, íà çàïÿñòüå êîòîðàÿ, îïÿòü íîâàÿ ðàñøèôðîâêà - ýòî òàòó óæå áûëî è íà õèíäè, è íà ñàíñêðèòå, òåïåðü âîò éîãà, òàê ÷òî åù¸ îäèí äîâîä â ïîëüçó ôåéêà, ëèáî Äæèëë ñàìà íå çíàåò, ÷òî ýòî çà òàòó è êàæäûé ðàç ïðèäóìûâàåò íîâóþ âåðñèþ
Àâòîð: Âèêòîðèÿ 24.3.2012, 14:31
Òüôó, ¸ïò, òåïåðü ãîâîðÿò, ÷òî ýòîò ñèìâîë äåéñòâèòåëüíî è ñ éîãîé ñâÿçàí È âîò íåïîñðåäñòâåííî îòðûâîê èç èâüþ ”Married to Ozanne for 16 months but with him for three years, she suffered both a miscarriage and an ectopic pregnancy.” È ÿ ñîãëàñíà ñ òåì, ÷òî íåïðàâèëüíîãî ïîíèìàíèÿ â ýòîì èâüþ íå ìîãëî áûòü, ïîòîìó ÷òî ýòî èâüþ áûëî äîâîëüíî ëè÷íûì è çíà÷èìûì â òî âðåìÿ äëÿ Äæèëë è îïóáëèêîâàííûì íà îô.ñàéòå, òàê ÷òî ÿ äóìàþ, çäåñü áûëà ñêàçàíà ïðàâäà, êàêîé ïðåäñòàâèëà å¸ Äæèëë. À âîò êàê áûëî íà ñàìîì äåëå â å¸ æèçíè, òóò óæ òîëüêî åé è èçâåñòíî, ýòî òî÷íî.
À âîîáùå âàëè, Âèêà, ÷èòàòü ñâîé ôèê
Àâòîð: NikitA 24.3.2012, 14:53
Ñïàñèáî, ÷òî îòêîâûðÿëà öèòàòó. Òóò ÿ ñ òîáîé ñîãëàñíà òîæå.
Îñòàëîñü âûÿñíèòü, êîãäà áûëî ñäåëàíî è êàêîìó ñîáûòèþ ïîñâÿùåíî òàòó íà æèâîòå
Àâòîð: NikitA 24.3.2012, 15:01
Òóò âñ¸ ïó÷êîì प्रत्याहार ïåðåâîäèòñÿ ñ õèíäè êàê Ïðàòüÿõàðà
***Ïðàòüÿõàðà (ñàíñêð. प्रत्याहार, «îòáðàñûâàíèå, îòðåøåíèå») — òåõíèêà îòâëå÷åíèÿ ÷óâñòâ îò îáúåêòîâ íà êîòîðûå îíè íàïðàâëåíû. Óäåðæàíèå ñîñòîÿíèÿ «Çäåñü è ñåé÷àñ»; òàêæå — íàçâàíèå ïÿòîé ñòóïåíè ðàäæà-éîãè.***
Àâòîð: Âèêòîðèÿ 24.3.2012, 15:09
ß íå ïîíèìàòü ïðî õèíäè è ñàíñêðèò, ýòî îäíî è òî æå ÷òî ëè?
Àâòîð: NikitA 24.3.2012, 15:27
òèïà òîãî.
***Ñàíñêðè́ò — äðåâíèé ëèòåðàòóðíûé ÿçûê Èíäèè ñî ñëîæíîé ñèíòåòè÷åñêîé ãðàììàòèêîé. Ðàñïðîñòðàí¸í â Ñåâåðíîé Èíäèè â êà÷åñòâå îäíîãî èç ÿçûêîâ íàñêàëüíîé ýïèãðàôèêè ñ I âåêà äî í. ý.  íàñòîÿùåå âðåìÿ ýòîò ÿçûê ÿâëÿåòñÿ îäíèì èç 22-õ îôèöèàëüíûõ ÿçûêîâ Èíäèè***
Àâòîð: Âèêòîðèÿ 24.3.2012, 15:33
Èíòåðâüþ ïîÿâèëîñü íà îô.ñàéòå, çíà÷èò, íàñòîÿùåå. Òîãäà íåïîíÿòíî ñ ýòîé òàòó íà æèâîòå. Âðîäå è âûõîäèò, ÷òî âûêèäûø è âíåìàòî÷íàÿ áûëè âî âðåìåíà Îçàííà, è â òî æå âðåìÿ îíà êîãäà-òî ãîâîðèëà, ÷òî äåëàëà ýòî òàòó â ÷åñòü Ïàéïåð, ðîäû êîòîðîé áûëè òÿæ¸ëûìè... Ìîæåò, ïðîñòî ïðîêîë ñäåëàëè â ìåñòå òàòó, êîãäà áûëà âíåìàòî÷íàÿ? Îíà âåäü íå ãîâîðèò, ÷òî ñäåëàëà òàòó, ÷òîáû ïðèêðûòü øðàì, à ãîâîðèò, ÷òî òàòó íàõîäèòñÿ íà øðàìå
Àâòîð: NikitA 24.3.2012, 15:42
Âñ¸ ìîæåò áûòü, íî ÿ íå ïîíèìàþ, ïî÷åìó íàðîä ñ÷èòàåò, ÷òî, åñëè ðàçìåùåíî íà îôñàéòå, çíà÷èò, íå ìîæåò áûòü îïå÷àòêè, îøèáêè èëè íåòî÷íîñòè. Äæèëë ñàìà ñàéò íå âåä¸ò, èíòåðâüþ íå ïèøåò. È, â êîíöå êîíöîâ, òî, ÷òî íàì êàæåòñÿ çíà÷èòåëüíûì, äëÿ íå¸ ìîæåò ïîêàçàòüñÿ ìåëî÷üþ. Îáùàÿ êàðòèíà ÿñíà, à óòî÷íÿòü êîíêðåòíî - â äàííîì ñëó÷àå - îíà, ìîæåò, íå ñ÷èòàåò íóæíûì
Àâòîð: Âèêòîðèÿ 24.3.2012, 15:48
Ìîæåò è òàê. Íî ïî ïîâîäó ñàéòà ÿ äóìàþ, åãî àäìèíøà ñîãëàñîâûâàåò âñ¸, ÷òî áóäåò ðàçìåùåíî òàì, ñ Äæèëëèàí, è Äæèëëèàí ïîäòâåðæäàåò èíòåðâüþ òîìó èëè èíîìó èçäàíèþ, à êîòîðîå íå ïîäòâåðæäàåò, òî è íå ïîÿâëÿåòñÿ â èòîãå íà ñàéòå. Íó, ýòî ìî¸ ìíåíèå, ÿ íå çíàþ, êàê âñ¸ íà ñàìîì äåëå, íî òàê âñåãäà áûëî, ÷òî åñëè ÷òî ïîÿâèëîñü íà ñàéòå, òî ýòî ñòîïðîöåíòíàÿ ïðàâäà, ÷òî êàñàåìî ñëóõîâ î å¸ ïðîåêòàõ, ÷òî êàñàåìî èíòåðâüþ.
Àâòîð: NikitA 24.3.2012, 16:02
×òî êàñàåòñÿ âñÿêîãî ðîäà ñîáûòèé - äà. ×òî êàñàåòñÿ èíòåðâüþ è ñòàòåé, âðÿä ëè Äæèëë ñàìà âñ¸ ïåðå÷èòûâàåò.  ëó÷øåì ñëó÷àå, àäìèíèñòðàöèÿ ñàéòà ñîãëàñóåò âñ¸ ñ àãåíòîì Äæèëë.
ß òîæå íå ìîãó çíàòü òî÷íî, êàê ó íå¸ íà ÎÔÑ âñ¸ ïðîèñõîäèò. Íàâåðíÿêà, ó âñåõ ïî-ðàçíîìó. Íàøà ÑÌ âîîáùå ñ Èíåòîì íå äðóæèò, ñàéòîì çàíèìàþòñÿ äåòè. Íî îíè è ÿâëÿþòñÿ Ÿ ïðîäþñåðàìè. Âñå âîïðîñû ðåøàþòñÿ ÷åðåç íèõ èëè äèðåêòîðà, âåñü ìàòåðèàë ïðîõîäèò ÷åðåç íèõ æå.
p.s. Òîëüêî ñåé÷àñ óâèäåëà Gold Derby Interview íà ÎÔÑ - Äæèëë òàê äîëãî áîëòàåò ïî ñêàéïó. Òû íå ïðèíîñèëà åãî ñþäà? Åñëè áû íè íàøè ò¸ðêè ñåãîäíÿøíèå, îíî áû âîîáùå ìèìî ìåíÿ ïðîøëî. Íàäî ñîõðàíèòü!
Àâòîð: Âèêòîðèÿ 24.3.2012, 16:08
ß äóìàþ, ÷òî â èòîãå îíà ïðî÷èòûâàåò òî, ÷òî ïðî íå¸ íàïèñàëè. Îíà äîâîëüíî àêòèâíà â æèçíè ñâîåãî ñàéòà, è ÿ òî÷íî çíàþ, ÷òî àäìèíøà îáùàåòñÿ ñ ñàìîé Äæèëë ïî ïî÷òå.
Ïðèíîñèëà, êîíå÷íî
Àâòîð: NikitA 24.3.2012, 16:11
Àâòîð: Âèêòîðèÿ 24.3.2012, 16:11
Âîò îíî: http://duchovny-info.ru/forum/index.php?showtopic=1150&st=60
È òû äàæå îòêîììåíòèëà
Àâòîð: NikitA 24.3.2012, 16:14
Êàêàÿ æå õîðîøàÿ áîëåçíü - ñêëåðîç ß òîãäà åãî íà ïîòîì îòëîæèëà
Àâòîð: Monday 25.3.2012, 1:50
ß óæ ðàçâîëíîâàëàñü, ÷òî æå Äæèëë îïÿòü òàêîãî ñêàçàëà, ÷òî êîììåíòîâ íà òðè ñòðàíèöû À ó âàñ òóò ïðîñòî âåñåëî
Àâòîð: Áåëàÿ Òèãðèöà 25.3.2012, 4:16
Ìîæåò Äæèëë ñ åå ïîòðÿñàþùåé ïàìÿòüþ óæå ñàìà íå ïîìíèò, ÷òî, êîãäà è äëÿ ÷åãî áûëî?
Àâòîð: Âèêòîðèÿ 28.3.2012, 7:01
Gillian Anderson on ‘X-Files,’ ‘Downton Abbey,’ ‘Great Expectations’
Gillian Anderson, famous for 'The X-Files,' stuns as Miss Havisham in Sunday’s 'Great Expecations.' She tells Jace Lacob about turning down 'Downton Abbey,' her British accent—and possibly playing Scully again.
Gillian Anderson is no stranger to strange worlds.
The former star of The X-Files, which became a worldwide hit and spawned two feature films, Anderson has, for now anyway, traded in Dana Scully’s FBI-issued handgun and severe suits for the tight-laced corsets and flowing frocks of such period dramas as Bleak House, The House of Mirth, Tristram Shandy: A Cock and Bull Story, The Crimson Petal and the White, Moby Dick, and Any Human Heart, in which she played a deliciously conniving Wallace Simpson, complete with a false nose. But it’s Anderson’s jaw-dropping turn as Miss Havisham in Great Expectations, which airs Sunday evening on PBS’s Masterpiece Classic after a three-night run in December on BBC One, that erases any trace of Scully’s bravado.
An Anderson role in a period piece seems de rigueur these days: she was also very nearly in ITV’s critically acclaimed costume drama Downton Abbey, but turned down an offer to play Lady Cora Crawley, a role that went to fellow American Elizabeth McGovern. “They’re still mad at me,” Anderson told The Daily Beast. “Every time I see [creator] Julian Fellowes, he says, ‘Why?’ I’m very finicky.”
It’s no surprise that after her legendary turn as the emotionally haunted Lady Dedlock in Andrew Davies’s 2005 adaptation of Bleak House, which earned her Emmy Award and Golden Globe nominations, Anderson has a fascination with severe or extreme characters. In Great Expectations, adapted from the Charles Dickens novel by Sarah Phelps and directed by Brian Kirk (Game of Thrones), she stars as the malevolent and tragic Miss Havisham, whose blackened heart leads her to destroy the innocence of young Pip (Douglas Booth) and Estella (Vanessa Kirby), and doom whatever chance of love either has.
There was much grumbling in the British press about Anderson being the youngest actress to play Miss Havisham, who is traditionally portrayed as a skeletal old woman still dressed in the tattered vestiges of her wedding gown, clutching at the last shreds of her youth, while already standing in her grave. (Helena Bonham Carter will play the role in a feature film version of Great Expectations, out later this year.)
“I appreciate the purists out there who have studied Dickens,” said Anderson, elegantly dressed in a flowing white blouse and gray skirt, and seated in an empty banquet room at the Langham Hotel in Pasadena. “But the facts are, from my understanding, Miss Havisham is around 50. That is not far from 43, which is what I am. They keep talking about me being the absolute youngest, when actually the actress who played her in David Lean’s version was 46.”
“I expected when I kept reading this stuff that I was going to read that she was 75,” she said of Martita Hunt, who played the wild-haired Miss Havisham in the 1946 classic. “They just have to harp on something.”
Indeed, by making Miss Havisham closer to Pip’s age, the production has heightened the sense of tension, both sexual and psychological, between the two characters. “She’s not an old crow and fawning after these children, which would end up being really creepy,” said Anderson. Likewise, an additional patina of tragedy is added to the deeply disturbed character, whom Anderson imbues with a blend of ghostly transparency and obsessive madness. Pip telling her that she could have filled her decrepit home, Satis House, with children of her own cuts even deeper—she still could choose to open herself up to love. Instead, her downfall is that she can’t let go of the poison in her heart or the heartbreak in her past.
Anderson herself is more or less a Dickens novice. Her experience of the author, who would be celebrating his 200th birthday this year, is limited to her own work in adaptations of Great Expectations and Bleak House.
“I can’t remember if it was high school or college, but I attempted to read A Tale of Two Cities and I don’t recall getting through it,” she said. “I don’t think I gave him more thought until he came into my life in this respect. One of the only things that I have regrets about in my life is my experience of school and education. I wish I had known how important it was to pay attention … My first foray into a lot of the classics has been through my work. It’s only after falling in love with the screenplay or adaptation that I’ve then gone on to read the novels themselves.”
Anderson was a bit of a teenage hellion. A far cry from the sleek and sophisticated star these days, the teenage Anderson dyed her hair multiple colors and had her nose pierced. (In an infamous anecdote, she was arrested on the eve of her graduation for trying to glue the gates of her school shut, but according to an interview in US Weekly, she got off with community service and spent a week cleaning a YMCA.) Born in Chicago, she was shuttled with her family around the world for much of her childhood: a stint in Puerto Rico as a baby, a childhood spent in London, and then, at age 11, her formative years spent in Grand Rapids, Mich., where her English accent marked her as an instant outsider.
That accent still turns up on occasion, particularly when she appears on British talk shows like The Graham Norton Show or Parkinson, where Anderson deploys the cut-glass tones of one of her well-heeled characters. On this day, however, there is not a trace of Britannia in Anderson’s speech.
“When I’m in London, my partner’s British, my kids are British, and I’m surrounded by Brits,” she said, laughing. “It’s near to impossible for me to maintain my American accent in the midst of that. My first language was with a British accent … I could understand why it would be confusing for people in the States who aren’t used to me with a British accent, but I didn’t lose my British accent until well into college. Even when I started doing The X-Files, I was only a few years away from having decidedly losing it. It’s completely natural to me. When I try, in London, to not speak with a British accent or to keep it American, I just sound like a f--king idiot. It turns into some weird eurotrash thing.”
It was Anderson who raised the specter of The X-Files during the interview. After playing skeptical FBI Special Agent Dana Scully in Fox’s science-fiction thriller for nine seasons and costarring with David Duchovny in two spinoff feature films, 1998’s The X-Files and 2008’s The X-Files: I Want to Believe, Anderson was widely believed to have finished with the character and the alien-themed franchise. Not so.
“Not at all,” she said. “If a good script comes along for another film, then I’m up for it and so is David. So is [creator] Chris [Carter]. I don’t see any reason not to do it if the script is good and Fox wants to go ahead and put the money behind it. Now I don’t know if there’s a script, I don’t know whether Fox is even remotely interested, so it’s completely out of my hands. But I’d be up for it.”
Still, the entrenchment of Scully in pop culture has had its potential pitfalls, given how long Anderson portrayed the religious medical doctor-turned-FBI-field agent—she appeared in all but four of the show’s 202 episodes—and there was the risk that the actress could be pigeonholed afterward.
“There was definitely that concern coming off the series and wanting to do as many different things as possible,” Anderson said. “There is an argument that every time I decide to do another [X-Files] feature, it complicates that even more in that it solidifies me in the audience’s mind more as that character … [But] I’m not going to choose not to do it because people might be closed-minded.”
While another possible X-Files film percolates in the background, Anderson will star in the five-episode BBC Two psychological thriller The Fall, which will be shot in Belfast beginning this month and air later this year. In the project, from writer Allan Cubitt (Prime Suspect), she’ll play Metropolitan Police Detective Superintendent Gibson, who travels to Belfast to hunt a serial killer who is striking at random. The action swivels around the lives of those enmeshed in the killing spree: the victims’ families, the murderer, and Gibson herself.
“It’s so good,” said Anderson. “It’s like a miniseries; it’s only five episodes. It’s as close to Prime Suspect as I’ve ever read, which is very exciting because that was so well done and I really like this character.”
For Anderson, who said she’d also love to do a play in New York, The Fall represents yet another opportunity to do something different, in this case, short-form programming with a limited run.
“Why there have to be so many rules about what one should or can or cannot do is just so bizarre,” she said. “This is a time for experimentation and certainly there are a couple of networks that have been dabbling in short stacks of [programming], and that’s always refreshing to hear. All the stuff that’s now being shot over in Europe instead of in the States feels like it’s becoming more international than ever.”
“Surely in the world,” she said, “there’s room for everything.”
Àâòîð: NikitA 28.3.2012, 8:48
Ñïàñèáî
Àâòîð: A.N.Onym 28.3.2012, 12:45
Õîðîøåå èíòåðâüþ. 
Àâòîð: Âèêòîðèÿ 28.3.2012, 13:07
Gillian Anderson on Great Expectations, Reading to the Royals, and Her Madonna-Like British Accent
PBS's long-running Masterpiece franchise is suddenly cool again, thanks to Downton Abbey, Sherlock, and some new dusted-off Dickens adaptations, the most recent of which features a ravishing Miss Havisham, played by Gillian Anderson. The British-American actress, much beloved by American audiences for her stint as Dana Scully on The X-Files, previously portrayed Lady Dedlock in Bleak House. Now, for Great Expectations, she's a white-haired wonder who wears her moldering old wedding dress as a reminder of the long-ago day she was jilted at the altar. This adaptation is a salute to the bicentennial of Dickens's birthday, and it'll air in two installments, the first on April 1, the second on April 8. Anderson, who nearly became a Downton resident herself, called from across the pond to chat about her latest transformation, becoming besties with the royals, and her inconsistent British accent.
You just did a royal reading of Great Expectations for Dickens's 200th birthday.
Yes, and now I'm friends with all the royals. That was a joke. If we were friends, it was for all of two minutes. They asked me to do it, completely out of the blue, and it just seemed to be one of the things that you couldn't say no to. Not that I would say no.
How did it go?
It was the funniest thing, because I wanted to ask the Prince of Wales if he wanted to sit down, and I was practicing how I was going to ask it, because you can't just say, "Charles, sit down." So that was highly amusing, figuring that out. And then what to read? I was deciding between a lot of different passages. I wanted something that would be approximately five to seven minutes long, with a lot of description and without a lot of characters, because I didn't want to do too many voices. That might be distracting. So I decided on when Miss Havisham meets Pip for the first time, and his description of her, and the house, and all the mice and beetles crawling over the wedding cake.
Are you a big Dickens fan? This is your second role in an adaptation of his work.
You know, I have a list about as long as from here to eternity of all the things I'd like to read, and Dickens is on that list, but I'm not sure I love him above all the other classics. I've become more fond of Dickens since working on him, but I'm not necessarily a bigger fan of him than, say, Charlotte Brontë or Edith Wharton, who are some of my real favorites. But I am more and more a fan. He was a complicated man, and he had a certain genius.
Miss Havisham is a complicated woman. The way you play her, with that singsong voice, adds a beautiful lost-soul quality, as if she were a child who's never grown up.
That's an aspect of her. There's a certain amount of childish spitefulness, too. I didn't want her to be eaten away by resentment, because it's not clear that it's eaten her alive. There's a lot more poetry to her than that, and that's what I found in her voice after the first few readings. I thought of her like an addict. She was living vicariously through Estella. She fed on the information Estella would give her, jonesing for that fix, like it was a dose of heroin. And there was something about that state of craving, obsessing, jonesing, that makes her interesting.
Do you think she was playing a Victorian version of The Game? The way she teaches Estella to be a pickup artist of sorts, to always have the upper hand?
[Laughs.] That's absolutely it! I think it's all about how to break a man's heart — to be alluring and seductive and then completely frigid and insulting. I absolutely imagined all of those things — and simpler lessons that were more about not giving, not being generous, not being kind, making fun of people. I would imagine how she would teach Estella to master that kind of control over somebody, how to walk in a room and draw them in, make them fall in love, and then treat them like shit. And she taught her that love was death.
You almost make her sound a little punk rock!
She is a little punk rock. [Laughs.] She's got crazy hair. There's three stages of wigs there.
A lot of people got caught up with how you're the youngest actress to ever play her ...
And yet I'm exactly the right age to play her — she's in her early forties. People get so used to what's come before. As much as the David Lean version was the be all and end all, that version portrays her in a much more outwardly haggard and spiteful way. Without getting into prosthetics, this is another take on how someone can age during twenty years of seclusion, with no access to light. And there's something interesting about Pip being closer to her age once he gets older and realizing she's subjected herself to this torture. She could have had happiness, a house filled with children. That's the tragedy.
Have you seen the spoof where Miss Havisham's sassy gay friend tells her to take off the dress, take a bath, and take advantage of online dating?
No! [Laughs.] But I love that! At one point, at a certain time, I would have definitely been up for spoofing The X-Files — back when people would have given a shit. You know, like an Airplane version. That would have been really funny.
People still give a shit! There's an X-Files mash-up with Downton Abbey, since the theme songs are almost the same. Do you watch Downton Abbey?
It's nuts, but I don't watch anything. I don't watch a single thing. I never have. But I've got friends who I respect who are obsessed with it, so there's part of me that wants to. Michelle [Dockery, who plays Lady Mary] did something for one of my charities, so there's a double whammy there.
You're about to start shooting a new BBC series, The Fall, in which you would play a detective hunting a serial killer.
Law enforcement is my specialty! [Laughs.] It's a very different character than Scully, because if it were remotely the same, I wouldn't be doing it. But it's actually fun to play law-enforcement chicks and keep them apart. In the first episode, there's been a death and a son of a politician is implicated; all sorts of things go wrong in the investigation, and she's there investigating the investigation, when she discovers links to other crimes. It's a script as close to Prime Suspect as any I've ever read — not that they're trying to re-create that. The American attempt didn't do so good. But it's a very compelling story, especially given that she's British and working in Belfast.
You know, I've noticed you usually use a British accent when you're interviewed by Brits, and an American accent when it's someone from the U.S. Sometimes you slip between the two. Do you have a preference?
I don't. It depends. You know, I'm so over it. [Laughs.] This was my first language, and someone in Tennessee convinced me that I should talk more "normally" when we moved to the U.S., and I learned how to do a Midwest accent. So I can slip into that. But this is how I learned to talk, and it comes naturally to me. I'm so sick of people talking about it! I've made a point from now on, even if it's really, really hard, if I'm sitting in front of a Brit, I'm determined to talk in an American accent even if it kills me. I don't know what it is, but I can't fucking help it. [Laughs.] Even after talking a few minutes to my mom, this is how it comes out. I ended up in someone's house today, she's American, and she's only been in England for four years, but she had a British accent, too. It's not just me and Madonna!
http://www.vulture.com/2012/03/gillian-anderson-great-expectations-interview-british-accent.html
ß íåíàâèæó óæå ñëîâî "àêöåíò", êàê æå îíè çàäîëáàëè ýòèì âîïðîñîì 
Àâòîð: A.N.Onym 28.3.2012, 15:46
È åùå îäíî õîðîøåå èíòåðâüþ! Îõ êàê æå õî÷åòñÿ óæå ïîñêîðåå ïîñìîòðåòü The Fall! 
Àâòîð: NikitA 28.3.2012, 16:28
Äæèëë òàê äîâîëüíà, ÷òî òàì âñåãî 5 ñåðèé, à íàì óæå çàðàíåå ìàëî
Àâòîð: A.N.Onym 28.3.2012, 17:31
Ýòî òî÷íî.
Çàðàíåå íàäåþñü, ÷òî áóäåò 2-é ñåçîí. 
Àâòîð: Âèêòîðèÿ 29.3.2012, 14:42
http://www.dailyherald.com/article/20120328/entlife/703279833/
Àâòîð: Âèêòîðèÿ 30.3.2012, 0:36
http://www.sltrib.com/sltrib/lifestyle/53780125-80/anderson-havisham-miss-expectations.html.csp
Àâòîð: NikitA 30.3.2012, 1:48
Ñïàñèáî!
Àâòîð: Âèêòîðèÿ 30.3.2012, 13:27
Ñáîðêà èíòåðâüþ äëÿ ïðîìî "Áîëüøèõ Íàäåæä" â Àìåðèêå íà êàíàëå PBS, ñ Äæèëë äâà, îäíî åù¸ ñî ñú¸ìîê, à âòîðîå îò ÿíâàðÿ ìåñÿöà, êîãäà îíà áûëà â ËÀ â ïðîìî-òóðå.
http://www.mediafire.com/?qdq1cpjhtfh1rp4
Àâòîð: Âèêòîðèÿ 30.3.2012, 14:48
http://www.avclub.com/articles/gillian-anderson,71678/?utm_medium=RSS&utm_campaign=feeds&utm_source=channel_tv&utm_source=twitterfeed&utm_medium=twitter
Àâòîð: NikitA 30.3.2012, 15:03
È cíîâà ñïàñèáî. Ïðèÿòíîå ÷òèâî íà íî÷ü
Àâòîð: Âèêòîðèÿ 1.4.2012, 10:15
http://www.nypost.com/p/entertainment/tv/test_eOivgxFQ2gSfsGAHfAcXaP/0
Àâòîð: Âèêòîðèÿ 2.4.2012, 0:47
http://www.assignmentx.com/2012/exclusive-interview-gillian-anderson-has-great-expectations-for-pbs-incarnation/
Àâòîð: Âèêòîðèÿ 16.7.2012, 3:44
http://s43.radikal.ru/i100/1207/0c/94bbfa04083b.jpg
Àâòîð: Nouta 16.7.2012, 14:54
èç-çà íàçâàíèÿ ïîêàçàëîñü,÷òî Äæèëë êíèãè èçäàâàòü íà÷àëà
Àâòîð: NikitA 16.7.2012, 15:25
Òà æå ìàëèíà
Àâòîð: Âèêòîðèÿ 18.7.2012, 0:40
Ñòàðîå íîâîå èíòåðâüþ èç Ñèäíåÿ âðåì¸í ïðîìî Äæîííè Èíãëèøà: http://www.youtube.com/watch?v=mwmup1owSns
Àâòîð: NikitA 18.7.2012, 2:05
Êëàññíîå èíòåðâüþ, ñïàñèáî.
Àâòîð: Timeless 30.7.2012, 8:18
Íå çíàþ áûëî/íåò - íàòêíóëàñü ñëó÷àéíî
http://www.dailymail.co.uk/tvshowbiz/article-2180860/You-label-fluid-sexuality-says-X-Files-star-Gillian-Anderson.html
Àâòîð: Âèêòîðèÿ 30.7.2012, 8:19
Ýòî äðóãîå èçäàíèå âûäåðíóëî öèòàòû èç èíòåðâüþ, äàííîãî äðóãîìó æóðíàëó: http://duchovny-info.ru/forum/index.php?showtopic=1486
Àâòîð: Timeless 30.7.2012, 12:05
ß ïðîñòî ïîãóãëèëà - ýòî ñåãîäíÿ òîêà ëåíèâûé íå ïðîöèòèðîâàë - ïî÷åìó èìåííî ñåãîäíÿ òî?
Àâòîð: Âèêòîðèÿ 30.7.2012, 12:54
Ïîòîìó ÷òî èíòåðâüþ âûøëî â÷åðà.
Àâòîð: Âèêòîðèÿ 28.8.2012, 12:53
Èâüþ, î÷åâèäíî, ñòàðîå.
Gillian Anderson Finds the Truth in London
The X Files actress on falling in love with her latest character in 'The Crimson Petal and The White'
by Leslie Van Buskirk
To many X Files fans, Gillian Anderson will always be flame-haired, skeptical Agent Scully. But in the decade since the series signed off, the actress, who now lives in London, has starred in several West End plays and in such acclaimed BBC productions as Bleak House and Great Expectations. Now Anderson appears in The Crimson Petal and the White, airing September 10 and 11at 8 pm ET/PT on Encore.
Your character in The Crimson Petal (above right) is very unsympathetic—a madam who pimps her daughter! Why did you want to play her?
It’s always the opportunity to do something I haven’t done before. I also find that I need to fall in love with the character,even if she’s despicable.
You’ve just shot several movies as well as a BBC crime series. Does it feel as though your career is firing on all pistons?
I guess it does, yes—although none of them are projectsthat took me away from home for long. I get pretty adamant about shooting my role quickly so that I don’t have to disrupt my family life [with her partner, businessman Mark Griffiths, and three children, ages 18, five and three].
During the run of X Files, you appeared on lots of “sexiest women” lists. Were you flattered or embarrassed?
The first time, I did the interview on the phone wearing old flannel pajamas, which was funny. For years, I kind of shrugged it off, but as you get older, if people are still paying attention, it’s flattering.
Judging from recent photos, you could still make the lists.
Thank you. For years I never paid much attention to what I looked like. Now when I see old pictures, I think, Why did I let someone put giant curlsin my hair and put me in that dress?! I’m finally paying more attention now.
What’s the oddest fan encounter you’ve had?
I guess it was meeting a woman who had my face tattooed on one butt cheek and [X Files costar] David Duchovny’s on the other. I mean, what more can I say?It doesn’t get any more committed than that.
Àâòîð: Âèêòîðèÿ 26.10.2012, 2:29
Gillian Anderson: 'The X-Files fame was almost too much to take in'
The former X-Files star talks to Emine Saner about her new film Sister, whether she believes in extraterrestrials – and if she'll ever get together with Mulder
In your new film, Sister, you're known as "the English Lady". How English do you feel?
I feel very English until I'm in America, and then I feel very American. I was always teased at primary school – I was "the yank", even though I had British accent. I would have thought I would feel more like an imposter now, but I don't. I have been in the UK for the past 10 years, but Britain has been such a through-line throughout my life because my parents still had a flat in Haringey, north London, and we used to come back in the summer. During hiatuses from the X-Files I would come back and rent a flat in London.
The film is a very literal representation of the split between rich and poor. Is that growing divide something you spend much time thinking about?
I do think about it a lot. I'm involved in a couple of charities to do with kids who have come from the street, or the disenfranchised, but also I've always had a weighty guilt that has followed me in my success. It probably came in with the first paycheck I got, which was more than anything my parents had ever seen. I have a feeling that I need to keep moving all the time to justify how lucky I am. I'm constantly asking myself, whether or not I follow through with it, "Do I need this?" Just in terms of the clutter in one's life. I have a tendency to clutter without thinking about the consequences to other people, where things have come from, where and how things are made. I've started to try to be more conscious of that.
You were young and fairly unknown when you got the The X-Files gig and your fame exploded. What was that like?
I'm still not sure I really know. We were shooting in Vancouver, so there was a certain amount of protection and separation – we weren't in Los Angeles and leaving our houses every day with paparazzi following us. There were times when paparazzi would come up, if David was dating Winona Ryder, that kind of stuff. It was almost too much to take in that I think I split myself – "that" is somebody else, and I'm just going to work and raising a child and trying to do these hours without collapsing. It felt very separate from what the rest of the world thinks.
From what I've read, you consider yourself to be a feminist. How do you square that with your decisions to pose for men's magazines in your underwear? Do you regret that now?
I think I had quite a low level of respect for myself and I think it was quite easy for me to not necessarily use my sexuality, but not honour it. I might have been speaking quite strongly about feminism, but somehow I could also say [at a shoot]: "Oh, you've run out of clothes? I don't mind doing the next bit on the bed." Somehow, I did make them unrelated in my mind. I think it's only in the past 10 or 15 years that I've started to look at the discrepancy there, and what it represents for women.
Do you think there are better roles for women on TV than in film? It seems like that. It's like the world of television allows for professional women and working mothers and complicated female characters. When I have this conversation I'm always shocked that it could still be true and try to rack my brain for examples of how it is done differently, but there aren't really any.
Why do you think that is? I'd have to know first whether there are actually scripts that are being rejected because a studio thinks there wouldn't be an audience for it, but I have a feeling there aren't even scripts. I don't know how much of that is the lack of female screenwriters and the lack of encouragement and opportunities women get.
There was much excitement a couple of months ago when a gossip website reported that you and Mulder were secretly together. Is there any truth in that?
You mean me and David [Duchovny], romantically? No, there wasn't any truth in that. I was enjoying the ludicracy [sic] of it for a while, but then he started denying it publicly and so I lost all my enjoyment of it.
You've broken several million X-Phile hearts.
I know. I emailed him at one point and said: "You left the toilet seat up again."
Last month Lord Rees, the astronomer royal, said we could find evidence of alien life form within the next 40 years (7). Do you believe in aliens? I do to the degree that the universe is obviously vast and the thought that we are the only planet full of living beings doesn't make sense. That doesn't necessarily mean that there are aliens, but there could be. If we're talking about an advancement of technology, that they'd be potentially further along than us is as conceivable as their existence. So I wouldn't rule it out. Forty years, wow. Do you?
There must be something, even if it's just bacteria. Bacteria with their own spaceships.
http://www.guardian.co.uk/film/2012/oct/25/gillian-anderson-x-files-fame?newsfeed=true
Àâòîð: Âèêòîðèÿ 28.10.2012, 12:35
http://www.scotsman.com/lifestyle/film/interview-gillian-anderson-on-life-after-the-x-files-1-2603081?utm_medium=twitter&utm_source=twitterfeed
Àâòîð: NikitA 28.10.2012, 14:19
I know. I emailed him at one point and said: "You left the toilet seat up again."
Àâòîð: Áåëàÿ Òèãðèöà 29.10.2012, 3:53
UPD. ×òî-ò íå íàøëà òîé öèòàòû. À ÷òî èìåííî òàì Äýâèä áðÿêíóë ïðî ñèäåíüå è ïðî Äæèëë?
Àâòîð: Âèêòîðèÿ 29.10.2012, 4:04
http://duchovny-info.ru/forum/index.php?showtopic=1515
Àâòîð: Áåëàÿ Òèãðèöà 29.10.2012, 4:10
À, äà, ñïàñèáî. Åùå ðàç ïîðæàëà.
Àâòîð: Âèêòîðèÿ 8.2.2013, 0:50
Interview in the TV Mag (French)
Gillian Anderson: “I'm all for another X-File film!”
Agent Scully is back in cinema and on television.
At 44 years old, Gillian Anderson gets more beautiful from day to day and she is blond rather than red as she used to be in the past. Anderson is definitely back. The American actress is the star of the British TV Show “The Fall”, and she multiplies her roles for the cinema like in “Shadow Dancer” in which her co-star is Clive Owen. This intense film tells the destiny of a IRA activist widow in Belfast during the 90s. “The X-Files” star agreed for an exclusive interview while she was in London where she lives with her three children.
Gillian Anderson, you always chooses your films with care, what drew you to “Shadow Dancer”?
I allow myself the luxury of signing up for films that really interest me. And when I have to make a choice, the quality of a scenario is at the top of my list. In this case, the plot carried me away immediately. James Marsh, Oscar-winner director and documentary maker, had impressed me with films such as “Project Nim” for instance. I knew first-hand that he would give life to this story in a very realistic manner.
How was Clive Owen while shooting the film?
He is a very serious actor, really focused, very professional; he really impressed me. He works a lot and doesn't leave any space for randomness. It was really interesting to watch him work. He and Andrea Riseborough make an perfect duo.
In this film, you play once again a powerful and rather implacable woman who works for the British MI5...
Yes, I do. My character has a rather male attitude! As a matter of fact I had to make it show by the way I walked for instance. She is an unwavering tough woman. It's true that in my career I've played a lot of powerful or legal representative women, like Scully in the X-Files, so the challenge was for me to not repeat what I had already played before.
All the more so that in the BBC Two TV show “The Fall”, you play a British police detective who works on the casefile of a serial killer in Belfast. Once again it's a tough woman!
To be true, “The Fall” is a mini-series... but it could come back with other seasons like a true TV show. “The Fall” will finally be launched in March in the UK and I hope that France will buy the rights to broadcast it. I'd be surprised if it didn't! We also hope that the United-States will do the same thing. It's my very first contemporary role in a TV show since the end of “The X-Files”. Before “The Fall” I did a lot of period drama like in “Great Expectations” and “Moby Dick”. I fell immediately in love with my character. I almost want to say that it's my favourite character ever since the beginning of my acting career. She's is very independent and she really gets involved in her work. (GA pauses) Actually it's really difficult for me to describe her! (She laughs) It's difficult to figure her out.
Speaking of period drama, you declined the role of Lady Cora Crawley when “Downton Abbey” was created. Do you have any regret?
None, it wasn't the right time for me. And even today considering the success of the show, I'm really fine with it! Thank you!
One year ago Jean Dujardin won an Oscar for the Best Performance by an Actor in a Leading Role, what did you think of it?
“The Artist” is an amazing film with a talented cast and it's quite a miracle that they managed to capture such an attention with images in black and white! Emotionally speaking the film hits hard. And Jean Dujardin is incredible. He really has something particular and he is so expressive. He makes us want to see him in other films. I look forward to seeing what he will do next!
Would you accept to get Scully back for a third X-Files film?
Honestly David and I are ready to jump in for a third feature film since the beginning. What else can I say? If Fox gives us the greenlight and if the scenario is good, we will obviously jump in! Absolutely!
Last summer a crazy rumor, denied since then, said that David Duchovny and you were together [at the same time Gillian Anderson was splitting from Mark Griffiths, who had been her partner for six years, while Duchovny was finalising his divorce with the actress Téa Leoni]... A dream that came true for the X-Files fans?
I don't know if it makes anyone dream! (She laughs) It was mostly surprising, stupid, and funny. The media enthusiasm made me laugh a lot up to the point when David's agent decided to deny it publicly. David and I are just friends. We keep in touch, we regularly send emails to each other, we send text messages to each other...
Why did you choose to live in London?
I've been living there for 10 years or so. Actually I was born in Chicago but I spent my childhood in London where my two boys [born from her relationship with Griffiths, a British businessman who runs a car-campling business (Celly's note: the French journalist got Mark's job wrong. I corrected the info while translating)], Felix – 3 years old – and Oscar – 5 years old –, were born. It's useful when I want to travel in Europe. As my daughter Piper [18 years old, she was born from her wedding with a X-Files director assistant] is learning French, we often go to Paris without being noticed. I think London is a great city to raise children. By living here I can choose roles that I really love while still being near key places like New York. London seems to be near everything.
Ïåðåâîä íà àíãëèéñêèé îò RedCheeks.
Àâòîð: Âèêòîðèÿ 15.3.2013, 10:08
http://www.readersdigest.co.uk/readers-digest-main/gillian-anderson-profile
Àâòîð: Âèêòîðèÿ 30.3.2013, 16:06
Ïîëíûé òåêñò èíòåðâüþ äëÿ Ðèäåðç Äàéäæåñò:
My encounter with Gillian Anderson is a lively joust – with a constantly uncertain outcome. She arrives, punctual to the second, at the London hotel where we meet, unencumbered by that ubiquitous and stultifying accountrement of fame – the agent or PR person. But during our interview there will be a few times when I fear she might throw her glass of water over me and walk out.
At 44, the acclaimed actress is a gorgeous, petite, blonde bundle of contradictions, warm yet reticent. One moment she’s friendly, guileless, almost girlie; the next, edey and suspicious.
She says the problem is that it’s not hard to make fun of her – “Actors are easy meat. Anything you say can be seen as pretentious” – and vows every interview will be her last. “Some journalists have it in for me. There was one from The Sunday Times last July. Oh my God, it was unbelievable. It shocks me that someone can feign to be nice and the article turns out so nasty.” The interview mentioned the “peculiar” way she replied when asked if she had a partner, seemed to mock her “therapy speak” and made much of the fact that she’d recently attended Tatler magazine’s Lesbian Ball (along with lots of other straight women) after she’d told another journalist she’d had a gay encounter at school.
The reason I’m here is to discuss the new BBC2 series The Fall. Gillian plays Detective Superintendent Stella Gibson, a Met officer on secondment in Belfast to track a serial killer. It’s unusual because viewers are shown the murderer’s identity from the beginning, making it an intriguing cat-and-mouse game.
“I think it has the potential to get viewers on a deeper level than they’re used to,” says Gillian, who helped edit the show, using on-set police advisers to make the story believable. “The wring [by Allan Cubitt] is complex and has a deep understanding of human nature. I’m intrigued by Stella. She’s not square like Scully [the FBI agent Gillian famously played in The X-Files] nor overbearing or mean-spirited. Ego doesn’t run her show.”
At one stage, Stella meets a detective in the street and immediately invites him back to her hotel room. “She’s comfortable in her own sexuality. The scene mirrors one of the serial killer’s victims who’s studied a tribe where a woman can see a man she finds attractive, spend an enjoyable night with him and he leaves next morning. There’s no commitment. It’s sweet, although I’m not sure it would work in our society.”
In spite of her enthusiasms for the series, she’s wary. “Many times I’ve filmed something that seems special, but when it sees the light of day, only a small group agrees. It’s a weird, sad feeling, but that’s the nature of the business. Actually, it’s a miracle when anything good gets made because so many things can go wrong.”
She’s played plenty of law-enforcement officers before – from Scully to an MI7 agent in Rowan Atkinson’s Johnny English Reborn. Even so, the perennial success of cop films slightly bewilders her.
“There have been very effective TV shows—The Wire, NYPD Blue—and now female-driven series like The Killing, which I was addicted to. Clearly something works, but I have no idea what it is because I don’t normally watch them.”
Gillian was born in Chicago and moved to Crouch End, north London, at the age of two. Her father studied at the London Film School—going on to run a post-production company—and her mother worked as a computer analyst. When Gillian was 13, the family returned to the US and lived in what she thought was the stultifyingly provincial Grand Rapids, Michigan, where her parents had two more children. She was jealous of them and rebelled by becoming a punk with a stud in her nose, dyed red hair and a musician boyfriend ten years her senior.
She shudders. “I was promiscuous, drinking a lot and lucky to come out the other side.” Her classmates voted her the “Girl Most Likely to be Arrested”. They were right. She was apprehended by the police on graduation night “when I tried to glue the school gates shut. I’m pretty sure it was the only time, though”.
After acting at school and college, she turned professional, and was just 24 when she was cast in The X-Files, an initially low-budget sci-fi show that became a surprise worldwide hit for the next nine years.
Ill-prepared for publicity, she regrets that she posed in knickers for FHM—whose readers voted her the world’s sexiest woman. “I was very naive.”
When The X-Files ended, she returned to London, where she felt she’d be less typecast and able to find more theatre work. However, her 2002 West End debut in What the Night Is For was sniffily disparaged by some critics for drawing an audience of X-Filers rather than “proper” theatre-goers.
“Even now I’m in a box in America. I understand that. They wonder what I’ve been doing. They don’t realize I’m a character actress – even though I do a lot of work. If I didn’t feel so happy in London I’d get on a plane and try desperately to remind everyone, but they’re not going to offer me a Bleak House [she played Lady Dedlock in the 2005 BBC1 series] or The Crimson Petal and the White [BBC2’s adaptation of Michael Faber’s epic novel, in which she played a Victorian brothel-owner].”
In 2009, she was nominated for an Olivier award for best actress as Nora in a production of Ibsen’s A Doll’s House. “I’ve played my fair share of strong characters because I can pull them off, regardless of whether or not I am myself.” And are you? I wonder. “Yes. But aren’t we here to talk about new ideas? I can see this is going to end up being dreadful.”
Recently, she’s made several yet-to-be released films, including Mr. Morgan’s Last Love with Michael Caine and I’ll Follow You Down with Rufus Sewell. “What else would I do but work? I’m only in my forties. And I probably only do it six months a year. Mostly I pop in for two or three weeks. The Fall was my biggest commitment for a long time. I’d like to play Blanche Dubois [in Tennessee William’s A Streetcar Named Desire]. Part of me has always wanted to do ‘art’, with my ‘popular’ work, I’ll allow myself to do more.”
Is that frustrating? “Why are we talking about me being frustrated, in a box? It’s freaking me out. I’m not frustrated.”
Indeed. We return to a safer subject – her affection for Britain. “London is my favourite city in the world. I love everything about it – it’s a great place to bring up children and there are so many green spaces. People in the British service industry are so great. And, by the grace of God, I don’t have paparazzi outside my door. It would be a shame to go back to America, although I’d never say never. It would be for work. Or love.”
Now we’re sailing back into choppy waters. In 1994, she married X-Files assistant art director Clyde Klotz and had a daughter, Piper, now 18. The marriage broke up in 1997. In 2004 she wed documentary-maker Julian Ozanne, but they separated two years later when she was pregnant by businessman Mark Griffiths. She and Mark have two songs, Oscar and Felix but announced their separation last August.
She has admitted before that there’s “a huge list” of things that make her difficult to live with. I suggest – possibly unfairly, certainly tactlessly – that she mightn’t be very good at relationships.
She gasps, “That’s a very bold statement. Oh, my goodness! Did you really say that? I’m shocked, and wonder if I should answer. You have completely thrown me.” Nevertheless, she laughs.
I wonder how happy she is. “Is anyone always happy?” she says. “Every day’s different. But does it matter? Why would I not be happy because my personal life? I’ve had a fabulous time with fabulous men. There’s nothing wrong with that.”
She’s thoughtful for a while, then adds, “I try very hard not to be right so much. That’s important in life. I agree with the phrase, ‘I’d rather be happy than right’, but it’s hard sometimes. It feels good to be right. I’m definitely not all the time. I have lots of people to tell me that.”
All those men? I attempt frivolity, unsuccessfully. “I didn’t say that. Can you see what an unbelievably provocative thing it was to say I’m not good at relationships? You pretend to be a kind older gentleman and then say something like that. It’s bizarre. Why is it my responsibility to keep a relationship going?”
We ponder that, then she smiles – it’s her turn to be ironic, “All right, darling, you’re correct. Is that what you want?” And she leaves, still laughing and good-natured. I hope.
Àâòîð: NikitA 30.3.2013, 16:30
Ñïàñèáî
Àâòîð: Âèêòîðèÿ 9.4.2013, 5:55
http://fastpic.ru/view/46/2013/0409/220ab67fff9093df7f38abae7f4c59a8.jpeg.html http://fastpic.ru/view/51/2013/0409/d5b3f3ca3c7725b8c8b9904d25187a96.jpeg.html
Àâòîð: Áåëàÿ Òèãðèöà 9.4.2013, 6:09
Îé, êàêàÿ ôñÿ ñâåòëàÿ!
Àâòîð: NikitA 9.4.2013, 10:26
Êóëüíåíüêàÿ
Ñêîëüêî íîâîé èíôîðìàöèè. Èíòåðåñíîå èíòåðâüþ. Ñïàñèáî!
Àâòîð: Nouta 9.4.2013, 13:53
òàêîå èíòåðâüþ ïðèÿòíîå à Äæèëë âñÿ òàêàÿ, àõ!
Àâòîð: Naty 10.4.2013, 5:42
Ïðåëåñòíàÿ!!!!
Àâòîð: Âèêòîðèÿ 13.4.2013, 14:23
http://stcommunities.straitstimes.com/tv/2013/04/13/bit-scully-still-gillian-anderson
Àâòîð: Âèêòîðèÿ 14.4.2013, 9:21
http://fastpic.ru/view/48/2013/0414/6dbf2c2cc0c6aa2d31a6ec386461f4e1.jpg.html http://fastpic.ru/view/48/2013/0414/0225cf0f478db81915ca0714fc7ecb23.jpg.html
Àâòîð: Âèêòîðèÿ 4.5.2013, 4:39
Íå íðàâèòñÿ ìíå, ÷òî îíà ïîñòîÿííî òàê ãîâîðèò î Ñêàëëè Ïîíèìàþ, ÷òî Ñòåëëà åé áëèæå êàê ïåðñîíàæ è âîçìîæíî áîëüøå íðàâèòñÿ è èíòåðåñíà åé, íî çà Ñêàëëè ìíå îáèäíî. Âèäèìî, îíà å¸ âîñïðèíèìàåò ñîâñåì èíà÷å, ÷åì âèäÿò å¸ ôàíàòû.
IN THE first episode of The Fall, Gillian Anderson’s police investigator Stella Gibbons is a woman on a mission.
After spotting a handsome police officer she likes the look of, she demands to be introduced – and then purposefully tells him which hotel room she is staying in.
It’s a far cry from prim FBI agent Dana Scully, who spent years in The X-Files refusing to get too close to her partner Fox Mulder (David Duchovny) before she finally gave in to her feelings. ”When I’ve been asked about the differences between the two of them, suddenly it occurred to me that Scully was quite square,” says Anderson, 44. ”She was quite prudish and always behaved correctly and wouldn’t necessarily be wearing lace panties. In comparison, Stella is quite comfortable with herself, comfortable in her skin, is a lot more feminine than Scully ever was.
”For a long time, Scully felt quite childlike, and part of that was because I was a child when I started to play her and audiences got to see me grow up and grow into her. But whenever I see her, she seems like a 12-year-old pretending to be an agent.”
Stella isn’t the only sexual predator in The Fall. The eerie new BBC crime drama, set in Belfast, is the story of a serial killer, played by the devastatingly handsome Jamie Dornan.
The audience know Dornan’s character for what he is from the beginning, while Stella is the investigating officer trying to pin down her man.
It’s so spookily shot that viewers are often left feeling like voyeurs. As well as watching Dornan’s victims, we see Stella alone, reading in bed, cleaning her bath and swimming – which is her escape from the unpleasantness of her job.
”I’m actually not a swimmer. I don’t like water that much,” confesses Anderson. ”I thought I was going to tire of it. But I enjoyed it. I actually thought I should start swimming, but I didn’t …”
She seems more comfortable with the sex scenes than the swimming. ”There are always funny moments in sex scenes, just with all the tension and bits falling off and not protecting you properly,” she laughs. ”They get very, very serious because they’re very technical and both parties get undoubtedly nervous.”
The steely detective keeps people at a distance, gives little away and is completely focused on her work, munching an enormous burger while she looks at evidence photos of dead bodies on her laptop.
”I love how you don’t really get to know who she is or what makes her tick, and yet you want to know,” says Anderson.
The Chicago-born actress admits she is keen on Prime Suspect, the award-winning crime drama that starred Dame Helen Mirren as the hard-as-nails DCI Jane Tennison.
”I was always a fan of Prime Suspect and had read other attempts at recreating that and always found them lacking. And there is something about this that felt like it had the depth and complexity, and yet simplicity, of that series.
”The thing I found really fascinating about Tennison, she was quite self-centred and certainly had ego.”
The Fall was shot on location in Belfast, but Anderson admits she didn’t see much of the city and didn’t socialise much with the rest of the cast.
”I am a bit of hermit anyway,” she says. ”But I become more of a hermit when I’m working and even if I have a few days off I generally just stay in my hotel room.
”I don’t know if that’s necessarily keeping in character, it’s more keeping my mind on it.
”I’ve worked with actors who keep in character all the time and I don’t do that,” she adds with a telling sigh.
Anderson has been divorced twice and has a teenage daughter from her first marriage and two young sons, aged six and five, from her second.
She spent her early childhood in London while her father, a film producer, attended the London Film School.
Around the time The X-Files ended in 2002 she moved back to Britain, where she has chosen to live and bring up her family. She has continued to act over here, appearing in British television shows including Great Expectations, The Crimson Petal And The White and Bleak House, and has been nominated for several TV Baftas.
But back in the US it has been hard to shake off the ghost of Scully. ”Whenever I do go back, there might be some who know I do other things, but the fact is, how much of this stuff airs for the masses?
”I get people going, ‘So what have you been up to?’ I’m not really on the big screen over there and a lot of the small screen things they might not have seen.”
Anderson is appearing in new US crime drama Hannibal which stars Mads Mikkelsen as Dr Hannibal Lecter. ”They’re selling it as my return to television after ten years away!” she exclaims.
But with a young family in the UK, Anderson has to both support them and be there for them. ”Schedule is everything,” she declares.
”I’m very picky about dates and the kids are the most important thing. If it’s something I want to do but it takes too much time away, then I’ll decide not to.”
She also admits she’s extremely choosy about the type of scripts she’ll accept. ”My daughter always says, ‘God mum!’ Game Of Thrones, Downton Abbey or whatever it is. She cannot believe I’ve turned things down that she loves to watch.
”But if I’m going to spend that amount of time then I’d prefer to be working with Scorsese, do you know what I mean?”
Anderson has always been wise with her selections, and it would be no surprise if Stella Gibbons becomes an iconic detective – like Jane Tennison and Dana Scully.
She hopes the show will be recommissioned, noting: ”We’ve been told it looks good.”
Does she want to play Stella again? ”Yes definitely,” she breathes nervously, and quickly changes the subject, wary of jinxing the role she has already taken to her heart.
Àâòîð: Áåëàÿ Òèãðèöà 4.5.2013, 5:48
Òû ïðî ýòî?
Âîçìîæíî Äæèëë íåñêîëüêî óòðèðîâàëà, ÷òîáû ïîêàçàòü ðàçíèöó ìåæäó ïåðñîíàæàìè, íî âåäü ïî ñóòè îíà ïðàâà.
Àâòîð: Âèêòîðèÿ 4.5.2013, 6:03
ß ïðî âñ¸, ÷òî îíà ãîâîðèò ïîñëåäíåå âðåìÿ î Ñêàëëè. Ñòî ðàç îíà óæå âåçäå ãîâîðèëà, ÷òî Ñêàëëè ñëèøêîì ïðàâèëüíàÿ. Ñòåëëà - ñîâðåìåííàÿ, ñëîæíàÿ æåíùèíà, òîãäà êàê Ñêàëëè ñòàðîìîäíàÿ, è Ñòåëëà â îòíîøåíèè ñ ïàðòí¸ðîì íå áóäåò èãðàòü íà âòîðûõ ðîëÿõ, à Ñêàëëè áûëà íà äâà øàãà ïîçàäè Ìàëäåðà.
È ìíå (âèäèìî êàê î÷åíü ëþáÿùåé è âèäÿùåé Ñêàëëè ïî-äðóãîìó) íåïðèÿòíî ïî÷åìó-òî ÷èòàòü, êàê îíà òåïåðü ãîâîðèò î Ñêàëëè, êàê-òî áóäòî áîëüøå ïðåâîçíîñÿ Ñòåëëó. Ñêàëëè ïðÿì òàêàÿ ïðîñòàÿ, è çàâèñèìàÿ, è ïðàâèëüíàÿ, ÿ íå çíàþ òàêóþ Ñêàëëè Ìîÿ Ñêàëëè òîæå íåçàâèñèìàÿ, ãëóáîêàÿ è ñëîæíàÿ ëè÷íîñòü, åù¸ êàêàÿ ñëîæíàÿ. È ñåêñóàëüíàÿ, è ÿ âñåãäà ñ÷èòàëà, ÷òî Ñêàëëè òîæå ïðåêðàñíî îñîçíàâàëà ñâîþ ñåêñóàëüíîñòü è æåíñòâåííîñòü è òîæå âñåãäà áûëà is quite comfortable with herself, comfortable in her skin. È åñëè Ñêàëëè íå áûëà çàìå÷åíà â êðóæåâíîì áåëüå âåðõîì íà ìóæ÷èíå, ýòî ñîâñåì íå çíà÷èò, ÷òî îíà square
Àâòîð: NikitA 4.5.2013, 13:03
Ýòî òàì îáû÷íî äåëàåòñÿ àêöåíò íà ïðîñòîå êîìôîðòíîå õëîïêîâîå áåëü¸ Ñêàëëè  ñåðèàëå ìû î÷åíü äàæå âèäåëè å¸ è â ø¸ëêå, è â êðóæåâå Äæèëë ïðîñòî çàáûëà.
Àâòîð: Âèêòîðèÿ 4.5.2013, 13:21
 òåõ ôèêàõ, ÷òî ÿ ÷èòàëà, êàê ðàç íàîáîðîò âñåãäà óïîìèíàëîñü î òîì, ÷òî ó Ñêàëëè ïîëíû ÿùèêè âñÿêîãî ðàçíîîáðàçíîãî áåëüÿ, è ÷òî íîøåíèå òàêîãî áåëüÿ ïîä ñòðîãèìè êîñòþìàìè ïîçâîëÿåò åé íå çàáûâàòü î òîì, ÷òî îíà æåíùèíà, æåíñòâåííàÿ è ñåêñóàëüíàÿ.
Àâòîð: NikitA 4.5.2013, 14:33
×åñòíî ãîâîðÿ, ÿ âîîáùå íå ïîíèìàþ, çà÷åì ñðàâíèâàòü ãåðîèíü. Îíè ñîâåðøåííî ðàçíûå. Èç ðàçíûõ ñåðèàëîâ, æàíðîâ è äàæå âåêîâ
ßñíîå äåëî, ÷òî íóæíî ïðîòàëêèâàòü íîâûé ñåðèàë, è ëó÷øèé ñïîñîá ïîäòÿíóòü àóäèòîðèþ - ýòî ïðèãëàñèòü âåðíûõ ôàíîâ Äæèëë. Òîëüêî îòòîãî, ÷òî Ñòåëëà êðó÷å, ìû Ñêàëëè ìåíüøå ëþáèòü íå ñòàíåì. Ñòåëëà òîëüêî ïðèøëà, â Ñêàëëè ñ íàìè óæå 20 ëåò
Àâòîð: Âèêòîðèÿ 4.5.2013, 14:42
Âîò èìåííî. ß òåáÿ ëþ, NikitA
Àâòîð: Nouta 4.5.2013, 14:56
Ïðîñòîêâàøèíî âñïîìíèëîñü: ÿ ñ òîáîé óæå äàâíî çíàêîì, à ýòîãî êîòà ïåðâûé ðàç âèæó ©
Àâòîð: Áåëàÿ Òèãðèöà 5.5.2013, 4:58
Øåëê - ïîìíþ. Êðóæåâà?
Àâòîð: Âèêòîðèÿ 5.5.2013, 7:47
http://www.telegraph.co.uk/culture/film/starsandstories/10037546/The-X-Files-Gillian-Anderson-reveals-regret-at-putting-love-first.html
Àâòîð: Âèêòîðèÿ 6.5.2013, 6:11
È íà õýâåíå áûâàþò ëþäè, êîòîðûå äóìàþò, êàê ÿ Â äîãîíêó ìîèõ ïåðåæèâàíèé î ìíåíèè Äæè î Ñêàëëè:
Íà õýâåíå òîæå íåêîòîðûå ñîøëèñü íà òîì, ÷òî îíà íè÷åðòà íå ïîìíèò î Ñêàëëè, êðîìå å¸ óæàñíûõ áðþ÷íûõ êîñòþìîâ ïåðâûõ ñåçîíîâ
Êàê ìèíèìóì âñïîìèíàåòñÿ Ìèëàãðî (õîòÿ òî áûëà ôàíòàçèÿ ïèñàòåëÿ) è Âñå Âåùè.
Àâòîð: Âèêòîðèÿ 6.5.2013, 14:05
Five Questions with Gillian Anderson
Adam West, best known as Batman and Family Guy’s Mayor Adam West, had to send his regrets due to a fractured back, but the thousands of attendees will have the chance to see Wil Wheaton, Julie Newmar, LeVar Burton and many other stars. Stop by on Saturday or Sunday to see Gillian Anderson, who discusses X-Files, Hannibal and giving back in this edited interview.
Q This year marks the 20th anniversary of the X-Files. What stands out most to you in your memories of playing Special Agent Dana Scully?
A. That I was so blessed to play a character that I liked so much since I had to live with her for such a long time.
Q. Ottawa fans are looking forward to your appearance at ComicCon. What do you like about going to ComicCon?
A. It gives me an opportunity to meet some of the people who helped keep the show on the air for such a long time and to say thank you for their undying support. It feels like the anniversary year is a good time to do this and then to go back into hiding.
Q. You advocate for human rights by working with a number of different organizations and charities. Where did you get your conviction that it’s important to give back?
A. I think it occurred to me early on when the success of the show was having such a huge impact on my life and yet was not making me any happier as a person. I figured there has to be something good that comes out of this that’s not just about what I get.
Q. Why did you decide to return to network TV to star in Hannibal?
A. It was timing. But mostly the mixture of compelling costars and Bryan Fuller’s brainwashing techniques.
Q. What are the chances audiences will see a new X-Files film?
A. No clue.
Àâòîð: Âèêòîðèÿ 7.5.2013, 0:40
As everyone knows, Gillian Anderson shot to fame when, aged only 24, she was cast as Agent Dana Scully in the cult sci-fi series The X-Files. But since then she’s largely appeared as part of an ensemble cast, such as Wallis Simpson in Any Human Heart and Miss Havisham in Great Expectations. Now she makes a welcome return to a leading lady role in the gripping psychological thriller The Fall, playing DS Stella Gibson, who is drafted in on loan from the Met to help the Belfast police track down a serial killer. TV Choice met her…
You’ve lived in the UK for the past decade, and in the past you said you felt that in America you’re a character actress. Would you like to return to the States, and do you hope this perception of you will have change based on the work you’ve done here in the UK?
I don’t know. Whenever I go back to the States there might be people who’ve seen me in Great Expectations, but I do get a lot of people asking what I’ve been up to, because I forget I’m not seen on screen much over there. I recently filmed Hannibal [as Hannibal Lector’s analyst] and they sold that as my return to television after 10 years away, and a lot of people believe that 'Oh, Gillian’s back!’ But this particular role is definitely the biggest I’ve taken in a while.
How did you balance spending so much time filming in Belfast with family life back in London?
Schedule is everything. I’m very picky about dates, and the kids are the most important thing in the schedule, and so, very often, if there’s something that I really want to do but it will take too much time away, I’ll decide not to do it. Or I’ll say, ‘I can do this if it’s here, here and here.’
Stella is amazingly confident, and sexually confident…
I really like that about her, but I also like the fact there are consequences to that — which you see over the course of the series. If she finds someone attractive she’ll let them know, which I think is actually really cool in a woman.
Were there any funny moments in the sex scenes?
There are always funny points in sex scenes, just because of the tension of, you know, bits falling off, and not covering you properly. Sex scenes actually get very serious because it’s all very technical and both parties are a little bit nervous. In The Fall, there’s a scene when I’m straddling my lover and they had to change the shot because he was so well built it looked as if I was straddling a gladiator!
Àâòîð: NikitA 7.5.2013, 1:36
Ñåêñóàëüíàÿ ñöåíà ïðÿìî çâåçäèò.... Ñòîèò, íàâåðíîå, ïîðàäîâàòüñÿ, ÷òî òåìà àêöåíòà óøëà íà çàäíèé ïëàí
Àâòîð: Áåëàÿ Òèãðèöà 7.5.2013, 5:58
Àâòîð: Âèêòîðèÿ 7.5.2013, 14:34
Gillian Anderson: intelligent life
Gillian Anderson is back playing detective but this time, she tells Julia Maile, her feet are firmly on the ground …
It seems churlish to introduce an actor of Gillian Anderson’s calibre by referring to her hair, but good grief, the woman has superb tresses. Her locks epitomise what we refer to in the Stylist offices as RPH – rich person’s hair – that perfect, bouncy blow wave sported by A-listers that we try to emulate, but rarely achieve. Impressive as it is, I’m not here today to talk about her styling. I’ve met 44-year-old Gillian at a London hotel to discuss her brilliant new five-part BBC2 thriller, The Fall, from the writer of Prime Suspect. Twenty years (that’s right, 20 years) since she first appeared as FBI special agent Dana Scully in The X-Files, she returns to her investigative roots as Detective Superintendent Stella Gibson. On secondment from the Met, Stella is helicoptered in to catch a serial killer who stalks his female victims in Belfast.
What sets The Fall apart from crime dramas such as The Killing and Broadchurch is that it’s not a whodunnit. From the outset, viewers know exactly who the killer is. And it’s not some socially awkward misfit; he’s a charismatic father of two, played by the extremely pleasing-on-the- eye Jamie Dornan (rumour has it Gillian fought for Jamie to play the role).
Two preview episodes in and I’m completely hooked. Not content with dealing with just one psychopath, Gillian also appears on screen this week as Hannibal Lecter's therapist in Sky Living’s US drama Hannibal, alongside Hugh Dancy and Mads Mikkelsen. Despite the US media heralding it as her career comeback, the Chicago-born, London-raised actor has worked constantly on this side of the Atlantic, with credits that include the BBC’s Great Expectations and Bleak House, plus roles in films such as Johnny English Reborn and Shadow Dancer. While her character choices mean she’s usually all-business on screen, in person twice-divorced Gillian is warm, relaxed and has a wry sense of humour. Here, she opens up to Stylist about sexuality on screen and turning down cult-hit Game Of Thrones.
Your character Stella is determined, driven and knows exactly what she wants. Is that true for you too?
I haven’t quite figured out exactly why she appeals to me so much. It can’t be that we are similar. Even if it was true, I’m not sure I could admit to it [laughs]. She’s much more reserved than I am and feels more mature, grown up and worthy of the responsibility that’s laid down before her, whereas I wouldn’t be in any way, shape or form [laughs]. I’m definitely naughty and silly and goofy and ridiculous.
Is she the most overtly sexual character you’ve ever played?
If she finds someone attractive, she has the balls to say, “Hey, you know… come on,” which I like in a woman. That’s a really, really cool thing. But I also like the fact there are consequences to that, which you see in the series. She’s definitely my most sexually confident role. I’ve played a lot of tightly wound, dark, miserable, confused, suicidal women. There might be a hint of sexuality in Johnny English Reborn, but it’s all really tightly bound up. And with Miss Havisham, I’m not sure if anything still works!
Have you watched Prime Suspect and did Helen Mirren’s character, Jane Tennison, inspire you at all?
I’ve watched them all and I very much needed to know that The Fall would be shot in the same way. What’s fascinating about Tennison is she was quite self-centred and had an ego. It’s rare for such character flaws to be revealed on television, back then or even now. And in this series, there’s definitely a feeling Stella is human too.
Some of The Fall’s most chilling scenes don’t involve violence. Does that add a psychological element that more explicit thrillers lack?
I hope so. It’s funny, I don’t really watch television – I watch movies – so I have limited knowledge of whether there are other shows like The Fall out there. I just know that it really appealed to me. It’s fast-paced, but you have time to really invest in the characters. It was important for [writer] Allan Cubitt that when a girl is strangled, he wants you to feel it not just because a girl got killed, but because you know her.
Hannibal is being billed in the US as a big career comeback for you, despite your impressive body of UK work. Does that frustrate you and would you like to do even more high-profile roles?
It’s not that frustrating. I just look at it and giggle. But yes, I would. I’ve never chosen not to, I think if I decided to go to Los Angeles and sit there for a while, more high-profile stuff would come my way, but I haven’t done that. I love living in London – it’s the city I love the most in the world.
Have you turned down parts because of family commitments?
Yes, but also because I don’t like the roles very much. Not that they’re not good! Whether it’s Game Of Thrones or Downton Abbey, my 18-year-old [daughter Piper Maru] cannot believe I’ve turned down things she loves. But with a four and six-year-old [sons Felix and Oscar], I can’t justify spending that kind of time away from home, unless I’m working with Scorsese.
Does your daughter have aspirations to act?
No, she just did her first play and hated it. I’m relieved; it’s not an easy road to choose. I remember my dad sitting me down when he heard it’s what I’d decided to do. He was very concerned and told me only 5% of actors are working at any given time and I should learn word processing because computers were going to change things a lot and I would have a skill to fall back on! Which is brilliant, but what he didn’t know was that my brain just doesn’t work that way.
You have a brilliant ability to adapt between accents. Scientists say this shows a high level of empathy. Do you think that’s true?
I know I have a great deal of empathy, but I didn’t know it’s related to being able to pick up accents. I always thought it was only between British and American because of my time spent in both places, but then I realised when I’m doing interviews with Australian or Northern Irish journalists, I slip into the lilt. I can’t help it.
You’ve said in the past you have a tendency towards self-destruction, but try to maintain balance. How do you achieve it?
I do yoga and meditation, that helps. Also, I read things in an attempt to ground myself and remind me to stay in the here and now, rather than jump too much into the future of planning and organising the chaos of life. I try not to spend too much time on screens, which is a challenge today.
I heard you’re obsessed with renovating properties. Do you have aspirations of hosting a Sarah Beeny-style television show?
No [laughs]. What generally happens is I work on the house I’m going to be living in. I fall in love with it and think I’m going to live there for a long time but get bored and decide to move on [Gillian has owned 12 homes in the past 20 years, including a 13-bedroom property in Sri Lanka]. My Sri Lankan property was completely different. It was bought as an investment, somewhere my family could go on holiday a couple of times a year, or that could be turned into a boutique hotel.
What’s your idea of happiness?
I enjoy the work I do and I’m very grateful because I like being on a set. I like being part of a production and the creative process. I get a lot of enjoyment and reward from that. But I’m happiest when I’m surrounded by my kids, whether that’s in a house or a park or whatever, and there’s laughter. That brings me the most joy.
Àâòîð: Nouta 7.5.2013, 16:34
ðàíî ðàäîâàëèñü
òåìà àêöåíòà âå÷íà... 
Àâòîð: NikitA 7.5.2013, 17:08
Àãà. ß òîæå îáðàòèëà íà ýòî âíèìàíèå
Èíòåðåñíî, êàêóþ ðîëü Äæèëë ïðåäëàãàëè â *Èãðå ïðåñòîëîâ*...
Àâòîð: Âèêòîðèÿ 8.5.2013, 0:35
The truth is out there
Gillian Anderson plays a high-flying cop on the trail of a serial killer in a chilling new Belfast-set crime thriller
Hard as it may be to believe, it is 20 years since Gillian Anderson made her name as Special Agent Dana Scully in The X-Files, winning her Emmys, Golden Globes and even the accolade of World's Sexiest Woman along the way.
The actress has since gone on to play a wide range of roles, from the bitter heiress Miss Havisham in Great Expectations to Wallis Simpson in Any Human Heart, but she has always maintained a special affection for the character that made her a household name.
Now, however, the 44-year-old admits that her latest TV incarnation, as Detective Superintendent Stella Gibson, a detective hunting a serial killer in the new BBC2 thriller The Fall, has finally supplanted the paranormal investigator as the favourite role of her acting career.
"I enjoyed playing Scully, but I prefer Stella and identify more with her," she says. "Scully was dowdy, serious and pretended to be grown-up. Stella is serious, too, and feels more grown-up than I am, but she is also naughty, independent, and forthright, and has something mysterious about her. I haven't played many characters who are so comfortable with their femininity, and I have learned a lot about being a woman from her."
Stella Gibson is an experienced detective with the Metropolitan Police who is seconded to Belfast to re-evaluate and advance the investigation into the murder of a young woman. As she assembles the evidence and begins to notice connections to another case, Gibson realises that a serial killer is at work in the city and ends up leading the investigation.
This is no whodunnit, however, the audience knows from the outset that the killer is bereavement counsellor Paul Spector (Jamie Dornan). In following Stella's dogged search for him, we gain a chilling insight into his mindset, both at home with his young family and as he closes in on his victims. "There are so many serial-killer dramas at the moment, but this adds something different," says Anderson, who also has a recurring role in the Sky Living drama Hannibal playing Dr. Lecter's psychotherapist.
"There is a particular level of creepiness when you see the serial killer doing what he does, while also observing the person who is haunting him. In one scene, you watch Paul bathing a victim while at the same time you see Stella bathing. It is intimate and disturbing, but not gratuitous."
As the series goes on, a battle of wills develops between the two and the impact of Spector's crimes on everyone involved, from his own family to a pair of police officers who feel responsible for the fate of his latest victim, becomes increasingly pronounced. "You get a sense of human existence and the cycle of life and death, of blood, cells, skin and decay," explains Anderson. "The series features a newborn baby struggling for life and a teenager becoming aware of her sexuality at the same time as a serial killer is taking life from young women."
The city of Belfast and the impact that local politics can have on its police force and commercial life are key themes of the drama, and Anderson is pleased that the series shows the Northern Irish capital in a modern light rather than focusing on its difficult past.
"I enjoyed the fact that The Fall reveals a side of the city that isn't all about the Troubles," explained the actress, who plays an MI5 boss in another Belfast-set thriller, the film Shadow Dancer, which premieres on Friday on Sky Premiere (see panel, below). "There is tension there because of that history, but this show is not directly about that and you really see Belfast in a proper way as contemporary city, which hopefully will be good for it, I loved working there."
For Anderson, who spent some of her childhood in London and has lived in the UK for the past 10 years, Britain feels very much like home. However, if a rumoured third The X-Files film gets off the ground, the actress could find herself heading back across the Pond to reprise her role as Scully.
"There has been talk of a third film," she confirms. "The fans want it and creator Chris Carter has discussed writing a script. David Duchovny would certainly be on board if it happened, but it feels as though it needs a finale because I don't think that the last film was a good one to end on. We will just have to wait and see."
Gillian Anderson's Belfast files
Gillian Anderson can also be seen playing anohter Londoner dabbling in Belfast affairs this week in the film Shadow Dancer, which gets its first showing this Friday on Sky Premiere at 10pm (see films, page 19).
Adapted from his own novel by ITV political editor Tom Bradby, the 1990s-set thriller follows single mother and republican activist Collette, played by Andrea Riseborough as she reluctantly agrees to turn informant on the IRA terrorist cell to which she and her two brothers belong.
Clive Owen co-stars as Mac, the British agent who recruits Collette, while Anderson plays his MI5 superior Kate Fletcher, whose cool indifference to his intelligence initiative makes him wonder whether she has a hidden agenda.
Working on the film gave Anderson some useful background information when it came to playing Stella Gibson in The Fall.
"I did a lot of research about the Brits in Northern Ireland, so there was some crossover there," she reveals. "Shadow Dancer was shot in Dublin, but I did work in Northern Ireland before when I played a Belfast single mother five years ago in a film called The Mighty Celt."
Àâòîð: NikitA 8.5.2013, 1:13
Àâòîð: Áåëàÿ Òèãðèöà 8.5.2013, 7:56
Àâòîð: Âèêòîðèÿ 8.5.2013, 11:13
Back Where I Belong
Former X-Files star Gillian Anderson on returning to investigation and feeling like an alien in America.
There 's a serial killer on the loose in Belfast. During the day he's a loving father and husband, but at night he acts on his depraved fantasies, murdering young women. He's not on the police radar and nobody has even linked his killings.
That's the premise of new BBC2 five-part crime thriller, The Fall, in which Gillian Anderson plays DSI Stella Gibson, a brilliant detective parachuted into a struggling investigation team.
"Stella's quite mysterious and you don't find out much about her, you just get little snippets here and there," Gillian, 44, tells TV Times. "She has to strike a delicate balance - she needs to solve the murder but she doesn't want to be condescending or give the impression that she thinks the team is incompetent."
Good female role model
Gillian, who played FBI agent Dana Scully in cult series The X-Files from 1993 to 2002, was initially reluctant to sign up for another long-term project.
"This is the first thing I've done that's resembled a series since The X-Files Committing a chunk of time to something that wasn't a film was a big decision and I had to make sure it was something I was passionate about," she explains.
"I was taken by the complexity of the script and I found the character of Stella very appealing from the beginning. She's probably my favourite character ever. I actually prefer her to Scully, who I very much enjoyed creating. I identify with Stella more and I've learned a lot from her as a woman. I appreciated how confident and unashamed she is, and I felt I matured and got more comfortable with myself while playing her. She tells it like she sees it and I think women will like that."
Gillian was also drawn to the genre-defying nature of the script, which reveals "whodunit" from the outset.
"It adds something a bit different that we know who the murderer is. There's a particular level of creepiness to it when you see the serial killer strangling someone while you're also following the person who's hunting him down."
She insists that the subject matter of The Fall isn't too disturbing for TV.
"It's a difficult line for writers, in terms of how things are presented dramatically, but here it's not gratuitous. There are other shows doing similar things where you feel it's purely for the sake of seeing a naked woman, but this feels like it's all within the realm of possibility for the pieces."
London feels like home
Gillian, who now lives in London with her three children, Piper Maru, 18, Oscar six, and Felix, four, enjoys working on UK productions. She's found acclaim in BBC1 adaptations of Dickens' Great Expectations and Bleak House.
"I've lived in the UK for a decade and a lot of the material I like tends to be from here, so it's convenient," she smiles. "Shooting another series in America would mean conversations about moving schools.
"I grew up in London and moved to Michigan as an 11-year-old with a thick British accent, trying to figure out where I fitted in. I eventually began to feel more American but I always knew I'd end up here."
Àâòîð: Âèêòîðèÿ 9.5.2013, 6:21
http://www.digitalspy.co.uk/tv/interviews/a479774/gillian-anderson-the-fall-qa-i-couldnt-really-say-no-to-it.html?utm_source=twt&utm_medium=snets&utm_campaign=twitter#ixzz2SmkAl8Zd
Àâòîð: Âèêòîðèÿ 9.5.2013, 13:50
Ïðåâüþ ðàäèî-èíòåðâüþ: http://www.bbc.co.uk/programmes/p018tk2f
Àâòîð: Âèêòîðèÿ 10.5.2013, 8:15
Ñêà÷àòü ðàäèî-èíòåðâüþ Äæè: http://www.mediafire.com/?fa2zq9epvvljck6
Àâòîð: Âèêòîðèÿ 11.5.2013, 9:44
http://s47.radikal.ru/i116/1305/a3/b46def783d80.jpg
‘I would play Scully again’
Gillian Anderson, 44, on her sinister new role and a possible X Files comeback
YOU play a cop in thrilling new Irish crime drama The Fall. What attracted you to the role?
Initially, I wasn’t particularly interested in doing a series as it’s a big time commitment, so it had to be something I was passionate about. As soon as I read this script, I was so taken with it...
What did you love so much about it?
I play Detective Superintendent Stella Gibson, who comes to Belfast from London to help catch a serial killer who is targeting young women. The difference with this show compared to other crime dramas is that it’s not a whodunnit – the audience know from the beginning that the murderer is Paul Spector, played by [Once Upon A Time’s] Jamie Dornan.
Is Stella at all like your former X Files character, Agent Dana Scully?
Obviously she is a law enforcement official, she’s female – and they look a bit like each other, too! But Scully was quite square and had a horrible taste in suits. [Laughs.] You would never have seen Scully naked either!
Stella isn’t afraid of whipping her kit off, then?
I haven’t ever played a character as in touch with her sexuality as she is, and it’s fun to play that naughty side. I have learnt a lot from playing her. During filming, I felt I matured a bit and got more comfortable with myself and my sexuality. I’d go as far as to say she’s my favourite character I’ve ever played.
How do you unwind after filming The Fall’s more disturbing moments, like when Stella visits grisly crime scenes?
I am used to playing intense characters. When I was doing The X Files, I was working such ridiculous hours and, at one point, also had a newborn baby so I think I learnt to compartmentalise things. When I am on set, I am on set – and when I leave, I am a mum.
Would you ever play Scully again?
I really enjoyed playing her and was always very grateful to be working with David Duchovny [Agent Mulder]. There has been talk for a long time about a third film and I know David and I would both be on board.
You’re American-born, but live in Britain – do you feel like a true Brit now?
I always knew I’d end up here. I’ve been based here for the past ten years and have three kids [Piper, 18, Oscar, six, and Felix, four] who all live in London. Although when I’m working in the States, the accent comes back and I feel very American again!
Finally, do you still treasure being voted FHM’s Sexiest Woman In The World back in 1996?
That has always boggled my mind [laughs]. I have really never understood that!
Àâòîð: Âèêòîðèÿ 12.5.2013, 10:06
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Àâòîð: Âèêòîðèÿ 14.5.2013, 12:49
Good Day NY: http://www.myfoxny.com/category/232991/good-day
Ñêà÷àòü: http://www.mediafire.com/?ya9lfmpcroi10zw
http://i047.radikal.ru/1305/69/80552900858e.jpg
Àâòîð: Âèêòîðèÿ 21.5.2013, 0:45
http://voice.fanhattan.com/2013/05/20/gillian-anderson-returns-to-tv-in-the-bbc-drama-the-fall/
Àâòîð: Âèêòîðèÿ 23.5.2013, 13:21
Gillian Anderson is staging an impressive return to the TV.
Later this month, "The Fall," a five-episode successful BBC 2 series starring Anderson, makes its way to Netflix. The series, which co-stars "The Good Wife's" Archie Panjabi and "Once Upon a Time" veteran Jamie Dornan, is a provocative murder mystery that follows Stella Gibson (Anderson), a detective superintendent who is called in to investigate a serial killer in Belfast.
All five episodes will be on Netflix beginning May 28 and Anderson says it won't disappoint. "Finish 'The Fall,'" she told The Huffington Post in a phone interview. "It gets better and better, I promise."
Anderson, who spent nine seasons as Dana Scully on "The X-Files," is returning to viewers' lives in a big way. Later this year, the actress, who's been recurring on NBC's "Hannibal," will also be in the Peacock Network's "Crisis," a new drama from Rand Ravich. Below, Anderson opens up about her upcoming projects, how she felt about playing a detective again, what she has binge-watched and much more.
Were you drawn to the character of Stella Gibson or the story of "The Fall"?
I think if I'm honest, primarily, initially, the character. I find her so intriguing and I still find her quite mysterious and I think that's quite unusual for a contemporary drama. I like the way she handles situations and I thought I kind of need to be this person for a while. Obviously, the scripts themselves were very well-written, very compelling, very emotionally engaging. I knew that after having conversations with [the minds behind "The Fall"] that they had similar ideas as I did about how it should be shot and once we were all on the same page, it just seemed like something I couldn't not do.
Were you apprehensive about playing a detective character again?
No. I mean, since the end of "The X-Files," I've played other law enforcement officials. I've played MI-5, MI-7. It seems to be something that follows me a bit, but Stella seems so different to me than Scully that it didn't feel like it was going to hamper my trajectory in any way. That's what's interesting to me as much as anything: having an opportunity to play different characters no matter what it is that they do for a living.
The rest of "The Fall" cast -- Archie Panjabi with "The Good Wife" and Jamie Dornan with "Once Upon a Time" -- has had crossover success here. How was it working with them?
Archie is a fantastic actress and we have a very interesting and compelling relationship in "The Fall." Anytime that you get good, seasoned actors on the set together, it can only raise everybody's game. It's always a pleasure. Jamie Dornan was probably one of the only people that would've been right for this role. Just everything he brings to the character -- the fact that he is as attractive as he is and he is completely believable as a father (and quite a doting father) and equally believable as a serial killer. That's quite a tall order and there's something particularly creepy about the concept that somebody might be attracted to a person who was, at the same time, doing those types of things to women, which throws up the types of questions this series as a whole asks. Where is that line that's drawn between the people who think about doing things and acting in particular ways and the ones that actually do it? How close is he to everybody else who lives a similar life that he does, except for one little area of his life? [Laughs.]
Yeah, just a little area.
[Laughs.] A tiny one.
Have you ever binge-watched anything?
They only thing that I've ever binge-watched was the first season of "The Killing." I was in Michigan for a couple of weeks and therefore, had no other commitments. My children were with me [laughs] and I needed a distraction. [While I was watching,] I got that feeling like I needed a heroin hit. Like, literally. [Laughs.] I have not had that before -- where my heart started to palpitate and I couldn't get my next DVD in quick enough. You know, that kind of thing. I haven't given myself the opportunity to have [that feeling] since because it literally terrifies me. The thought that I'd get so hooked on something else that would make me decide to watch it instead of spend time with my kids or instead of watching something else that I might, in a highfalutin way, think is better for my brain, I start to hyperventilate.
Why did you pick "Crisis" for your return to American TV?
First of all, I had a deal with NBC to develop something. We were getting close to the end of that time and I wasn't sure if there was going to be something to draw my attention enough to make that commitment. And then, what has been called up until this point the "Untitled Rand Ravich Project" [Laughs.], was a page-turner. I couldn't put the script down. I thought that it might be kind of cool to step into an ensemble that wasn't going to take a huge amount of my time. It was something that I thought, "I kind of want to know what happens next in this." It seemed like it was going to tick many boxes because it was going work with my schedule and I could have a presence, but not as big a commitment as a lead character. It just seemed do-able and like it would be a fun piece to be involved with. After talking to Rand and Far [Shariat, "Crisis" executive producer], they're great guys and they have a real commitment to making this real quality television.
Also, with NBC's stated commitment to making shows that feel more like cable, I'm counting on them to allow us to do that because that's how this is going to work. It doesn't have to be as dark as "Hannibal," but I thought they were very successful in being able to do what they have with "Hannibal" and keep it on primetime network for as long as they have and there's another opportunity with this show and I'm hoping that that's what it turns out to be.
Do you think fans of "The X-Files" will follow "Crisis"? Is it up their alley?
It seems these days that everybody seems to watch everything. I don't know if that's right or wrong, just because people can watch things whenever they want to, whenever they have time to. People who enjoy "24" and enjoy "Homeland" -- hopefully this is going to have that kind of a feel to it. If people start watching it because they had been fans of "The X-Files" and wanted to see what I'm doing next -- after seeing the pilot, I have to say that people are not going to be able to not watch Episode 2. I don't know what it's going to look like, but they're not going to be able to not watch it. If they started coming there for me and they come back because there's quality television, then great.
"The Fall" premieres on Netflix on Tuesday, May 28. "Crisis" hits NBC on Sundays at 10 p.m. later in 2013.
Àâòîð: Âèêòîðèÿ 24.5.2013, 0:44
Åù¸ èíòåðâüþ: http://www.esquire.com/blogs/culture/gillian-anderson-interview?src=rss
Àâòîð: Âèêòîðèÿ 24.5.2013, 0:54
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Àâòîð: Âèêòîðèÿ 24.5.2013, 12:55
Milling About radio show: http://www.blogtalkradio.com/robin-milling/2013/05/24/milling-about-with-gillian-anderson
Àâòîð: NikitA 24.5.2013, 13:37
Îãîãî ðàçìåð÷èêè ó ñêàíîâ. Àæ íåîæèäàííî êàê-òî Ñïàñèáî.
Ïîñëåäíèé ñêàí îòêðûâàåòñÿ íå ïîëíîñòüþ
Àâòîð: Âèêòîðèÿ 27.5.2013, 0:28
http://www.npr.org/2013/05/26/186610365/the-movie-gillian-anderson-has-seen-a-million-times
Àâòîð: Âèêòîðèÿ 29.5.2013, 0:35
http://collider.com/gillian-anderson-the-fall-x-files-hannibal-interview/
Àâòîð: NikitA 29.5.2013, 1:25
Î÷åíü õîðîøåå èíòåðâüþ. Ñïàñèáî
Àâòîð: Âèêòîðèÿ 30.5.2013, 0:26
Àóäèî-èíòåðâüþ: http://www.gilliananderson.ws/news/index.shtml
Àâòîð: Âèêòîðèÿ 31.5.2013, 11:30
Ðàäèî-èíòåðâüþ:
http://podbay.fm/show/267791013/e/1369747980?autostart=1
http://www.empireonline.com/news/story.asp?NID=37687
https://itunes.apple.com/us/podcast/jason-alexis-in-morning-on/id368045786
Àâòîð: Âèêòîðèÿ 31.5.2013, 13:14
Êàê ÿ ïîíÿëà èç èíòåðâüþ ïî ïåðâîé ññûëêå, à òî÷íåå ïî òð¸ïó ýòèõ äâóõ áîëâàíîâ, ïîñëå òîãî, êàê îíè ïîïðîùàëèñü ñ íåþ, ÷òî Äæèëë íà òîò ìîìåíò ðàçãîâîðà ñ íèìè, êîòîðûé áûë 28 ìàÿ, íàõîäèëàñü â Òóðöèè. Íàäåþñü, îíà òàì îòäûõàåò ïåðåä ñëåäóþùèìè ñú¸ìêàìè.
À êóäà æàòü â ïîñëåäíåé ññûëêå, ÷òîáû ïîñëóøàòü? Êóäà íè òûêíó, ó ìíó çàâèñàåò ñòðàíèöà.
Àâòîð: NikitA 31.5.2013, 13:31
ß òàê ïîíèìàþ, òàì ïðîãó ñêà÷àòü íàäî, ñ ïîìîùüþ êîòîðîé ñëóøàòü ìîæíî áóäåò. 
Àâòîð: Âèêòîðèÿ 31.5.2013, 13:45
Íó è ôèã ñ íåé òîãäà. Òåðïåòü íå ìîãó ðàäèî-èíòåðâüþ, ïîòîìó ÷òî ïîíèìàþ ÷åðåç 5 ðàç 
 èíòåðâüþ ïî ïåðâîé ññûëêå îíà åù¸ ÷òî-òî ãîâîðèëà ïðî Êàëè, Äýâèäà è ñâî¸ ó÷àñòèå òàì, è ÿ ïëîõî ïîíÿëà Ïîíÿëà òîëüêî, ÷òî ó÷àñòâîâàòü îíà òàì íå áóäåò èç-çà êîçÿâêè Äýâèäà À òàê îíà ïðåäëàãàëà òàì ÷åãî-òî. Õîòåëîñü áû ïîëíîñòüþ ïîíÿòü, ÷¸ îíà òàì ñêàçàëà íà ñåé ñ÷¸ò.
Àâòîð: NikitA 31.5.2013, 13:48
Ïî ïåðâîé ññûëêå ìîæíî ñêà÷àòü è ïðèñëóøèâàòüñÿ
Àâòîð: Âèêòîðèÿ 31.5.2013, 13:51
À ïî âòîðîé ññûëêå ïðî ôàíôèêè ïî ÑÌ ãîâîðèëè
Àâòîð: NikitA 31.5.2013, 14:08
Ãðóáî ãîâîðÿ, îíè òàì ïîðíóõó îáñóæäàþò. È ýòî ïðàêòè÷åñêè âñ¸, ÷òî ÿ ïîíÿëà èç âñåãî ðàçãîâîðà. Çíàêîìûå ñëîâà, âäðóã, óñëûøàëà
Àâòîð: Âèêòîðèÿ 31.5.2013, 14:10
Ñëåø-ôèêè îíè îáñóæäàëè
Àâòîð: NikitA 31.5.2013, 14:13
Íåóæåëè íèêòî íå ìîæåò äàòü åé ñïèñîê íîðìàëüíûõ ôàí-ôèêîâ? Ñëýø - íå åäèíñòâåííàÿ êàòåãîðèÿ, êîòîðóþ ÷èòàþò ôàíû.
p.s. Äæèëë òàê óâåðåííî ïîääåðæàëà áåñåäó è âñòàâèëà ñâîè 5 êîïååê ïðî threesome, ÷òî íåâîëüíî âîçíèêàþò ñîìíåíèÿ ïî ïîâîäó å¸ ïîëíîé íåïðîñâåù¸ííîñòè â ýòîì âîïðîñå. ×èòàåò ôàí-ôèêè â äîðîãå, à íàì ìîçãè ïóäðèò.
Àâòîð: Âèêòîðèÿ 31.5.2013, 14:26
Òàê æå êàê è Êàëè îíà ÿâíî ñìîòðåëà õîòÿ áû ÷òî-òî, çíàëà, êòî òàêîé Ðàíêë Õîòÿ ñàìà ãîâîðèëà, ÷òî íå ñìîòðåëà îíà.
Àâòîð: NikitA 31.5.2013, 14:29
Ïåðâîå ÿ òîëêîì íå ïðîñëóøàëà åù¸. Âòîðîå êëàññíîå. È ÷èñòîå, è ìíîãî å¸.
Àâòîð: Âèêòîðèÿ 31.5.2013, 15:07
Îé, êàê îíà âñïîìíèëà ýïèçîä ñ Øåð è ÷òî ýòî ëþáèìûé ýïèçîä Äýâèäà È òàê âîçãîðäèëàñü ñîáîé, ÷òî âñïîìíèëà
Àâòîð: Âèêòîðèÿ 1.6.2013, 0:47
Åù¸ îäíî ðàäèî-èíòåðâüþ, Äæèëëèàí íà÷èíàåòñÿ ãäå-òî ñ ñåðåäèíû: http://insidetv.ew.com/2013/05/31/jeff-probst-survivor-joss-whedon-gillian-anderson/
À â ÷àñîâîì èíòåðâüþ îíà âåäü åù¸ êàêîé-òî ýïèçîä Êàëè ïåðåñêàçûâàëà, äà? Çíà÷èò, è ïðàâäà ñìîòðåëà. Èíòåðåñíî, î êàêîì ýïèçîäå ðå÷ü øëà.
Àâòîð: Âèêòîðèÿ 2.6.2013, 13:37
Åù¸ îäíî ðàäèî-èíòåðâüþ: http://soundcloud.com/fishinthemorning/gillian-anderson
Àâòîð: NikitA 2.6.2013, 14:06
Øèçàíóòîå èíòåðâüþ êàêîå-òî ïîñëåäíåå.
Àâòîð: Âèêòîðèÿ 2.6.2013, 14:54
Íó. Ïðèøåëüöû, ëèô÷èêè 
Àâòîð: NikitA 2.6.2013, 15:40
*Êàêîãî ÷¸ðòà? ×òî âû êóðèëè?* - îíà èì ýòî îòâåòèëà?
Àâòîð: Âèêòîðèÿ 3.6.2013, 16:27
http://www.timeout.com/london/tv-reviews/gillian-anderson-from-scully-to-stella#.UazpvZNFbvk.twitter
Âîò ê ÷åìó ýòî âîîáùå áûëî ñêàçàíî? Áóäòî Ñòåëëó ìû â êàæäîé ñåðèè âèäèì ãîëîé
Èëè áóäòî Ñêàëëè ìû íèêîãäà íå âèäåëè â ëèô÷èêå. Íó, ìîæåò, â òàêîì êëàññíîì êàê ó Ñòåëëû è íå âèäåëè, íî Ñêàëëè â ëèô÷èêàõ è ãîëîé â âàííîé áûëî ó íàñ áîëüøå! Íåò, å¸ îïðåäåë¸ííî íàäî ïðèêîâàòü è ïîñàäèòü ñìîòðåòü ÑÌ
Àâòîð: NikitA 3.6.2013, 16:38
Íó ýòî áûëî ñêàçàíî ãäå-òî îäèí ðàç, ÿ äóìàþ, à ÑÌÈ óæå ñàìè ïëîäÿò è ðàçìíîæàþò
Àâòîð: Âèêòîðèÿ 3.6.2013, 16:42
Íå ôàêò. Åñëè square ìåëüêàåò â êàæäîì èíòåðâüþ, òî è çäåñü âñ¸ ìîæåò áûòü, ê òîìó æå ïðèâåäåíû ÿêîáû öèòàòû, à íå ñòàòåéíîãî òèïà èíòåðâüþ.
Ëàäíî, â ïåíü, êàêàÿ-òî ÿ ñëèøêîì ÷óâñòâèòåëüíàÿ ê ýòîé òåìå Ïðÿì òàê ÑÌ çàõîòåëîñü ïåðåñìîòðåòü
Àâòîð: NikitA 3.6.2013, 17:16
Íå ïðîáëåìà. Çàêîí÷èì ñ Fall, ïåðåñìîòðèì TXF Çàêóñèì, ò.ñ.
Àâòîð: Âèêòîðèÿ 5.6.2013, 4:56
http://www.mirror.co.uk/tv/tv-news/x-files-falls-gillian-anderson-1930872
Ïðèÿòíî ñëûøàòü
Àâòîð: Naty 5.6.2013, 6:33
Ïðÿì áàëüçàì íà ñåðäöå! "stay in touch"- êàê ýðîòè÷íî çâó÷èò....
Àâòîð: Áåëàÿ Òèãðèöà 5.6.2013, 7:23
Àâòîð: NikitA 5.6.2013, 10:59
Àâòîð: Áåëàÿ Òèãðèöà 6.6.2013, 7:00
Àâòîð: Âèêòîðèÿ 9.6.2013, 12:21
http://www.guardian.co.uk/tv-and-radio/2013/jun/09/gillian-anderson-profile-fall-bbc?CMP=twt_fd
Àâòîð: NikitA 9.6.2013, 17:52
ñïàñèáî
Àâòîð: Âèêòîðèÿ 17.6.2013, 4:34
Gillian Anderson: Looks forward to staying with ‘Hannibal’
Making her small screen comeback in the critically lauded Hannibal TV series, Gillian Anderson said she is happy to stay with the cannibal.
“I don’t think anyone knows what’s going to happen in the series. However, I will continue to be on it, until he eats me,” Anderson says.
Hannibal will continue to feast as NBC recently announced that it has renewed the series for a 13-episode second season. Audiences around the region can watch Hannibal on Friday’s at 9 p.m. on AXN. It is currently in the middle of its first season and its finale will air late this month.
The dark but thoroughly captivating drama created by Bryan Fuller is based on Thomas Harris’ novel Red Dragon, whose iconic villain won a spot in pop culture following the 1991 film The Silence of the Lambs.
The series focuses on the lives of troubled FBI profiler Will Graham (played by Hugh Dancy) and the titular Dr. Hannibal Lecter (Mads Mikkelsen), long before the Red Dragon and Silence of the Lambs timeline where he is discovered as a serial killer and captured by the FBI.
Anderson joined the series last month as Dr. Bedelia du Maurier, Dr. Hannibal Lecter’s psychotherapist. She is making her return after having already appeared in three episodes.
She said that joining this series was not in the cards, at first. But she was then offered the role and had a couple of conversations with Fuller.
“There were a few considerations because I was not really interested in doing network television for a while, but the idea playing Hannibal’s psychiatrist is really cool,” Anderson said in a recent telephone interview with a group of journalists from the region.
“Ultimately, Bryan convinced me that it would be really fun to come and join with really good quality actors. That what made the decision.”
She said she did not need to prepare a lot for the role.
“It didn’t really call for it. I’ve been in therapy myself at various moments in my life, I’m familiar with the process,” she says.
“My character has been his psychiatrist for a long time and in retirement, but he’s her only remaining patient. The question was more about what kind of woman – professional woman – would Hannibal choose to be his psychiatrist, what would she look like, how would she speak, the dialogue, the rhythm of the dialogue.”
She had fun sharing a scene with Mikkelsen, a Danish actor who reached worldwide fame playing Le Chiffre in the James Bond film Casino Royale in 2006. Mikkelsen also won the Cannes Film Festival Best Actor Award for his 2012 film The Hunt.
“He’s incredible and really amazing to work with. He has so much emotion in his fingertip. Watching him really coming out with his character is a fascinating thing to do,” Anderson said.
“I’m pretty sure from now on people will see Hannibal the way it is painted by Mads, Anthony Hopkins’. Mads’ rendition is very contemporary, very detailed and very disturbing. He does it so well. When I think of Hannibal, I think of Mads’ more than Anthony Hopkins’.”
Although Anderson has played numerous characters throughout her career, it is hard to forget about her most famous role to date as X-Files’ Dana Scully.
“I’ve been doing a lot of different stuff, there are a lot of things I would like to be remembered by.
“Hannibal is a very sweet thing to have in my acting experience and collection of characters. I wouldn’t say I want to be remembered by this role but I’m glad to be a part of the whole,” she said.
Anderson said she had received many television series lead role offers but had turned most of them down.
“A lot of them didn’t interest me. I have three children, I live in the UK; most of the stuff that I choose to do are stuff that takes me away from them as little time as possible,” she says.
“It’s an interesting balance between finding material that I really like, and finding material that doesn’t mean I abandon my kids for too long.”
Speaking of her character Bedelia du Maurier, Anderson thought that it would be much more interesting and dramatic if it ends with her being eaten by Hannibal.
“But so many things could happen. Bryan’s imagination is so much more twisted than any of us could imagine. If it does end it would be interesting and disturbing when it happens.”
If you are cooked by Hannibal, what dish do you want to be?
“Maybe some kind of pudding. They’d have to figure out some kind of way to turn my meat into some type of dessert. Kind of like a tofu pie, a Bedelia pie,” she said.
Àâòîð: NikitA 17.6.2013, 7:17
”Maybe some kind of pudding. They’d have to figure out some kind of way to turn my meat into some type of dessert. Kind of like a tofu pie, a Bedelia pie,” she said.
êàêîå ìèëîå èíòåðâüþ
Àâòîð: Âèêòîðèÿ 10.7.2013, 0:42
For Gillian Anderson, another shot at TV greatness
There’s perhaps only one thing worse than not being the star of a hit TV series, and that’s being the star of a hit TV series. Especially if the series is really, really popular, with a cultish quality to it that can turn some fans into fanatics. All of which is to say that Gillian Anderson likely will go to her grave remembered first, last and foremost for the almost 10 years she played FBI Special Agent Dana Scully in the spooky paranormal detective drama The X-Files.
There are worse fates, of course. But now the 44-year-old actress has the opportunity for another shot at TV greatness, courtesy of her star turn as Stella Gibson, the determined, tough-as-nails detective superintendent in pursuit of a Belfast serial killer in the BBC miniseries The Fall. The mystery thriller bowed in May in Britain, where its five one-hour episodes drew an impressive average audience of more than 3.3 million viewers per showcase while earning near unanimous raves from the critics and a production order from the Beeb for a second, six-episode season in 2014. Canadians are now getting in on the buzz with Bravo screening season one Sunday evenings into early August.
Reached by phone at her home in London last week, Anderson declared her pride in both the show and her performance. “And I had a fantastic experience working on it.”
At the same time, it would be a mistake, admittedly a modest one, to see The Fall as an out-and-out Anderson comeback. While her lead marks a return to the world of TV sleuthing that made her an international star in The X-Files, she actually has never been away. This is particularly true in England, which the Chicago-born Anderson has called home for years and where her fame and critical esteem have never abated, thanks to acclaimed appearances in such TV dramas as Bleak House and Great Expectations and films like The House of Mirth and Shadow Dancer. Indeed, when Allan Cubitt, the writer and co-executive producer of The Fall, began work on the scripts for the series in 2011 it was with Anderson firmly in mind.
Anderson’s career, as she acknowledged herself, “is about to get a lot busier than it has been. There have been good chunks of committed family time between jobs over the last few years.” (Twice married, she has three children, a daughter, 18, and two sons, 6 and 4, the last with businessman Mark Griffiths, from whom she separated last year.) “And now, all of a sudden, upon agreeing to take on a bit more, it seems like, ‘Oh my goodness, is there an end in sight?’ Because there’s quite a bit of juggling that’s going to have to go on in the next couple of years.”Among the balls to be juggled, besides season two of The Fall, are roles in two other series, both American, Hannibal and Crisis, plus “some things I can’t talk about yet.”
Anderson, known to be what one writer has called “a tricky interviewee,” said she drew most of the character of Stella Gibson from Cubitt’s screenplay and took mild umbrage when asked, jokingly, if perhaps Cubitt had sent her, as preparation, some screeners of Helen Mirren’s famous performances as Detective Chief Inspector Jane Tennison in Prime Suspect. (Cubitt was the writer of Prime Suspect 2.)
“Did it appear that that had taken place?” she asked.
When told “not at all,” she said: “Well, okay, you’ve answered your own question then. Because if he had I’d be doing something differently.”
Anderson made these comments with an American inflection to her voice. By contrast, The Fall has her speaking, coolly and flawlessly, with a posh British accent – and it’s not just acting. Between the ages of 2 and 11 she lived in London, where her father was studying film production. One of the benefits of this is a bidialectalism – a term she confessed to not knowing – that to this day allows the actress to switch easily between British and American idioms as circumstance requires. She said with a laugh: “Before talking to you, I was downstairs playing with my [two sons] and when we’re conversing, I generally, or most of the time, probably have a British accent. But with my daughter, who’s Canadian [her father is Clyde Klotz, who was assistant art director on The X-Files when it was shot in Vancouver], when she’s around, the Americanisms and Canadianisms start to come out.”
One indicator of a show’s popularity and cultural resonance is the amount of discussion it generates in the media and around the metaphoric water cooler about the clothes of its characters. Certainly this was true in the U.K. of Anderson’s wardrobe in The Fall, particularly the creamy silk blouses her character favours. Unsurprisingly, much thought went into this. Anderson calls Stella Gibson “a feminine woman. She’s not trying to dress like a man nor is she dressing provocatively. She’s wearing clothes for herself and nobody else, and it just made sense that her outfit wouldn’t be a uniform or suits, but what I guess you’d call separates.”
What female viewers in Britain responded to in Gibson’s garb, Anderson believes, was “that she looked to be comfortable in her clothes, in her own skin. There’s nothing precious about them, or over-the-top. There’s a sex appeal to them to a degree, yes, but I think women also see them as representations of freedom, strength, self-confidence.”
Àâòîð: A.N.Onym 10.7.2013, 17:16
Ñàìîå èíòåðåñíîå, ÷òî âñå òå õâàëåáíûå ñëîâà, êîòîðûå Äæèëëèàí ãîâîðèò â àäðåñ Ñòåëëû (ïðî òî, êàêîé ýòî ñèëüíûé æåíñêèé ïåðñîíàæ, ðîëåâàÿ ìîäåëü è ò.ä.) ôàêòè÷åñêè ïîëíîñòüþ ïðèìåíèìû è ê Ñêàëëè. 
Ñòðàííî, ÷òî Äæèëëèàí íå îòäàåò ýòîìó îò÷åò.
Àâòîð: Âèêòîðèÿ 26.8.2013, 14:42
UK Independent interview
Gillian Anderson: The X-smiles
Since her breakthrough part, Gillian Anderson has played a series of dark roles, most recently in The Fall. With her latest film showing off her lighter side, she would love to act in a comedy, she tells Alison King
Cast as Special Agent Scully at 24, it is unsurprising that Gillian Anderson left for London at the end of the decade long X-Files series. In the 10 years that followed, Anderson shunned Hollywood and reinvented her career in the UK with low-key roles in film and television costume dramas such as Bleak House, The House of Mirth, The Crimson Petal and the White and Great Expectations.
"Every time somebody asks me if I'm interested in doing an iconic literature character, it's really hard to ignore," Anderson explains. Establishing a roster of women as far from Scully as possible – Henrik Ibsen's Nora, Edith Wharton's Lily, Charles Dickens's Miss Havisham, their appeal was obvious: "Dickens holds up in the modern world and it's the same subject matter that we're still contending with today, whether it's a separation of the classes or greed, it continues to be identifiable."
It is Anderson's most recent role as DCI Stella Gibson, however, that had audiences gripped watching The Fall. A woman that could give DCI Jane Tennison run for her money, Gibson is icily self-assured and highlighted the idea of stereotyping women in crime as either victims or vamps.
"Alan Cubitt's writing is so complex and multilayered on a more psychological, subconscious level. It's pleasure to work with that kind of material. It was clear from very early on that the world he was creating was with these multi-layered female characters and that's where his talent lies: In his huge respect for women and his opinions about how they should be treated in the world today."
The show's tone has been described as "Post-Scandinavian" (Time Out) and indebted to those other dark, slow paced, psychological dramas such as The Bridge or The Killing.
"That darkness started with The X-Files. It was the very first TV show that turned the lights off and kept you in the dark. So the stuff that has been coming out in Denmark and Sweden feels quite unique to people and feels like a modern trend but it's not like it hasn't been done before, I just think that we're in the mood for it again."
Anderson's voice flits from an American drawl to prep school English due to her itinerant past. Born in Chicago and raised in London from ages 2 to 11, she attended high school and college in the US where she started her acting career only to return to London at the age of 35. Does Anderson feel British or American? "Ultimately, I probably feel American but I also feel like a foreigner in America. It's a tricky one but it doesn't bother me. I chose to live in the UK because London feels like home; it's the home of my childhood and it's where I feel I identify with the most."
By the end of The X-Files series, Anderson had been married twice. First to X-Files assistant art director Clyde Klotz, with whom she had a daughter, Piper, and then to documentary filmmaker Julian Ozanne. She then had two children, Oscar (four) and Felix (six) with British businessman Mark Griffiths. During the production, Anderson's gruelling schedule meant returning to the set only 10 days after giving birth to Piper. Her mid-twenties were swamped by 16-hour days with rare downtime spent with her child.
"I had no control back then and I think making these choices and continuing to work after having that experience makes it paramount that everyone understands what my priorities are."
That sentiment has continued to inform her choice of roles into the new decade. She tackles another serial killer in Hannibal as Dr Bedelia du Maurier, the psychiatrist to the Hannibal Lector (Mads Mikkelsen). It is her first role in an American television series since 2002 and describes her psychological sparring partner, Mikkelsen as "a master of understatement".
"It's the complexity of those characters and the things going on under the surface that make it so interesting to me as an actor. Conflict creates great drama," she says.
Signing up for the second series of Hannibal, Anderson is now busy filming NBC's action thriller, Crisis. "My role is more in the thriller bit than the action bit. It's very high-paced and intense because you're dealing with the government and FBI, and kids have been kidnapped so it's quite dramatic." It sounds like familiar, dark territory. "It just so happens that anything that crosses my lap tends to be darker in nature; it's not that I go looking for it. It's no mistake that I end up playing 'MI7 boss' or 'MI5 boss', and I can do that, but what people don't often see me in and what I don't get to do very much of is comedy because I also am very slapsticky and I love that."
Would Anderson consider signing up to an Edgar Wright comedy? "Yes, I'd love that, absolutely," she says.
While Anderson's two youngest children cannot yet watch the majority of her TV and film roles, her latest film from Studio Ghibli is of a lighter fare. Lending her voice to From Up on Poppy Hill, it is a deft coming-of-age tale set in 1963 Yokohama, "I did a voiceover with Miyazaki before on Princess Mononoke and I've been a big fan of his animation for a very long time so any time they approach me, I jump at the opportunity because I just think he's so talented."
Would Anderson make more movies for her children? "Yes and no. If the right thing came up I'd consider it, but all they're into is Lego Star Wars," she laughs. Would you consider a role in the new Star Wars movie? "Yeah maybe," she says, "More likely Star Trek; I'd do Star Trek."
Perhaps that would be a good way of exercising her sci-fi credentials whilst reaffirming her status as a hero of a different kind to her young family. "Maybe, but only if I was made out of Lego."
'From Up on Poppy Hill' is on general release
Àâòîð: Âèêòîðèÿ 16.9.2013, 10:57
Celebrity Q+A: Gillian Anderson
She's a regular on NBC's Hannibal, which is too scary for her sons to watch. But her turn as an affable witch in Room on the Broom, soon out on DVD, is totally kid-friendly.
Q. After playing so many serious roles, was it fun doing an animated film?
A. I've worked on a couple of animated pieces before, like The Simpsons. It's a whole other world. Lots of fun, but harder than you would imagine.
Q. Did you score cool points with your sons, who are 6 and 4, doing Room on the Broom?
A. I've read the book to them probably 10,000 times, which is one of the reasons I was interested in the voiceover role. But they don't know I did it. Actually, they don't really know what it is I do. I'd rather keep it from them as long as possible because I'd rather they like me not because of what I do for a living, but because of the mom I am.
Q. How do you deal with the challenges of having an 18-year-old daughter and the little guys? Must make your head spin sometimes.
A. I'm lucky because my girl is very grounded, self-aware and self-motivated. With the boys most of my day is reacting to what they throw at me—making messes, climbing and somersaults, broken bones. You do your best and the rest is just patience.
Q. What's your guilty pleasure?
A. I don't really have one! I've been thinking of downloading some of the TV series people are so obsessed with, but then my brain starts telling me I should be researching a new project or something productive. But I do hold regular game nights, when I invite friends over to play cards and guessing games. I make a main dish and they bring vegetables or salads.
Q. What are your Halloween plans?
A. So far I haven't made any costumes. All I know is that my youngest wants to dress up as Luke Skywalker, the same thing my daughter wanted when she was 5!
Àâòîð: NikitA 16.9.2013, 11:52
Õîðîøåå èíòåðâüþ. Ñïàñèáî
Àâòîð: Âèêòîðèÿ 20.9.2013, 7:19
Gillian Anderson's My London
The Fall actress likes to splash out on dinner at Ottolenghi and vintage dresses
Where do you live?
Central London. It’s surprisingly quiet and it feels like London might have done hundreds of years ago.
Best thing a London cabbie has said to you?
‘You look just like that Mulder on X Factor. ’
Where would you go for a nightcap?
Along the South Bank — it’s BYO.
First thing you do when you arrive back?
Look out of the cab window and, rather than get absorbed in my BlackBerry, soak in the city I feel so grateful to live in.
Who’s your hero?
Anyone who fights for human and civil rights.
What do you collect?
Art. But not as voraciously as I wish I could.
Favourite shops?
Waitrose/Ocado for ethics of business, quality of food and friendly prompt service. John Lewis for its range of products and speed of delivery for household items. Viola on Connaught Street and William Vintage on Marylebone Street for eveningwear.
Last play you saw?
A Season in the Congo at the Young Vic — one of my favourite theatres for its versatility and purpose. I can watch Chiwetel Ejiofor in anything.
Animal you’d most like to be?
A sloth. Maybe I’d finally slow down.
Earliest memory?
Definitely not my first memory as I was six, but walking up to our doctor’s surgery, which used to be connected to the church that Dave Stewart turned into a recording studio, in Crouch End and scratching the first of many chickenpox spots that would be the cause of my previously unexplained fever.
Best meal?
I think some of the best dishes I’ve had have been at Ottolenghi in Islington or the Modern Pantry in Clerkenwell. Fresh, healthy ingredients and ingenious flavour combinations.
Last song you downloaded?
Kendra Morris’ cover of ‘Shine On You Crazy Diamond’.
Building you’d like to buy?
There are so many but they are all too big and in the wrong neighbourhood. Kew Gardens? St Pancras? I mean, I’d have to keep procreating.
Best place for a first date?
Lunch at La Fromagerie on Moxon Street in Marylebone. Best to keep it bright and it’s easy to escape from. If it goes well, a second date underground at Odette’s in Primrose Hill.
Favourite London club?
Annabel’s. It’s just so damned romantic and I’ve never not had a fabulous night there.
What would you do as Mayor?
Whose department looks after regulation over child trafficking? Maybe if it was under Boris’ jurisdiction, something would actually get done about it.
Ever had a run-in with a policeman?
In my first flat on Portobello Road after having been broken into for the second day in a row.
Favourite discoveries?
The Foundling Museum behind Coram’s Fields, Columbia Road flower market and 5x15 stories and lectures at The Tabernacle.
Most romantic thing someone’s done for you?
Gift me a wooden box full of the dried remains of the dozen red roses bought after our first date.
Who do you call when you want to have fun?
Emma Kennedy seems to have her finger on the pulse of hilarity in London.
Best piece of advice?
My father suggested in 1987 that I should learn how to do word processing as computers were on the rise. He figured that since I was likely to be out of work as an actor, I could fall back on it to pay my rent. I did not heed his advice but it was sound.
Àâòîð: Naty 20.9.2013, 7:34
Íðàâÿòñÿ ìíå åå îòâåòû è åå ëþáîâü ê Ëîíäîíó
Çâåðóøêà - ýòî ëåíèâåö???
Àâòîð: Áåëàÿ Òèãðèöà 20.9.2013, 9:40
Ïðÿìî èíñòðóêöèÿ ê äåéñòâèþ.
Àãà.
Àâòîð: Âèêòîðèÿ 5.10.2013, 12:53
Daily Life Interview
This really is bad form. I'm still sitting here, hours later than I expected, and Gillian Anderson, she of that gimlet stare and surly mouth, has no right to have made me feel so uncomfortable in my own skin – especially as she looks so supremely confident in hers.
It is 5am. I'm alone. I've just finished watching the complete series of the crime drama The Fall and there's no way I can sleep now. So I'm sitting up, as the final credits roll, feeling jumpy and angry – the latter with myself, because I perched on this sofa hours ago, just for 10 minutes, to get a sense of the series and be prepped for meeting its lead.
I never intended to watch the whole thing in one sitting, but The Fall gets a grip on you. It's compelling because it's unexpected. It's not "Scandi crime", especially as Anderson's character, Detective Superintendent Stella Gibson, wouldn't be seen dead in a big ugly jumper. Instead, she is the centre of a universe into which men are invited, often for sex, then dismissed afterwards, followed by an expensive glass of pinot.
It is a mistake, of course, to confuse character with actor, yet Gillian Anderson so utterly inhabits her blisteringly intelligent and fiercely sexy detective that when the series ran on the BBC last June, it provoked an internet meme called "What would Stella do?" What Stella Gibson does when a male colleague comments on her seduction of a policeman is to fire back, "Woman subject, man object, it's not so comfortable for you, is it?" and you can almost hear the sound of women around the world applauding. But what Stella says to an intrusive reporter is this: "No one knows better than me how important the media is ... but really, you should f... off now."
So it is with some trepidation that I set off to meet Gillian Anderson. She turns out to look rather unlike Stella, as she walks in wearing a floor-length, floral flutter of a sleeveless chiffon maxi dress accessorised by wedge sandals. Stella would be in something slippery, mean stilettos and the peek of a black lace bra.
Fashion, often not quite right on television, is pitch perfect in The Fall, where power dressing means satin in blush pink and a key scene hangs on a wardrobe malfunction at a police press conference. "It's not fashion, it's style," Anderson corrects, relating how she and the costume team booked a VIP suite at a department store, then narrowed down Stella's look from hundreds of separates hanging on the racks – no pant suits. When the series aired in the UK there was a marked spike in the sale of silk blouses.
We meet at London's Young Vic theatre. Anderson has the looks of a beautiful woman whom the world thinks is gorgeous ("haughty lips", "aquiline features", "pellucid eyes" are among the more cerebral descriptions, while "sexiest woman alive" remains the favoured lads' mag tag).
From what I have gleaned, Anderson has a reputation as a prickly interviewee – not surprising given she became famous as FBI Special Agent Dana Scully in The X-Files at the age of 24. Thus, at 45, she has spent more than two decades contractually obliged to promote her performances by chatting to the press. Having waded through clippings fatter than a police file, I find myself in sympathy – any sane human would be scratchy when asked, again and again, to reveal the truth about aliens, even though it is more than 10 years since Anderson left Scully behind and changed her hair from red to blonde.
After walking two steps behind David Duchovny's Fox Mulder from 1993-2002 (although when she found out he was paid double she demanded, and got, wage parity) Anderson surely showed how sane she was by getting away from paranormal sightings in Vancouver and moving to Britain, where she spent the next decade garnering plaudits in television costume dramas such as Bleak House and Great Expectations. She also made movies (The Mighty Celt, Shadow Dancer) and turned down Lady Cora in Downton Abbey.
Today, she's not prickly at all, instead passionate about The Fall and the relief that the role of DSI Gibson is making her known for being a grown woman – "although I'm not Stella by any stretch". She senses, she says, her fame level rising again, as people snap pictures on public transport without asking (she takes the train and the London buses). Thankfully, this is nowhere close to what she had to deal with in her 20s, when the paparazzi rammed her car in order that, when she got out to get insurance details, they could grab their shots.
"I feel that Stella has had nothing but a positive effect on how I am in my life. Not to say there weren't elements before, but I think she's sharpened my sense of self and femininity," says Anderson.
What of those feminist ripostes? "Well, I've always been the person most likely to say 'f... off'," she admits in her crystalline British accent (having spent part of her childhood in the UK, part in the US, she can switch seamlessly). "But the fact Stella is able to say 'f... off' with such poise brings her a different level of respect." As for "What would Stella do?" becoming an online mantra to inspire other women, Anderson has had bumper stickers and fridge magnets made, with the proceeds going to a women's shelter.
Adding to the mercurial unease of The Fall is its location in the still-scarred city of Belfast. DSI Gibson is the outsider, seconded from London's Met because the Police Service of Northern Ireland has failed to catch a killer preying on young businesswomen. She does nothing to ingratiate herself.
The writing is whip-smart and female-friendly (although penned by a man, Allan Cubitt). "I think people expect me to be a lot more intelligent than I actually am, because I played Scully and now Gibson. But that's not a bad thing," says Anderson. "The majority of the women I've been blessed to inhabit are women who I'm flattered to have been able to spend time with, and for people to think I'm even remotely like them is great. Although there have been a few thrown in there that are less appealing," she deadpans, perhaps referring to the intractable Lady Dedlock and the flinty Miss Havisham.
What's novel – though it shouldn't be – is the capacity for female friendship that ripples through The Fall. "That's really important," says Anderson, fire-flashing those pale sapphire eyes, "to show adult, mature women – completely different in the experiences they'd been through and the choices that they'd made – bonding through womanhood. Too often, what is portrayed between women is either 'girly' and going shopping, or the opposite, the negativity."
In the show, a female detective and forensic scientist discuss how they balance the dead bodies at work with live ones at home, talking of "doubling", "compartmentalising". "I compartmentalise everything," says Anderson. "It's useful in the work that I do, but it can be very separating in my personal life."
That life cannot be entirely personal, given Anderson was thrust into the spotlight virtually straight out of drama school. Then she proved catnip to the tabloids by having her first child, Piper, as the first series of The X-Files reached a cliffhanger close. She married a Canadian, gave birth, returned to work 10 days later, got divorced, married again, divorced, had her sons, now aged seven and five, within a now-defunct long-term partnership – Anderson's whole adult arc has been documented. Plus, she's peppered it with all manner of juicy details ("'I've experimented with women' – X-Files star confesses to lesbian flings", The Daily Mail) because she does interviews alone, including this one, with no publicist hovering to keep things on message. In high school she was voted "Most Bizarre" and "Most Likely to Be Arrested".
She says her own judgment has matured, that she sees people beyond the pigeonholes she once put them in. "Human beings are so much more complicated than we often give them credit for. We see someone on the bus and we put them in a box. Then you discover that, actually, that person has been sexting with half of the world – all of that kind of stuff, it's shocking!" she laughs. As for those buses, "If it gets too intense, I'm pretty good at putting up a wall of 'Do not stare'. I actually find that, when I'm in America, I'm much more open. I behave more American, and I am more likely to go, 'Hey, yeah, take a photo.' I'm much more guarded here, but that's because I think I'm much more British here."
Maybe I'm being terribly British because I find I have no desire to ask Anderson if she's dating or how her young-adult daughter is fairing or how she juggles work as a single mum with two little boys at home. But then I realise this isn't about nationality, it's about professional respect. As we talk about her ambitions, about Stella's wider role as a representation of 21st-century middle-aged womanhood, we are businesslike. Because, after all, acting is Anderson's business and her accomplishments are evident. And I have entirely forgiven her for my sleepless night.
The Fall starts on BBC UKTV on Foxtel on October 19.
http://www.dailylife.com.au/dl-people/dl-entertainment/gillian-andersons-new-stella-role-20131005-2v1ie.html
Àâòîð: Âèêòîðèÿ 23.10.2013, 9:17
Ñêàíû:
https://www.dropbox.com/s/0x1scfz164vd4s7/AM3K1UE0KN3N4KDK2d44K3PV.jpg
https://www.dropbox.com/s/f45lxf5iabzh60e/AK0ty35UBYV4BfCFF5MTKgYf.jpg
https://www.dropbox.com/s/tnibjj04t08ji2r/BteCP8W7ARaAf9fXEYTAWH3b.jpg
Àâòîð: Âèêòîðèÿ 29.10.2013, 13:05
TV Guide Interview (OCTOBER 2013)
Gillian Anderson on Transatlantic Success: The Fall, Hannibal, Another X-Files Movie?
by Ileane Rudolph
Gillian Anderson has become the American queen of British TV with powerful performances in such classics as Great Expectations and Bleak House. Season 1 of The Fall, her latest Brit hit, a highly praised contemporary crime thriller, has just been released on DVD by Acorn. The X Files star talks to TV Guide Magazine about the BBC show as well as her return to U.S. network television and a possible sci-fi project.
TV Guide Magazine: In The Fall, You play Stella Gibson, a top London detective tracking a serial killer in Belfast. Why should we buy the DVD?
Gillian Anderson: First of all, it's one of the best written scripts that I have encountered in a very long time. It's a very compelling story. The premise is that you see the serial killer at work at the same time as you see the investigative team start to hunt him down. What really won me is the character of Gibson. She's a very interesting, elusive, enigmatic, capable woman. I am very fond of her. [Laughs]
TV Guide Magazine: She's a tough cookie. I find some resemblance to Prime Suspect's Jane Tennison. Is that comparison fair?
Anderson: Oh, absolutely! That's one of the first things that came to mind when I read it. That series had such a large impact not just in the U.K. but in the U.S. It was one of our intentions in the director we chose, the way we cast and we shot, not to imitate but to re-create that kind of feeling.
TV Guide Magazine: Have you filmed a second season?
Anderson: We start to shoot in February. It's even more intense than the first.
TV Guide Magazine: What was your reaction when you learned that your co-star Jamie Dornan, who plays the seriously sadistic lady killer, has been cast as the sadist-lite Christian Grey in the movie version of 50 Shades of Grey.
Anderson: The books don't really appeal to me, but from the frenzy that's taking place as a result of hearing the news, I imagine it's a good thing. [Laughs] I hope he's happy about it.
TV Guide Magazine: You've dipped your toe back in American TV with your recurring role on NBC's Hannibal as the cannibal killer's shrink Dr. Du Maurier.
Anderson: I had agreed to a developmental deal with NBC with the understanding that they were trying to create products that had more of a cable feel. I got that sense with Hannibal. That wasn't necessarily part of the deal, but the quality of that show is very much along the lines of what I would want to be involved in — to the degree that it was almost taken off the air. [Laughs] She's a wonderful character to pop in and out of.
TV Guide Magazine: Will you pop in and out of Hannibal's second season?
Anderson: Yes. I've already shot a couple of episodes and will probably return to work at the end of November.
TV Guide Magazine: So you'll be working on three series! Crisis, your upcoming NBC hostage drama with Dermot Mulroney [not be confused with CBS's Hostages, starring Dylan McDermott!] premieres in early 2014.
Anderson: I'm filming that. I'm jumping between Chicago and London on a regular basis.
TV Guide Magazine: What's the story and what's your role?
Anderson: A group of kids from an elite Washington, D.C., school are kidnapped, including the President's son. I play Meg Fitch, the CEO of an international company whose daughter is among the hostages. Rachael Taylor plays one of the FBI agents in charge of the case who happens to be her estranged sister. It's ultimately about what these high-profile parents would do to get their kids back.
TV Guide Magazine: You're apparently very good at playing powerful women.
Anderson: Thank you! I don't know how that happens but it seems to be. [Laughs]
TV Guide Magazine: Somehow you've also had time to make a movie called Last Love with Michael Caine. Is it lighter than your usual grim fare?
Anderson: Definitely lighter. I play a much goofier character than I've played in some time; the daughter of Michael Caine's character, a recent widower who befriends a young Parisian girl. It's a really sweet film. Believe it or not, I enjoy doing comedy. [Laughs]
TV Guide Magazine: At the Paley Center's recent New York television festival, your X-Files buddy David Duchovny announced that he didn't want you to do his longtime Showtime series Californication, because he wanted to preserve the memory of your partnership on The X Files. Was he kidding?
Anderson: He was dead serious. And there's no chance now, because they filmed their last episode. [Laughs] I think it was about protecting the relationship and not wanting to sully it in any way. I understand that.
TV Guide Magazine: You both said at Paley that you would do another X-Files movie if Chris Carter would write one. Is that just the generic "Yeah, sure, we'd love to do it" or is there any movement on that front?
Anderson: Who knows? Obviously I get asked about that every week. And from day one, we always said if there is one, we'll show up for it. It's a matter of it being written and it's a matter of Fox agreeing to produce it.
TV Guide Magazine: The X-Files still has devoted fans. At New York Comic Con, your autograph line was pretty impressive.
Anderson: A lot of people showed up for that, and it was great. It's probably my last one, so it was nice to have a big turnout.
TV Guide Magazine: Could you possibly be doing anything else?
Anderson: Something kind of exciting is happening now regarding a science fiction project. But it's too early to talk about!
http://www.tvguide.com/News/Gillian-Anderson-Fall-Hannibal-X-Files-Movie-1072641.aspx
Àâòîð: Âèêòîðèÿ 30.10.2013, 13:01
The Examiner interview
David Wangberg: A couple of days ago, I got the confirmation for this interview, and I wasn’t sure if I could do it. But then all my friends started getting on my case about it, saying, “You have to do it! You have to do it!”
Gillian Anderson: [laughs]
DW: I was wondering if you’ve ever had that moment where you audition for a role, get the role, and then you go, “Oh, I’m not sure if I can do it,” and then your friends tell you, “You have to do it! You have to do it!”?
GA: I think I have that all the time. [laughs] I just signed up to do something, which I’m going to be doing next year in London. It’s a play that I’ve wanted to do my whole life, and, of course, now that it’s happening, I go, “What was I thinking? I can’t do this. I can’t do it.” So, yes, I understand. And the friends that I’d be talking to, it’s at a point where people would say these things like, “You’re going to be sued if you don’t do this”… not so much, “Hey, you have to do this.” It’s like, “Are you crazy?” Anyway, how are you doing?
DW: I’m doing very well. Yeah, everyone was OK with it; my boss was fine with it; so, I’m like, “Cool! I get to do it!” [laughs]
GA: And here we are! [laughs]
DW: Now, one of the quotes in “Last Love” is, “The day we figure out everything is the day we die.” As someone who’s been in numerous films and one of the most successful television shows of all time, do you think there’s something about being an actress that you need to figure out?
GA: I only feel like I’ve just begun. I constantly feel like I haven’t even started to do the kind of stuff that I really want to have an opportunity to do. And I think about, in my life, how important it is to remain teachable, and I certainly find that in the work that I do. I’m constantly learning things within the roles that I choose to do and learning about being an actress. Every job brings a different challenge – not just with the position of characters and figuring that out, but also just that each film set is a community and you’re constantly learning how to have opportunities to be a better person with it. [laughs] It can be challenging. I think that it often happens – that we don’t appreciate the things in our lives until the very end or until they’re past almost in retrospect.
DW: Do you think you can learn something new not just from someone who’s been doing it longer than you have, like Michael Caine, but also from someone who hasn’t been doing it as long, like Clemence Posey?
GA: Oh, sure – absolutely! I mean there are some fantastic young actors out there who are better than some of the actors who have been doing it for decades. I honestly believe we can learn from everybody. We can learn from everybody that’s a part of us in our lives – whether it’s a person who’s behind the cash register or somebody that we’re working with professionally or a boss or a child.
DW: Your character is only in the film for a little bit, but she’s more like the comedic relief for the story. What was it that interested you in taking on this role? I usually see you as the FBI agent or the therapist – something that’s a more serious role.
GA: Well, for exactly that reason. I’ve actually done quite a lot of comedy in my work, but a lot of it has either been in theater or has gone straight to video. [laughs] And I enjoy doing comedies very much. The main reason for me to do this, initially, was to work with Sandra [Nettelbeck], because we’ve tried to work together a couple of times before, and I have a huge admiration for her talent. That was it, and then when Michael Caine agreed to do it, then, obviously, that was a big pull. At the end of the day, even if I want to work with a director, if I don’t feel like I can connect or make something of the character, then it would be silly of me to agree to do it. The opportunity to get to be wacky – to do something quite different than what I’ve done before – was obviously a plus.
DW: And one of my favorite moments was when you’re going to say “Goodbye” to Justin Kirk’s character, and you go, “You’re my favorite brother.” And he responds with, “I’m your only brother.” Then you go, “Details!” Whenever you take on a certain role that you know is going to be great, do you just say, “Oh, I don’t want to know all the details; just give me the role.”? [laughs]
GA: Sometimes. If somebody calls up and says, “Paul Thomas Anderson wants you to be in his next film,” I don’t think I’d even need to read the script.
DW: Ever since “The X-files” ended in 2002, you’ve been taking on a lot more supporting character roles or recurring character roles for TV shows. What is it that attracts you to these roles rather than a lead role?
GA: Time, basically. I’ve been trying not to do TV for the past decade. I’m only doing BBC stuff, which has been more like what Americans would call mini-series. I’ve done some Dickens stuff over there, and then I did a series called “The Fall,” which is now on Netflix and DVD in the States. That’s a lead [role], and we’ll continue – we’re going to do a second season. I’m saying “Yes” to doing these things, but NBC was exactly, and only, because they are part of an ensemble. I usually wouldn’t choose away from where I live. I have three kids and just popping in to be part of an ensemble is exactly what the doctor ordered.
DW: So, you’re only doing every other episode of “Hannibal” or just a few episodes here and there?
GA: It’s kind of where it fits into the storyline. I did a couple for the top of the next season, and I’m waiting for a particular storyline to conclude for me to come back again. I’ll probably go back again at some point in November and do a couple more. It’s more about the structure of the series rather than any set amount.
DW: As I was doing research on your Internet Movie Database page, it says that your favorite movie is “The Wrong Trousers,” the Wallace and Gromit film, and…
GA: No! No! That’s not my favorite movie!
DW: It’s not, huh?
GA: It’s so hard to take things off IMDb; it’s like you have to mess with it for years – either to take stuff off or to add stuff on. No, that’s not my favorite movie. Years and years ago, before Wallace and Gromit had hit America, I had seen the small films and was a fan of Nick Park, the director. And I was saying that in an attempt to get more attention drawn toward his films, because I thought they were so brilliantly done.
DW: So, then, what is your favorite movie of all time?
GA: Oh, my gosh; that’s a difficult thing to answer. I don’t know. Obviously, I’ve been asked that before. For years, I think [Bernardo] Bertolucci’s “1900” was really up there on the list and “The 400 Blows” and that kind of stuff. There are so many extraordinary films and some smaller films that were completely unexpected that would be added to that list. I don’t think I can come up with a single film as an answer. What’s yours?
DW: You know, I get that question asked all the time, and I change it every single time. It’s hard for me to pick just one. But I usually go with the “Godfather” films or “The Deer Hunter” or [Federico] Fellini’s “8 1/2.” So, it varies.
Àâòîð: Âèêòîðèÿ 31.10.2013, 0:43
ETonline: What was the appeal of this project for you?
Gillian Anderson: It's not a film that Americans get to see very often. Last year there was Amour, a beautiful film, that was a slice of life and slow and French and beautiful. This is along those lines. We're all going to end up having to make difficult decisions about how we move into the next part of our lives, and the degree of loss that comes to us as we get older, but it all comes down to family and connection. When you hear people talk about the meaningful things in their lives, it's about relationships and kindness and connectedness and that's what this film really underscores. But the biggest appeal was working with Sandra [Nettelbeck, writer/director]. I've been a fan of hers since Mostly Martha.
ETonline: And what did you like about your character, Karen?
Anderson: She's goofy, she's a bit larger-than-life, she's in your face and likes things around her to be very precise; she's very much a big personality. I felt like it would be fun to be light for a change. I love doing comedy, so it wasn't a difficult decision for me.
ETonline: Why do you think you don't do more comedy?
Anderson: Well, many of the plays I've done have been comedic and I've met on or chased films that were comedic, but I don't think people see me that way -- and I certainly don't do myself any favors in terms of the roles I do choose [laughs]. But I love doing comedy. And a lot of The X Files episodes had comedic elements to them, people forget that sometimes.
ETonline: Yes, well, one of the projects that's currently doing your funnybone no favors is The Fall, which I'm absolutely obsessed with. Is there a plan in place for filming season two?
Anderson: We're going to start shooting in February in Belfast. I've read the first few scripts and it's more intense than season one, which is kind of unbelievable. I'm very, very happy with the direction the show is going and so glad to be a part of that project and to play Stella. It's just a wonderful series.
ETonline: How would you describe season two?
Anderson: The noose is tightening and we're getting closer and closer to finding Paul [the serial killer Jamie Dornan plays]. There are some pitfalls in the way, which are infuriating for Stella [laughs] but, yes, it's basically us getting closer and closer.
ETonline: Do you know if there's a plan for how many seasons the show could run?
Anderson: The intention would be to do three or maybe four seasons.
ETonline: Fantastic! And Jamie's new role as Christian Grey won't present a problem for filming?
Anderson: I don't think it's going to have an effect on shooting -- if anything; hopefully people will become obsessed with him and want to check out everything he's done, which would only have a positive impact on our show. I'm so happy for him if he's happy, and we'll see how it happens.
ETonline: In either case, his role on The Fall is certainly going to make me view 50 Shades differently!
Anderson: Or vice versa, and I don't know which would be more interesting [laughs]. It would just take the show to a more disturbing level.
ETonline: You're also coming off a stretch of time where you've been doing a fair amount of anniversary press for The X Files. What has it been like revisiting that experience?
Anderson: It's been nice! Chris Carter and a lot of the other writers were in San Diego [for Comic-Con], and we've obviously got an amazing roster of writers who have gone on to other wonderful shows like Breaking Bad and Homeland. It was cool to see them after all these years and to celebrate something that has had a big impact on television. Also, I got to hang out with David [Duchovny]. We don't get much of a chance to see each other, so when we do, it's great -- we laughed a lot and it was a really sweet experience.
ETonline: Are you surprised at all for the insatiable appetite for another X Files film?
Anderson: Yes and no. Any time I walk out on any of those panels and hear the roar of thousands of people there's a moment of surprise, and then I'm reminded that people still have strong feelings for it and are very passionate about it. As for a third film, I honestly don't know what it's going to take. I don't know if it's making enough fans petition Fox to agree to make the next one or having a great script written. Even with the attention it has gotten over the past year, it doesn't seem to be moving things forward. I don't know what the answer is to make it happen.
Àâòîð: Âèêòîðèÿ 1.11.2013, 0:42
Àóäèî-èíòåðâüþ ïî "Ïîñëåäíåé ëþáâè ìèñòåðà Ìîðãàíà": http://www.youtube.com/watch?v=9RVTDgxkWc4
Àâòîð: Âèêòîðèÿ 29.11.2013, 14:13
"Kids are great travellers"
Actress and mother of three Gillian Anderson, 45 talks travel with Sarah Maber.
Is travel important to you?
Travel is a huge part of my life. I’m on airplanes all the time. The place I’ve gone to the most over the past five years is Sri Lanka – I fell in love with it in 2008, and I bought a property there. I was looking for a place on the beach but then I fell in love with this extraordinary colonial-style house on a coconut plantation. While I was doing it up, I would go five times a year with the kids. I perfected the technique of long-haul travel with children.
Any tips on keeping children quiet on long-haul flights?
Kids are actually great travellers; they’re very adaptable. When they’re young, the best thing to do is to travel on night flights, and take enough toys and soft books to occupy them. As they get older, just do whatever gets them through the flight. My kids are usually quite restricted on their TV time, but on flights I don’t care if they watch four movies. There’s only so much colouring that can be done…
What was your first holiday as a child?
When I was six months old, we moved to Puerto Rico for about 15 months. It wasn’t meant to be a holiday, but there was a great deal of surfing and beach time. I remember being in my nappies on the beach and napping on a hammock swinging between palm trees. I remember the ocean.
What has been your most memorable trip?
My second husband and I once drove from Kenya down to Johannesburg, and camped in places along the way. There were buffalo and crocodiles and hippos; there were elephants nearby. One afternoon, there was a red kite circling around us and we started throwing up pieces of hot dogs. The kite would swoop down and catch them. That was pretty memorable.
And what was your worst-ever trip?
When my now 18-year-old daughter Piper was 18 months old, I did a press tour for The X-Files. My husband and I were young, and properly exploring Europe for the first time. Because of my schedule, we gave ourselves two days in Florence, two days in Paris, two days in Venice… it was insane. It was August and so hot. I’d rented a house in France that turned out to be like a dungeon. We walked in the door and turned right around again. A relative had a tiny campervan that we borrowed and we ended up at a campsite in St Tropez, and had the best time.
City break or beach holiday?
Because I spend a lot of my time in cities I would say beach. The one thing I have the hardest time doing is relaxing. If I’m in a city, I’m going to be exploring; on the beach I’ll actually read.
What items would you never travel without?
Flip flops, I wear them pretty much every day; you shouldn’t be without them in hot countries.
Do you have a favourite hotel?
There’s a place in Sri Lanka called Club Villa. It has a beautiful pool and grounds, and it’s very child friendly. There’s a railway line that runs through the garden and separates the hotel from the beach. Most people would think ‘what a shame’. But it’s so romantic to be in the pool with your kids smelling the frangipani when all of a sudden this rickety old train goes through the garden.
What do you do when you first arrive?
I suss out the accommodation and work out who’s going to go where and what the playing area is going to be. I put the toys out and move anything that might get broken.
What would be your perfect holiday?
I want to go to Vietnam and Cambodia – but that’s one to do as a solo trip.
Àâòîð: NikitA 29.11.2013, 14:44
Êàêîå èíòåðåñíîå èíòåðâüþ! Ñïàñèáî
Àâòîð: Áåëàÿ Òèãðèöà 30.11.2013, 2:20
Ëþáëþ òàêèå èíòåðåñíîñòè: êîíêðåòíûå âîïðîñû - êîíêðåòíûå îòâåòû.
Àâòîð: Âèêòîðèÿ 7.12.2013, 8:26
Gillian Anderson plays Stella Gibson, an enigmatic police investigator, in the BBC Two series The Fall.
There's been a string of unsolved murders in Belfast, Northern Ireland, so they have to bring in the heat from London. Detective Superintendent Stella Gibson appears to be the embodiment of what people in Belfast often don't like about London: She seems cool, correct, fiercely intelligent, but icy.
The London detective is the central character of The Fall, a British series that was a huge critical and commercial hit there this year and is now available in the U.S. on DVD. Gibson is portrayed by Gillian Anderson, the American-born actor who, until maybe now, was best known as Dana Scully from the X-Files.
Anderson tells NPR's Scott Simon about The Fall's European flavor and the time she was voted most likely to get arrested in high school.
Interview Highlights
On what drew her to the character of Gibson
[As with] most jobs that come my way, it came first in the form of a script. And there's something about [creator] Alan Cubitt's writing that kind of gets under your skin. So from the moment I turned the first page, I couldn't put it down for his writing. But I also was very intrigued by this character of Gibson and didn't feel like I'd really read a character like her before, encountered a character quite like her before. And she continues to remain an enigma for me.
On how much she and the show were influenced by the British police procedural Prime Suspect, which starred Helen Mirren
I'm a huge fan of Helen Mirren, that goes without saying. I think it was always something that I held in the back of my mind as something to aim for. And [The Fall] could have gone a few ways in the way that it was shot, and it certainly could have been shot differently and felt more Americanized. And I felt very strongly, because of Prime Suspect, that it [have] a grittiness to it. It ... has a European flavor and it comes off the page.
On moving to London after The X-Files ended
I grew up in London. ... We moved to Michigan when I was 11 and our intention was always to move back. That never happened. But in my mind, that was home. ... London was always going to continue to be in my life as an adult and I knew that.
And so when I was filming The X-Files, pretty much every summer I would go to London and rent a place for a period of time and be there. When the series was going to conclude, I was determined that I was going to do theater and that I was going to do it in London rather than on Broadway.
On being voted most likely to get arrested in high school
When we moved to Michigan ... my folks still had a flat in London that we would go to in the summertime. And through one of those trips I had started to become interested in the punk scene and started to dress differently than a lot of the kids in Grand Rapids, Mich., were dressing. And I got my nose pierced and I started to shave my head and dye my hair and wear a lot of black. And so I looked like somebody that might be arrested. ... I was a bit of a class clown, usually the one that people would get to do the things that they were afraid to get in trouble for. So the mixture of those two things contributed, no doubt, to that vote.
And, in fact, on graduation night, I was arrested. ... I had a boyfriend at the time who was a couple centuries older than I was and I'd convinced him that we should go and glue the locks of the school so that people couldn't get in in the morning. And lo and behold, they had a security guard because it was graduation night and they were concerned that idiots like me might try and do something like that.
Audio for this story http://www.npr.org/2013/12/07/249240231/gillian-anderson-on-the-fall-and-getting-arrested-in-high-school?
Àâòîð: NikitA 8.12.2013, 19:45
Ðàñêðó÷èâàþò The Fall, à ìóçû÷êà ôîíîì èç Ñåêðåòîê èä¸ò
Àâòîð: NikitA 11.12.2013, 19:50
Êë¸âîå èíòåðâüþøêî
Nerdette Podcast
Gillian Anderson, aka Agent Scully of X-Files, nerds out about the ocean’s health and talks about playing smart characters. Plus a behind-the-scenes look at a Shakespeare/Star Wars mashup play and we finally crack open the homemade Nerdette soda with Meghan Murphy-Gill. Thanks for listening and sharing!
http://nerdettepodcast.com/post/69712468862/gillian-anderson-on-scullys-legacy-shakespeare-with
Àâòîð: Âèêòîðèÿ 22.2.2014, 3:02
Gillian Anderson: My Kids Don’t Know I’m An Actress
Gillian Anderson has been busy since the X-Files ended in 2002, and this spring, she returns to TV in the new NBC drama Crisis, about a group of teens—all children of the Washington D.C. elite—who are kidnapped during a field trip. Anderson plays Meg Fitch, the high-powered CEO of a multinational IT corporation, whose estranged sister (Rachael Taylor) is an FBI agent working on the case.
Anderson is also back on NBC’s Hannibal this season, returning as Hannibal’s psychiatrist Bedelia Du Maurier. What’s more, she’s doing another season of her BBC2 crime drama series The Fall, in which she plays a senior police officer investigating a string of murders in Belfast. And as if that wasn’t enough, she’s also co-writing a sci-fi book franchise called the EarthEnd Saga and is currently working on the first novel in the series, A Vision of Fire.
The busy actress and writer chatted with Parade about juggling her many projects, how X-Files fans react to her today, and why her kids don’t know what she does for a living.
You’ve always kept busy since X-Files, but your projects weren’t always high profile. Now you have Crisis, Hannibal, The Fall—was that a conscious decision to amp up your workload?
“I don’t know about a conscious decision to amp up my workload. Everything has kind of fallen together at the same time, and it seems doable. I think in the past, when my little ones were younger, it seemed less doable. And on top of that, the fact that I’ve been approached with some projects that were difficult to turn down—I think the mixture of the two of them. If they were difficult to turn down and I didn’t find that they were doable, then I wouldn’t be doing them. But it seems manageable at this point. Talk to me in April [or] May…”
Crisis shoots in Chicago, Hannibal is Tornoto, The Fall shoots in Belfast. And you live in…
“London [laughs]. Is there a problem with that?”
And on top of this, you signed a deal to do a sci-fi book?
“Yeah! Actually, we’re on Chapter 14. We’re already a good way into it, and I write on airplanes most of the time. My schedule for Crisis is such that I’m on a lot of airplanes and there’s a lot of space where I’m also at home with my kids. Now through March I’ll be working on the books as well, and hopefully that will conclude them because once I jump into doing The Fall, I’m not going to be able to focus on anything but that. So I think it will work out.”
Have you always wanted to write?
“I’ve always wanted to write. I wasn’t intending that this would be the venue that my first writing would be. I’ve worked on screenplays before…I really enjoy the writing process; I’m very happy when I write. This came up completely out of the blue and felt like something that would be fun to dip my toe into. It became much bigger than even I had anticipated. I don’t think I really even thought through it all that much, and so it’s been a little bit of a surprise, but a very pleasant surprise. And now, the potential is actually quite humungous. Again, if it’s any good, I want to preface that by saying [laughs]. But we’ve got a lot of plans for the ways that books can go in different areas and follow different characters in a different series, and comics, and all of that kind of stuff.”
As a parent, watching kids in Crisis is tough—and your oldest is the same age as the teenagers in the show.
“I think that NBC is handling it well in that there’s always an understanding and a sensitivity to the real world and what goes on out there. Same thing with watching things—I was watching Prisoners recently, where the kids were the same age as my little ones. I think on the one hand, I need to compartmentalize it to such a degree to even be a viewer. The minute I start to project my kids in that scenario, I’m gone. I can’t even for a second watch any of that. So I think so much of our world we compartmentalize. We compartmentalize when we watch the news, when we watch what’s going on in Afghanistan. We stick it somewhere and get on with our lives, and I think we’re so used to that…you know, look at Dexter!
Do your kids have any sense of what you do for a living?
“No. [laughs] The older one, who’s seven, might know I’m an actress, but I don’t think he even knows what that means.”
They have never seen your picture on a billboard or magazine?
“Not yet. For The Fall, BBC doesn’t publicize. There is going to have to be a point this year, when Crisis hits the UK, where my face will be up a billboard, and that’s the first conversation we’ll be having about, “Mommy, why are you on the side of a bus?”
What do they think you fly around doing?
“They know that I work. I go to work.”
You’ve been helping celebrate the X-Files 20th anniversary at Comic Con and other events. What has that been like?
“It was sweet. We got together in San Diego, we got together in New York. I think we were all shocked at the continued enthusiasm. The amount of people that ended up showing up and continuing to remind us that they’re there for us when we get the film going, and all that kind of stuff…It’s touching, it’s slightly profound, and it’s awesome. It’s awesome that we’ve continued to have that strong of a fan base for such a long time. I’m constantly reminded of what it was that I was a part of back then, and the steps we all took in being a part of that. That moved television forward, on so many different levels. That’s a cool thing to be a part of, and I’m very proud of that fact, and grateful.”
Crisis premieres Sunday, March 16 at 10/9c on NBC and Hannibal returns for a new season on Feb. 28 at 10/9c on NBC. The Fall will air on BBC2 in the U.K., but U.S. viewers can catch up on season 1 on Netflix.
Àâòîð: Áåëàÿ Òèãðèöà 22.2.2014, 3:27
Ñòàðøåìó óæå 7?! Áîã ìîé, êàê áûñòðî ëåòèò âðåìÿ...
Àâòîð: NikitA 22.2.2014, 3:36
Òà íå òî ñëîâî. Òåì íå ìåíåå, ìíå êàê-òî íåóþòíî âèäåòü Äæèëë â êà÷åñòâå ìàòåðè ïîäðîñòêà â Êðèçèñå. Äà, â ðåàëå ó íå¸ è òàê óæå âçðîñëàÿ äî÷ü, íî ñëèøêîì ìîëîäî îíà âûãëÿäèò ðÿäîì ñ òàêèìè äåòüìè
Àâòîð: Áåëàÿ Òèãðèöà 22.2.2014, 6:09
Àâòîð: Âèêòîðèÿ 13.3.2014, 16:36
Why Gillian Anderson Is TV's Reigning Queen, Balancing Three Series
The prevailing feeling one gets after watching the first two hours of NBC’s new series "Crisis," which premieres this Sunday, March 16 at 10pm, is that it’s incredibly tense. Starring Gillian Anderson, Dermot Mulroney and Rachael Taylor, the show feels like it could easily be another crisis-of-the-week episodic thriller, but once you realize that "Crisis" is a serialized drama with a longer endgame, it begins to reveal its true potential and feels much more in line with the network's recent slate of dramas that include the critically acclaimed "Hannibal" (on which Anderson also appears as a recurring character). Indiewire sat down star Gillian Anderson to talk about the series premiere, working on three shows ("Crisis," "Hannibal" and the British "The Fall") nearly simultaneously, and the future of "The X-Files."
When you get such critical acclaim for consecutive shows, is there ever a worry about ruining the streak or the next one not being quite as good?
My dip into "Hannibal" was initially meant to be a three-episode arc and in agreeing to go into the second season it was as much as I could do in terms of my schedule. In the end it'll end up being three or four episodes. Out of their run, and considering how few scenes I have, it’s not actually that much. So that hasn’t had much of an impact on the rest of my life as agreeing to do "Crisis." It doesn’t feel like I’m doing two American series necessarily.
Definitely the pilot episode, before it was called "Crisis" or any of the rest of the cast had been chosen, the script itself stood very strongly. It was just one of those things that I was compelled to read. My daughter, who is a teenager, couldn’t put it down, and that’s always a good sign. If that script had come across my plate a year prior, I might not have said yes to it.
How is your character Meg Fitch different from some of the other characters you’ve played before, and how is she similar?
I don’t think I’ve ever played an American businesswoman. Certainly nobody as powerful as Meg is. And she values her role as a parent so strongly. Stella [from "The Fall"] doesn’t have kids and, for all we know, Bedelia [from "Hannibal"] doesn’t. That’s not a part of their identity, whereas I would say that Meg would say that her choice to be a mother is a part of her. All those choices that we make inform us and who we are as people in the world. They also have different sensibilities and I hope different personalities as a result.
They’re all kind of looking for answers in a different way, even going back to Scully in "The X-Files."
I’m looking for answers! [laughs] Gillian is looking for answers. At least, I’m looking for answers and trying to find them in the females that I play.
How do you feel like you have changed, as a person and an actress, since you rose to stardom on "The X-Files"?
On the outside, anyway, I feel like I grew up in front of the camera on "The X-Files." It was formative and transformative years for me, and a very public way to grow up. I’m not sure whether I would necessarily choose that for me again, or choose that for anybody, but that’s what it was and I feel like Scully informed who I became and the kind of woman that I was turning into.
I also feel very strongly that the same thing is happening with Stella. In "The Fall," I feel like I’m a better woman when I’m working as Stella, when I’m filming. I feel like she’s had a really positive impact on myself and my femininity and my sense of myself as a woman. There is a transference there. I do believe that. Where Meg is concerned, I’m not quite sure yet. I don’t know what kind of personal impact she’s had, except that she identifies as a mother and exudes that and exudes professionalism. She’s like an alpha woman and that’s interesting to play. I don’t feel like I project that in my life. Other people may tell you differently, I don’t know. [laughs] I feel like I’ve taken as much as I’ve given as well.
She’s a very strong female.
Yeah, and it’s very uncomfortable when she’s not the one running the show. You’ll find that she’ll do everything in her power to be the one running the show.
Is it different for you, as an actor, working on a network show than it is working on something like The Fall which exists outside of that system?
It’s completely different, and I understand the difference -- the bottom line and the amount that the machine that the networks are and have had to become over here in the States. There’s so much stuff that they’re pumping out and there’s so much money that’s going into it with so much at stake. Everybody is trying to save their networks and I get that. I get why there’s so much input. With "The Fall," there’s no input. The producers, the writer, and the executive producer are all off doing their own thing. Obviously that’s going to have a different impact on everybody.
Is that freeing or does that feel like more responsibility?
To be honest, it feels like it’s the way that it should be. But you have to earn those stripes, and certainly when a show becomes more successful there’s less input, from what I’ve heard. It happened with "The X-Files," but after they realized that what everyone was doing was working and they had a formula that was effective, they were involved less in it. It’s a necessary part of the process.
It certainly seems like things are shifting in that way with shows like "House of Cards" on Netflix.
Yeah, I think so. I think it’s a necessary shift, but there’s still some stuff that needs to be worked out in the process. It’s new. It would be a completely different way of doing things.
Have you had any interesting run-ins with any of the Fannibals (as the "Hannibal" fandom calls itself) yet?
I did Comic Con in 2013 for the twentieth anniversary of "The X-Files," so that’s where I ran into the Fannibals. It’s all good. It’s people showering love onto something and that’s a good thing.
What is it about doing television that you love?
I wouldn’t necessarily say that. It’s what has presented itself to me. I’ve got two young kids and a teenager, so if a great script had come my way that was a film and I felt like I could still simultaneously be an active parent, then I would have done that. But what has come my way that would fit into my life in a way that I see my life and my presence in it was in the form of television. It wasn’t a conscious decision. It’s just what has transpired, and it’s been good to me. It’s felt like exactly the kind of balance that I would like to have in my life. I’ve very grateful for that.
There have been talks of another "X-Files" movie or some type of revival of the show for years now. Is there a chance that’s ever going to happen?
I think there is a good chance, actually. I think that there are enough people in the right places that are interested enough in it to make it manifest. When that transpires is the question mark, but I think it will.
But you’d be open to being involved in something like that?
Yeah, and I’ve always said that. I’ve never said anything other than that, and so has David [Duchovny] and so has Chris [Carter].
Àâòîð: Âèêòîðèÿ 13.3.2014, 16:59
Äæèëëèàí ñåé÷àñ îòâå÷àåò â Reddit AMA: http://www.reddit.com/r/IAmA/comments/20cavl/the_reigning_queen_of_tv_here_also_known_as_mom/
Àâòîð: Âèêòîðèÿ 13.3.2014, 17:34
Åù¸ îäíî ñåãîäíÿøíåå èíòåðâüþ, øåäøåå îíëàéí: http://www.sendspace.com/file/yeyno8
Àâòîð: NikitA 13.3.2014, 17:57
Êàê âñåãäà, èíòåðåñíî è ïî-äîìàøíåìó
Àâòîð: Âèêòîðèÿ 14.3.2014, 4:24
Ðàäèî-èíòåðâüþ:
http://www.mediafire.com/download/b46vdvyddi18w73/SiriusXM+Morning+Jolt+with+Larry+Flick.m4a#!
http://www.mediafire.com/download/w1r6tu9i7mwy184/20140313+SiriusXM+FreeWheelin.mp3
Àâòîð: Âèêòîðèÿ 16.3.2014, 2:09
Âíèìàíèå, çäåñü ìîæåò áûòü ñïîéëåð äëÿ Fall. Ìóõàõà, ÿ æå ãîâîðèëà
Gillian Anderson is back on TV. And she’s everywhere.
The TV icon, who starred as Dana Scully on “The X-Files,” is returning as a series regular for the first time in 12 years on NBC’s drama “Crisis.”
But that’s not Anderson’s only gig. She also plays a therapist on NBC’s “Hannibal” and a wildly sexy London cop on the BBC critical darling “The Fall.”
On “Crisis,” she’s Meg Fitch, a single mother and the CEO of a high-tech multinational conglomerate — think like Hewlett-Packard — whose only child has just been kidnapped.
Each show films in a different city: “Crisis,” in Chicago; “The Fall,” in Belfast; and “Hannibal,” in Toronto. Anderson has become somewhat of a multinational high flyer. This morning, she’s in Chicago calling from her car phone while on the way to the airport.
“I’m flying to Belfast,” says Anderson, 45. “Then come back here next week to shoot the last episode.”
Gillian Anderson’s Meg Fitch is “a master of the universe and a mother whose world collapses and explodes. She wants to manage the situation but has to decide: Does she lead or does she follow?” “Crisis” creator Rand Ravich says.
It’s sort of like having different lovers in different time zones.
“It’s kind of been manageable,” she says, with a slightly exhausted laugh. “Except when it’s not.”
“Crisis” centers around the kidnapping of students from a very prestigious Washington, DC, high school — think Sidwell Friends — where the world’s most powerful parents, including the President of the United States, send their children.
As Meg Fitch, Anderson’s power is established almost immediately. She lands at the school in a private helicopter and joins the other frantic parents. The show shifts easily between scenes with the kidnapped kids, the kidnappers, the parents, and the team of FBI and Secret Service agents leading the investigation (played by Rachael Taylor and Lance Gross). In a clever twist, it turns out that the FBI agent in charge (Taylor) is Fitch’s younger sister — the black sheep of the family — with whom she shares her most closely kept secret.
Anderson admits that shooting in America again has been an adjustment after living in England for 12 years.
“It is less about shooting in America and more about shooting for an American network, which is much more of a machine than you experience in the UK,” she says.
It turns out that network anxiety over viewer erosion is felt as far away as a location shoot in Chicago. Anderson may have a velvety voice, but she is a straight shooter, like many of her characters, as she explains the impact.
“The networks are struggling and the formats are changing and everybody is trying really hard to find some stuff that is going to stick, and that people want to watch, because everybody wants to binge watch. It is a tricky time,” she says. “There is definitely a feeling in the air of insecurity and wanting things to work. You can feel that on the set.”
NBC executives should be tense, since the other DC kidnap series — CBS’s “Hostages”— was rejected by viewers.
What “Crisis” is not is “Hostages”-lite.
The canvas is bigger and more believable. The network may be selling the show as a thriller, but it’s also an exploration of high-powered parents’ relationship with powerlessness.
“Gillian’s character is a master of the universe and a mother whose world collapses and explodes,” says Rand Ravich, the “Crisis” creator. “She wants to manage the situation but has to decide: Does she lead or does she follow?”
To lure Anderson to a full-time gig, the producers had to promise her that she would not have to move to Chicago — ironically, she was born there and both her sister and mother live nearby. “So that is great,” she says.
“But I was adamant that I had to be able to travel,” says Anderson, 45, the mother of three children, Piper, 19, Oscar, 7, and Felix, 5, who live and attend school in London, a routine she does not want to disrupt. Their dad, Mark Griffiths, she says, is “totally active in their lives.”
The cost of transcontinental airfare turns out to be well worth the price. “Gillian was a great get,” Ravich says. “Honestly I never thought I could get an actress of this stature for the part. But when she came on board it raised the profile of the entire production.”
It’s hard to believe that Anderson was just 24 years old when she was cast as Scully on “The X-Files.” When it started shooting, no one seemed to pay much attention.
“Fox was not even considered a network then,” she says. “And we felt disposable. They weren’t really behind us until we aired. Then ‘The X-Files’ became appointment watching.”
Her friendship with her co-star David Duchovny, who played Fox Mulder, is still strong.
“I just saw him when I was in Los Angeles,” she says. “We have a very unique friendship. It is different from any other relationship I have, in its intensity. I have spent more hours with him than with any member of my family.”
Ultimately, the fame of “X-Files” proved too much for her, so when the show was over she moved to London, where she had lived with her parents until she was 11, and where her parents still had a flat.
“I moved there because I wanted to do plays,” she says. With two marriages and another long-term relationship behind her, Anderson is single again, but her career dreams have certainly come true. She has appeared on the London stage. She also starred in the BBC productions of “Bleak House” and “Great Expectations.” This summer, she’ll return to the London stage as Blanche DuBois in a revival of “A Streetcar Named Desire.”
But for now Anderson is Belfast bound — via a stop in London to see her children — to the set of “The Fall.” She hints there will be some sex scenes ahead, maybe even one with co-star Jamie Dornan, who plays a serial rapist and killer (and has the lead in the film version of “50 Shades of Grey”).
“He is the sweetest guy,” she says, “But I never read ‘50 Shades,’ so I don’t understand the hype.”
Stella, like Meg, is a cool customers “People hire me to play those roles because they think I am cool — like cool temperature, not like a cool dude,” she says, with a laugh.
“But I like to sit on the floor with my kids and play with Legos,” she says. “I am goofy and silly and warm. I am not someone conscious about my looks, which is probably why I live in London. I haven’t started putting needles in my face. And if I have a period of time I do yoga and meditate. When I’m home I do nothing.”
And who can blame her?
“My life works great right now,” she says as she hangs up. “And there doesn’t seem to be any area that is in crisis.”
Àâòîð: NikitA 16.3.2014, 3:02
È ýòî çàêîíîìåðíî. Åñëè îí å¸ ïðèäóøèò, îíà åãî íàéä¸ò Íî ñâîèì ðàçãóëüíûì ïîâåäåíèåì Ñòåëëà ìåíÿ íàìíîãî íàïðÿãàåò âñ¸ æå
Àâòîð: Âèêòîðèÿ 16.3.2014, 6:43
“I just saw him when I was in Los Angeles,” she says. “We have a very unique friendship. It is different from any other relationship I have, in its intensity. I have spent more hours with him than with any member of my family.”
Àâòîð: NikitA 16.3.2014, 10:39
Àâòîð: Áåëàÿ Òèãðèöà 17.3.2014, 6:00
Áëèí, è íå ãîâîðè!
Ñïîéëåð íå òî, ÷òî â èíòåðâüþ, à òî, ÷òî òû ýòî ãîâîðèëà!
Çàñðàíêà!
Àâòîð: Âèêòîðèÿ 6.4.2014, 2:22
http://www.latimes.com/entertainment/tv/showtracker/la-et-st-conversation-gillian-anderson-20140406,0,3621245.story#axzz2y2Z23MMQ
http://fastpic.ru/view/33/2014/0406/3c8401cf17d0207695af16d3bdd3d497.jpg.html
Àâòîð: Âèêòîðèÿ 12.4.2014, 3:50
There are some things you can probably guess about Gillian Anderson, like that she still has Scully’s gravestone, which used to sit in her office but is now in storage along with an X-Files pinball machine. But the star of NBC’s Crisis managed to surprise us with her answers to our Pop Culture Personality Test. In the video below, she reveals her first celebrity crush, the song she’d karaoke (if forced to), a fear of scary movies, and a patience unknown to many.
http://popwatch.ew.com/2014/04/11/gillian-anderson-breaking-bad-video/?utm_source=twitterfeed&utm_medium=twitter
Àâòîð: Âèêòîðèÿ 24.4.2014, 8:41
http://www.belfasttelegraph.co.uk/sunday-life/features/gillian-anderson-has-fallen-for-hot-blonde-stella-gibson-30213508.html
Àâòîð: Âèêòîðèÿ 23.5.2014, 14:38
Gillian Anderson: Drama Queen
As an actress, much of Gillian Anderson’s most memorable work has occurred in the darkness — her TV characters have stared down everything from alien conspiracies to serial killers to kidnappers. But the unaffected Anderson remains anything but gloomy off-screen. “I’m a complete goofball most of the time,” she says. “I learned a long time ago to leave stuff at the door. If there’s anything that I take home with me, it’s exhaustion after a day.”
It’s a lesson Anderson picked up during her nine-year tenure as Dr. Dana Scully on “The X-Files,” but one that continues to serve her these days as she acts in three separate TV shows: On NBC’s “Crisis” (which films in Chicago and concludes June 29), Anderson stars as Meg Fitch, a mother who has to sacrifice nearly everything in an attempt to rescue her kidnapped daughter; on BBC’s “The Fall,” she’s Stella Gibson, a stoic detective charged with unmasking a serial killer who targets young women; and on another NBC vehicle, “Hannibal,” she’s Dr. Bedelia Du Maurier, the titular character’s psychiatrist.
But no amount of murderous psychopaths can bring Anderson down — in fact, the only time she uses the word “bleak” in our interview is to describe the state of TV roles for women pre-Scully. “There was a big question mark as to whether the world was ready for strong, independent women,” recalls Anderson of “The X-Files’s” 1993 debut. “And lo and behold, the world was ready, and has been ever since.”
She’s not overstating Scully’s impact — since the show’s 2002 finale, TV has steadily surpassed film in terms of embracing and promoting its female stars; according to recent research from USC’s Annenberg School for Communication & Journalism, while women make up roughly 30 percent of movie characters, they make up nearly 40 percent of characters on prime-time. “People wanted to emulate [‘The X-Files’],” posits Anderson. “There are more female-led dramas on TV right now than ever before. And most of the women are intelligent, high-powered, independent.” It’s more than appropriate, then, that Anderson is now taking on three intelligent, independent characters herself, reaping the benefits of what she sowed so many years ago.
Anderson, 45, has always been just as autonomous and whip-smart as the women she portrays. Though she was born in Chicago, her family moved to London soon after, where they stayed until moving to Grand Rapids, Michigan, when Anderson was 11 (all of which explains Anderson’s delightfully inscrutable accent, a collision of precise English consonants and flowing Midwestern vowels). She’s previously spoken at length about her “punk phase” in high school, when she was voted “Most Bizarre” and “Most Likely to Be Arrested.” That outsider status followed Anderson to DePaul University, where she studied theater and waitressed to support herself while sporting “big, maroon-colored hair and pointy black boots.” “I had a few friends, but at the same time, I was a bit of a recluse,” says Anderson, who recalls rotating through 14 different roommates over four years in her Bucktown apartment (where she lived long before it became, as she puts it, “fancy shmancy”).
After graduating, Anderson moved to New York, starred in a series of plays, then headed to LA, where she landed her first TV role as a guest-star on Fox’s “Class of ’96.” That’s when “The X-Files” producers took notice of the young actress and sent her a script. Anderson, then 24, immediately identified with the shrewd, stubborn Scully — and was pleasantly surprised to see a woman like that represented on the page. “Just in terms of character structure, how she was defined was so different than what was then normal on TV,” she says.
Though “The X-Files’s” impact on television drama is incalculable, its impact on its audience is fairly easy to quantify. Anderson says she’s still approached by die-hard fans of the nine-season series — not to mention courted via the US Postal Service. “If I’d kept everything people have sent me over the years, I’d have to have a second home,” she laughs. Last year, when Anderson and co-star David Duchovny reunited for a Reddit “Ask Me Anything” interview, they ignited an Internet firestorm, bantering about the dating rumors that have plagued the pair for years thanks to their overabundance of chemistry. While she only recently admitted that the two never got together, she does claim that they’re “much closer on the whole, more appreciative and understanding since [filming ‘The X-Files’].” “We don’t talk,” she adds. “But every once in a while, we’ll email, every once in a while, we’ll have a meal together. We reminisce. He’ll remember something funny that happened on the show and email me about it.”
When “The X-Files” ended in 2002, Anderson moved back to London, in part to escape the attention she was garnering in the US due to the series and parts she’d taken in films like 2000’s “The House of Mirth.” Until recently, things were relatively quiet for the actress — she starred in a few movies, including “How to Lose Friends & Alienate People” in 2008, took the stage in several West End productions and portrayed Miss Havisham in a BBC version of “Great Expectations” in 2011.
Staying relatively off the radar was a choice; Anderson says she didn’t feel pressure to follow up her “X-Files” success. Instead, she had bigger priorities, focusing on raising her three children: Piper, now 19, who she had with her first husband Clyde Klotz; Oscar, 7; and Felix, 5; both fathered by ex-boyfriend Mark Griffiths. “The only pressure I feel is to be a good mom,” she says. “I’m very particular about the work that I do. It has to be, in my mind, good enough to take me away from my children.”
Her newly ramped-up workload is evidence that all three of her current projects fit that criteria. “Crisis” in particular drew Anderson’s attention because of its tight script, full of hairpin twists. “I just couldn’t put it down,” she says. She says she also signed on because she believed both “Crisis” and “Hannibal” were attempting to subvert network TV stereotypes — much like the “The X-Files” once did. “I think [both shows] are shaking it up for NBC, which is trying to fall away from its old, more typical shows.”
As she takes on this series of unconventional female roles, Anderson challenges herself to make sure each character retains her individuality. “I’m simultaneously playing three strong blond women — to me, they’re completely different. But the jury’s out on whether they actually are,” she says, laughing. “I might be delusional.” But she does see the common thread between the three — and how it’s a direct result of her body of work. “I have a tendency to be offered very strong women [roles],” she says. “I’m usually cast as everybody’s boss, because I think that — regardless of my own real level of power and intelligence — it looks like I know what I’m talking about, even if I don’t know the first thing about it.”
And though her white-hot career proves that women on TV have come a long way, Anderson still thinks there’s room for improvement: The actress has yet to play a woman as multifaceted as herself. “I’m very willful and very independent,” she says. “I don’t usually play women who have both that and [silliness] in their character. I don’t know why, but I’ve never really seen that before to the degree that I’ve manifested it in my own life.”
The good news? Given the way Anderson’s changed the course of TV history before, it’s only a matter of time before fictional women measure up to her real-world complexity.
X-phile?
We tested Anderson’s “X-Files” recall by reading her three real episode synopses — and two that we completely made up. (She cautioned us up front: “People will tell me about episodes I shot and I literally have no memory.”) Here’s how she fared:
Splash: Bizarre murders in a hospital’s plastic surgery unit lead Mulder and Scully to suspect a supernatural force may be responsible.
Gillian Anderson: Yes, I think we did an episode about that.
S: Do you remember anything?
GA: No. [Laughs] Well, very, very vaguely.
S: Mulder and Scully get stranded at sea while investigating a possible sea monster sighting, and discover that the boat captain they’ve entrusted with their lives may be involved in the government cover-up of the creature.
GA: Yes? Real?
S: No, we made that up.
GA: [Laughs loudly] All right, well it’s plausible. Very plausible.
S: A little girl is kidnapped and imprisoned by a mentally unstable photographer. Mulder discovers a psychic connection between the recently kidnapped victim and another girl kidnapped by the same man years ago.
GA: No?
S: No, that’s real.
GA: What was that called?
S: ‘Oubliette,’ season three.
G: Ohhhhh … I remember the title.
S: Scully pursues a cult that worship a slug-like organism and believe it to be the Second Coming of Jesus Christ, but in her efforts to save an injured stranger, she discovers she is in over her head.
GA: Yes, yes we did that one. Is that the one where I was like, Amish, and strapped to a bed?
S: Maybe? Last one: After Mulder is witness to a spontaneous human combustion, he shares with Scully that he fears extraterrestrials may be behind the phenomenon. His suspicions are confirmed when he begins to have dreams of being abducted and slow-roasted over a votive candle on a nightly basis.
GA: [Laughs] Just based on ratio, I’m gonna say no. But it is possible.
S: Yep, we made that one up.
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Àâòîð: NikitA 23.5.2014, 15:13
Ñïàñèáî!
Àâòîð: A.N.Onym 24.5.2014, 6:41
Õîðîøåå èíòåðâüþ, ñïàñèáî.
Àâòîð: Áåëàÿ Òèãðèöà 25.5.2014, 7:01
Õîðîøà!
È òàì ñðåäè ôîòîê ýòàêàÿ áëîíä-Ñêàëëè.
Àâòîð: Âèêòîðèÿ 6.7.2014, 8:02
The Sunday Times : A hot prospect
She’s autumn’s biggest draw as Blanche DuBois, and back in that slinky blouse for a second series of The Fall. Who’s calling Gillian Anderson chilly now?
Many men out there, and no doubt some women, too, will be pleased to hear that much of my chat with Gillian Anderson is spent ploughing on about “sexual energies”. Anderson — a great actress, a huge star and, most vitally, FHM’s Sexiest Woman in the World in 1996 — has a certain hold on her public. A potent mix of serious kudos and erotic frisson, she’s an adult proposition in every sense. Sorry, though, guys: this being Anderson, we’re not in a world of kittenish confessions, but something a bit tougher and deeper: a wide-reaching chat involving dysfunction, misogyny and the sex trade. “All this energy,” sighs the actress eventually, as we somehow end up on sex trafficking in the Middle East. “All this energy being expended to finance, deal with, regulate, abolish men’s sex drive!” It’s the most bracing brunch I’ve ever had. 
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Àâòîð: Âèêòîðèÿ 9.7.2014, 11:23
"I have a healthy appreciation of Ryan Gosling"
Just one reason Gillian Anderson is our kind of woman. She talks to Celia Walden about feminism, the F-word and 20 years of iconic roles.
Where The Phoenix, 23 Smith Street, Chelsea, London
Gillian Ate Asparagus and egg salad
Celia ate Poached artichoke with vinaigrette
Few are immune to the Gillian Anderson factor. Lads' mag readers, sci-fi nerds, discerning theatregoers, animal, mineral or vegetable: all have knelt at her altar. And, of course, as fans of the BBC drama The Fall can testify, the woman rocks a silk blouse like nobody else. Over a gourmet pub lunch and iced lattes, the 45-year-old Golden Globe-winning actress tells me about her affinities with Kristen Stewart and her feminist principles.
CW I've got a confession to make: I've felt more nervous about interviewing you than I have anyone in a long time.
GA [Baffled] Why?
CW I suppose I thought you'd be 'glacial', but you don't seem to be.
GA [Curled up on the pub banquette, looking as far from glacial as is humanly possible] Because I''m not! But somehow I'm often portrayed that way.
CW Your character The Fall - detective Stella Gibson - is pretty steely, isn't she? It must be liberating playing a woman who absolutely knows what she wants.
GA Oh, it is. Just because of who she is and how she carries herself...
CW ... and how she rocks a silk blouse. Do you know how many column inches those silk blouses racked up?
GA [Laughing] It was mad. What's weird is that when I wear a silk blouse it looks nothing like when Stella does. It must be down to the way she carries herself, because even made-up with my hair done I can't replicate it.
CW Then there was the other attention hogger: your co-star Jamie Dornan.
GA How can you not notice Jamie?
Our photographer Can you smile for the camera, Gillian?
GA I don't smile.
Our photographer Can you look impish?
GA I can do impish.
CW You do impish but you don't smile?
GA [Laughing] Yes. Do you know what's funny? Sometimes I'll see photographs of myself int he early days of The X-Files, and I think that my attitude towards the whole thing was very similar to Kristen Stewart's. There's a very similar look in my eye: slightly defiant, slightly bored. All I ever got was: "Smile! Smile!" when I didn't want to smile. And I really wish that somebody at the time had told me: "You know that it's OK to be who you really are."
CW Hard to do in those '90s-tastic suits...
GA [Shuddering] The odd thing is that even when I was put in those horrible pastel Lycra suits, there wasn't a single part of me that considered saying: 'Whoa! Wait one second!" Likewise with the hair, I was made to have red hair, styled in a particular way, but you'd have thought that I might have done something with it off screen... still I didn't bother, because I was so exhausted. So for nine years I went to work and was somebody else, without devoting any time or attention to the way I looked. Now, when I look back at images of myself in those horrible fashion decisions with my weight fluctuating all the time, I can't believe it.
CW Last year was 20 years since The X-Files first aired - how weird does that feel?
GA I'm just very pleased it happened. It was an extraordinary opportunity and it was the beginning of the golden age of television. To be on the cover of Rolling Stone magazine and be immortalised in The Simpsons was incredible.
CW You've never been vain about the women you play. Detective Superintendent Stella Gibson may be a sex bomb, but you were happy to play Miss Havisham in Great Expectations at 43, and Blanche DuBois in A Streetcare Named Desire - your new role - is a woman falling apart at the seams.
GA [Pensive] I think Blanche's problem is that she comes from another era and has trouble reconciling herself with the life she's living
CW Do you think life is more or less complicated for women nowadays?
GA I think the really complicated thing about life now is that men haven't caught up with us.
CW What do you get riled about in a feminist context?
GA [Sighing] A lot. I have feminist bones and when I hear things or see people react to women in certain ways I have very little tolerance.
CW But don't you ever feel sorry for modern men? Not knowing whether they should help us with our bags and open doors for us or whether we'll see it as an affront?
GA No. I don't feel sorry for men. I do appreciate gentlemen, though. I have a frozen shoulder at the moment and I've been on a plane twice a week since February, struggling to put my bag into the overhead compartment. Because I always do things for myself I don't ask for help, but it's amazing how people don't even offer. Only three times in two months has any man offered to help. It's sad.
CW What are these men's mothers teaching them?
GA Who knows? Having spent some time in developing countries, I also have a problem with women not being included in conversation.
CW What about men swearing? Actually maybe that wouldn't bother you: I read somewhere that you were fond of a well-placed swear word yourself...
GA [Laughing apologetically] I swore about five minutes before I got here... but I do mind it around my kids. There was a period where I became aware of the fact that I was using the F-word around my developing teenager and I was fine about that, but I was very appreciative that she didn't follow my lead. And I remember thinking: 'Perhaps she would appreciate it if I swore less.'
CW If you could pick one leading man to have a love scene with, who would it be?
GA [With a sidelong look] I do have a healthy appreciation for Ryan Gosling.
CW [Chuckling] You do?
GA [Shaking her head] I don't know what it is. I haven't met him, but I read something recently that said that from the moment he walked into a room, nobody could concentrate on anything else. I think some men do have that effect. Bradley Cooper has it, and Tom Hardy, who I think is one of the most extraordinary actors of our time.
CW Is it hard for an actress to be confronted by her own image day after day?
GA I remember in 2009 doing A Doll's House at the Donmar and sitting in front of the mirror on the first day of rehearsals, telling the actress beside me: "Something's happened to my face! I've had an allergic reaction. I've swollen up." It was this sudden realisation that I was getting old.
CW And yet you're one of those lucky women who looks even better now than you did at 20.
GA Well, since that day I've started using face creams. Until then I had two decades worth of creams unopened in my bathroom. [She pauses] I did have a very pathetic/existential moment a few years ago, too. I'd been filming something where I was a couple of decades older than everybody else and I remember spending a day mourning my youth - literally weeping. Afterwards I talked to women about it and found out that it's not uncommon and potentially a healthy thing to do. Because as long as you can get to a point where you're able to embrace what the next stage is, and you're not constantly obsessing over trying to get back to looking a certain way, then it's fine.
CW Does it affect your enjoyment of TV or films when someone has obviously had work done?
GA Oh, completely. I find it very hard to watch those people. And it's not just the women. There are two or three very high-profile men who have clearly had things done recently, and it's noticeable. I'm fascinated by what the spouses feel about all this. I mean, imagine waking up one day next to your true love and not recognising them? Also, children get their cues from their parents' faces - they look to them for safety or comfort. So does that mean that we're breeding a generation of children who can't do that any more? And how much less safe are those children feeling when they look at their mothers and they can't tell whether they are happy or sad?
CW Do your children find it hard watching your TV, film or stage work?
GA [Smiling] Until recently, my five and seven year olds didn't even know what my job was. But I did feel bad the other day when my 19-year-old daughter first watched The Fall. I hadn't had the coversation with her in time about "those scenes" so out of the blue I got this phone call. "Mum!" she said. "I was watching that with my friends!" I felt awful for her [she chuckles]. Then again, it's what I do...
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Àâòîð: NikitA 9.7.2014, 11:59
Îêàçûâàåòñÿ, ýòî ïðîáëåìà âñåëåíñêîãî ìàñøòàáà. ß-òî äóìàëà, îíè èñ÷åçëè âìåñòå ñ òèìóðîâöàìè
Èíòåðâüþ ñ Äæèëë - ýòî âñåãäà çäÎðîâî. Õîðîøåå èíòåðâüþ, ñïàñèáî.
Àâòîð: A.N.Onym 9.7.2014, 14:43
Äæèëë êàê âñåãäà î÷àðîâàòåëüíà - è íà ôîòêàõ, è â èíòåðâüþ.
Àâòîð: Áåëàÿ Òèãðèöà 10.7.2014, 4:03
Ôîòêè òàêèå êëåâûå, æèâûå.
Àâòîð: Âèêòîðèÿ 12.7.2014, 8:52
Gillian Anderson and Ben Foster on A Streetcar Named Desire: 'We're not doing a full-on sex show...'
Gillian Anderson and Ben Foster tell Sarah Crompton about their suggestive, violent new Young Vic production of A Streetcar Named Desire
*Contains spoilers about the play*
Gillian Anderson walks into a rehearsal room in south London having just hit her head with her own car door at the end of the school run. The large swelling on her right temple does little to dent her beauty – those sculpted cheeks and large, compelling eyes – nor her sharp intelligence, but it is a cause for concern.
“Headbutting children again,” teases Ben Foster, her co-star in a new production of A Streetcar Named Desire, as we fuss around, finding an ice pack, while Anderson settles down, elegant in a yellow chiffon dress, laughing at her own incompetence.
Seeing them side by side, you can’t imagine more suitable casting for Tennessee Williams’s dark, daring play about sexuality, need and madness. Her refined delicacy and his grounded intensity make it easy to see them stepping into the roles of the damaged Southern Belle Blanche DuBois and her volatile brother-in-law Stanley Kowalski, parts made famous on Broadway in 1947 by Jessica Tandy and Marlon Brando, and on screen four years later by Brando with Vivien Leigh.
Yet it is the insight with which the two actors talk about the play, directed at the Young Vic by Benedict Andrews, that makes you hope this might be a production to remember. “It’s really a thrill. It’s very scary in the best way,” says Foster. “There’s nowhere to hide.”
Anderson has wanted to play Blanche for years, and was conscious that if she left it too long – she is 46 next month – the protective Williams estate might deem her too old. She told a producer that it was the only play she was interested in appearing in and made the further stipulation that it must be played in the round.
“I’ve never seen a production where I felt I was a fly on the wall in New Orleans and I felt that that version of it would not only be exciting to perform, but the version that I’d want to see,” she says. “I’d want to sit in that room and be hot and sweaty with the actors. And after I’d had that idea there was no changing my mind.”
After much toing and froing, the production she had initiated ended up at the Young Vic with Andrews (who enjoyed a triumph with Three Sisters there in 2012) attached as director and Foster “lassoed” – as Anderson puts it – to play Stanley.
But that decision to perform in the round means that the play’s brutality, its suggestion that Blanche’s descent into madness is triggered by Stanley raping her, is exposed. “We’re not doing a full-on sex show,” says Foster. “But it is suggestive and we’re not hiding the violence.”
Foster speaks with rumbling, low-voiced fervour. Over the past few years, he has built a reputation as one of America’s most exciting young actors, appearing on screen as William Burroughs in Kill Your Darlings and as a Navy SEAL in Lone Survivor; and also on Broadway opposite Alec Baldwin in Lyle Kessler’s Orphans.
In their initial conversations, Andrews suggested to Foster that he think of Stanley as a soldier returning from Afghanistan. “That made sense and undid any concerns I might have about getting stuck in the historical locks of the play,” he says.
Anderson has also escaped the long shadow cast by previous productions; she has never seen the film and has not allowed herself to watch Blue Jasmine, Woody Allen’s update of the story, starring Cate Blanchett.
“I wanted to come at this completely fresh,” she says. “I’ve never studied the play, but I have always known I wanted to do it. I didn’t really know why and now I do. I have completely fallen in love with Blanche and I was unprepared for that.”
For Foster, the play is a challenge partly because it set a template for a new kind of drama. He calls it “a powder keg shift in culture”, a moment when the melodrama of the 19th century was definitively replaced by a realistic treatment of working-class life and acting rooted in genuine emotion. “We’ve all been influenced by American naturalism, and to ignore that entirely would be impossible for me, as someone who works primarily in film.”
He points out that the legacy of the Actor’s Studio method that Brando represented has been distorted over the years. “We’ve turned film into such an industry that we pursue naturalism just by shaking the camera, and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven’t done the homework. To push the depth that the Actor’s Studio did or the Russian theatres did with their actors, is to rehearse, to spend time, to dig, to excavate. And that is what we are doing.”
The difference between screen and stage is a subject that interests both actors; they each found fame on television (Anderson in The X Files, Foster in Six Feet Under) and have gone on to pursue the majority of their careers on screen. Anderson is acutely aware of the limitations of working in film. “These days, in my experience, you show up and you have to have [your performance] all figured out. Everything I’ve done in the last few years, I rely on my own resources and you get two takes and you move on.”
Foster agrees. “Film’s much more private. I usually have at least five weeks to prepare but rehearsal is a solo deal for me. I don’t like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance. Doing Streetcar is drilling in; you feel you can’t get to its bottom. Every pass, something blooms and you feel so much more connected to the whole piece.”
His preparation for a film role is, however, intense. “The luxury of this job is you get to listen to specialists and engage in questioning people you are interested in talking to.” Researching his part as disgraced cyclist Lance Armstrong, in the forthcoming Stephen Frears biopic, he spent time with cyclists who are now riding on the Tour de France.
His admiration for them was intense. Filming was “brutal. I break into tears every time I see a bike,” he says, laughing. But he is serious when he adds “I lost my f------ marbles on that shoot.” “Why, the physical strain?” asks Anderson. “The man’s story isn’t over,” he responds. “I get to go home at night. He’s waking up, and he’s got his kids and those who have suffered because of him. And those who have been enriched by him. Half a billion dollars raised for cancer research. That’s something.”
His voice trails away and the conversation switches to Anderson’s work. She has just shot the second series of the hit BBC drama The Fall in which she stars as Stella Gibson, a cool, collected police chief on the trail of a vicious serial killer who doubles as a devoted family man (Jamie Dornan).
“I am a lover of film and so I am always on the verge of being disgruntled about television,” she says. “And then something like The Fall comes along and it’s such a gift and I just shut up.” It even took her time to appreciate that in playing Agent Scully, in The X Files, she was “part of an extraordinary movement and that I had an opportunity to play one of the greatest female characters ever.”
It is perhaps because she has played such women, that people think Anderson herself is as icily analytical as they are. In fact, the opposite is true. In person she is warm, witty and laughs a lot. She is so far from being calculating, that she admits her film career stalled because she came to live in London in 2002 and stayed to bring up her sons, now five and seven. “I am so devoted to this city and my little ones are British. I can’t imagine being anywhere else so I work with that.”
She goes to the theatre once a week and spends some time telling Foster what he should see. In return, he tells her – laughing – that as a boy without friends, in Fairfield, Iowa, “I would come home from school every Wednesday, order pizza and watch X-Files. I was devoted.” Anderson has continued the science-fiction theme by co-writing a sci-fi novel with Jeff Rovin in part, she admits, “to create a character I could play in films. Hopefully it is good.” That reveals, I suggest, an unusual degree of motivation and self-determination. “With The Fall and Streetcar I feel that if I died in September then I could look down from up there feeling I had accomplished what I wanted to accomplish.
“But on the other hand, I don’t feel like I have even begun.” She pauses. “That is mostly because I just love film. I love the medium and there are so many directors I haven’t worked with and experiences that I have not had.
“I have been putting my responsibilities as a mother first and as my children get older at some point I can pursue it in a different way than I have been, probably when nobody wants to hire me because…” she sucks in her breath, widens her eyes and shouts, “I will be 50. So then nobody will want to make my novel unless the lead is actually 33 and they’ll hire a 12-year-old to play her.”
“It’s changing,” says Foster, who is engaged to the 48-year-old actress Robin Wright, who recently won a Golden Globe for her performance in House of Cards on Netflix. “The worship of youth has always existed. But in terms of how we receive entertainment, it’s like the Wild West. If you have content you can get it to people. No matter what age or place, there’s an appetite for intelligent content. So that’s encouraging.”
He laughs at his own enthusiasm. “I have to be optimistic. Maybe that is overly American. But I am.”
Àâòîð: NikitA 12.7.2014, 10:45
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